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Fraildove

Senior Member
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    212
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About Fraildove

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    Senior Member

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    teacher, former professional
  • City**
    USA
  • State (US only)**, Country (Outside US only)**
    MS

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  1. Hi Gianna’s daughter. I remember reading so many of your mom’s comments here at Ballet Talk. She is definitely missed! I direct a small, pre-professional Ballet school and we have a library for our dancers containing both books, old copies of Dancemagazines and video and DVD’s that they are allowed to check out. After you give items away, if you have anything left over that you can’t find a home for, I know our young dancers would love to have access to some new/old material. I hope that you are able to give your items to your mother’s contacts, but if you can’t get rid of everything I would b
  2. There is another dancer that recently left the Trocks, Alberto Pretto. On his Facebook and Instagram he went into more detail about the outside expectations that are required of the dancers. Alby as well as some of the other dancers wanted to dress more feminine, leave their hair pretty long, and dress in soft chiffon skirts and more feminine dance attire for classes while on tour. This was forbidden by management for the very reasons outlined above: they want their dancers to be identified as all male, and that includes the image they portray wile on tour. He mentions that he felt it was done
  3. From my understanding of most AGMA contracts, regardless of rank, a company never has the obligation of renewing a contract. Case in point, Veronika Part. Or Dvorovenko and Herrera. If there is a male soloist that they want to promote to Principal and they need an open contract, they have the right to not renew. And I hope that no one will take this the wrong way but Ramasar is the same age that I am, 38. That is nearing the retirement age for most dancers anyway. So if there is a young, up and coming soloist that they want to promote I think that they could arguably say so with the mention of
  4. Hi Veya, definitely check out Ballet Talk For Dancers. In the meantime, yes you can perform the same variation at multiple regionals. Most people do. Best of luck!
  5. Awkward in the extreme!!! And I will report back!
  6. No, traditionally the fish dives are not done in Sleeping Beauty in the Major Russian Companies, and even in the US they are usually not done if it is being staged by Russian dancers. i will say that the position in the photo of the newly discovered notes is not ‘pretty’ but it looks like it will be incredibly hard to execute from a technical standpoint, especially if the follow the pirouettes. The fish dives require timing but are not all that difficult, especially from the ballerina’s perspective as the just use force and gravity. This new pose will require quite a bit of ab and
  7. Reviving an old topic. Wanted to let everyone know that Henry Danton celebrated his 100th birthday on March 30. He is still teaching almost daily, still travels on his own, and is as sharp and witty as ever. He is an amazing man to know and am grateful for the time I’ve been ablet to spend with him, talking and learning about both ballet and life in general. Such an inspiration!
  8. Like I said, I totally disagree on the delivery and cannot stand the man’s ego. As to your comment of griping, Firedancer, I agree, you should not grip. But I’m taking it to mean engage, and yes the butt has to very much be engaged at all times. My husband als was a principal dancer in the old Soviet system at a MAJOR company and went through the 5 year pedagogy program, not GITIS, but a sister program. He also teaches the full engagement of the muscle and it in no way means gripping. Maybe I missed it but I never heard him call the position she is standing in as 1st. When I went back and watc
  9. One of the greatest teachers that I ever studied with never danced. She went through the 5 year pedagogy training at GITIS in Moscow, same as this guy. And she recognized thing in my body that no other teacher or coach ever picked up on and I was the better for it. I cannot stand this man, the way he talks and his very high opinion of himself. But much of what he is correcting Misty on is absolutely accurate from my perspective (former professional and now teacher and coach). It is very different than what is taught here in the US, I don’t agree with all of it, but a good deal is right on targ
  10. So here is my 2 cents about Rose Adagio. I have performed it many more times than I care to admit, knowing that regardless of how well prepared you are it really can be hit or miss. It comes immediately after your entrance, so not much time to shake the surge of adrenaline which can make you a bit jittery and can affect balance in a big way. Standing there looking at 4 different men, all of whom partner slightly differently, praying that everything will work, that your muscles will get under your control sooner rather than later, that your partners will be able to sense your balance pointe rig
  11. Was Vishneva taken as a slolost?
  12. I’m curiou about how Polunin performed the role of Rudolph (in Pretty sure he did) If I’m not mistaken in my assumption, did anyone see him in it and what were your thoughts? It seems like he would have been the perfect type to take on the role, maybe a little too much so.
  13. Here is a wonderful book that gives you the definition, and if I’m not mistaken also explains what school the name is from (Vaganova, French, Danish etc). Gail Grant Book And here is one that explains more in depth on the Vaganova method, written by Vaganova herself. This book explains the exercise and has many diagrams to help show the reader what is being discussed. Vaganova Book hope these can help. And never dismiss the idea of going and taking some ballet classes! Also, if you aren’t comfortable taking a class, if you explain to the school director that
  14. Those are attitude devant pirouette en dehors with fouetté.
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