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JMcN

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About JMcN

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    Bronze Circle

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    avid balletgoer
  • City**
    Liverpool
  • State (US only)**, Country (Outside US only)**
    UK

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  1. On 2nd March evening I think Aitor Arieta is a more likely Albrecht than Sarah Kundi (although that could be a very interesting cast!). For me, James Streeter is THE definitive Albrecht in this production.
  2. Here's the official press release. The US release date is 22nd March. As an aside I happened to be at both of the filmed performances in Liverpool. English National Ballet / Akram Khan’s Giselle to be released on DVD and Blu-Ray Hailed as ‘a masterpiece of 21st century dance' [The Mail on Sunday] Akram Khan’s Giselle is released for sale on DVD for the first time from 1 March 2019, giving ballet fans worldwide the opportunity to enjoy this award-winning production. Recognised as one of the greatest romantic ballets, Giselle has been re-imagined by celebrated choreographer Akram Khan. His first full length ballet, Khan’s Giselle features set and costume designs from Academy Award-winning designer Tim Yip, known for his work on the hit film Crouching Tiger, Hidden Dragon, and an adaptation of the original Adolphe Adam score by composer Vincenzo Lamagna, orchestrated by Music Director, Gavin Sutherland and performed live by English National Ballet Philharmonic. Giselle also features dramaturgy from Ruth Little and lighting design from Mark Henderson. Directed for the screen by Ross MacGibbon. the film was commissioned by The Space and recorded live at the Liverpool Empire in October 2017. English National Ballet Artistic Director and Lead Principal Tamara Rojo dances the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. First Soloist James Streeter performs in the role of Albrecht, Lead Principal Jeffrey Cirio performs as Hilarion, and First Artist of the Company, Stina Quagebeur performs in the role of Myrtha, Queen of the Wilis. The critically acclaimed production has toured to eight cities in the UK and internationally, and has been the recipient of numerous awards including the South Bank Sky Arts Award for Dance, Tanz Magazine Award for Production of the Year, Manchester Theatre Award for Dance, Critics Circle National Dance Award for Best Classical Choreography for Akram Khan. The ballet also helped English National Ballet earn an Olivier Award for Outstanding Achievement in Dance. Akram Khan’s Giselle was co-produced by Manchester International Festival and Sadler’s Wells, London, and supported using public funding by the National Lottery through Arts Council England. The film was commissioned by The Space, the digital agency which supports UK arts organisations to grow their audiences across digital, cinema and broadcast platforms. The DVD is distributed by Opus Arte and will be available internationally on Amazon, and is available for pre-order in the UK now. Release dates and stockists for the DVD in the UK, US and Germany are listed below, and further release dates (including for France and Japan) will be added. UK release – 1 March 2019 Available to purchase at: Amazon Presto Music Europadisc HMV US release – 22 March 2019 Available to purchase at: Arkiv Music Germany – 29 March 2019 Available to purchase at: JPC Notes to Editors About English National Ballet English National Ballet has a long and distinguished history. Founded in 1950 as London Festival Ballet by the great English Dancers Alicia Markova and Anton Dolin, it has played a major role in the growth and history of ballet in the UK. Today, English National Ballet is renowned for taking world-class ballet to the widest possible audience through its national and international tour programme, offsite performances at festivals including Glastonbury and Latitude, its distinguished orchestra English National Ballet Philharmonic, and being a UK leader in creative learning and engagement practice and delivery, building innovative partnerships to deliver flagship programmes such as English National Ballet’s Dance for Parkinson’s. Under the artistic directorship of Tamara Rojo, English National Ballet has gained new acclaim as it introduces innovative new works to the Company’s repertoire while continuing to honour and reinvigorate traditional ballet. About Akram Khan Akram Khan is one of the most celebrated dance artists today, building his reputation on the success of imaginative, highly accessible and profoundly moving productions such as XENOS, Until the Lions, Kaash, DESH, Vertical Road, Gnosis and zero degrees. Khan’s choreography is the embodiment of shared exploration across multiple disciplines and cultures. His collaborations include world class dance artists such as Sylvie Guillem, Sidi Larbi Cherkaoui and Israel Galván, visual artists Tim Yip, Antony Gormley and Anish Kapoor, and music artists Nitin Sawhney, Kylie Minogue and Florence and the Machine. A highlight of his career was the creation of a section for the London 2012 Olympic Games Opening Ceremony that was received with unanimous acclaim. Khan’s baptism into the ballet world was in 2014, as part of English National Ballet’s triptych Lest We Forget. His award-winning piece Dust pathed the way to making the critically acclaimed reimaging of Giselle. About The Space The Space is a commissioning and development organisation, established by Arts Council England and the BBC to support greater digital access to the arts. The Space is committed to supporting and facilitating the UK arts sector to realise its digital ambitions. The organisation commissions arts projects, offers online audience and digital skills development, and provides a production and distribution pipeline to ensure that these projects reach a wide and diverse range of audiences. www.thespace.org About Opus Arte Opus Arte is an award-winning provider of classical music and theatrical content, releasing around twenty-five titles per year on DVD, Blu-ray, CD, TV and online. Opus Arte is proud to be associated with many of the world’s finest arts organisations, including the Royal Opera House, Glyndebourne, Dutch National Opera & Ballet, Teatro Real, Shakespeare’s Globe, and the Royal Shakespeare Company. Founded as an independent label in 1999, Opus Arte is now part of the Naxos group, the world’s largest independent producer and distributor of Classical Music. Please visit www.opusarte.com. About Manchester International Festival Manchester International Festival (MIF) is the world’s first festival of original, new work and special events, staged every two years in Manchester, UK. The next one takes place 4 – 21 July 2019, including commissions and events from Yoko Ono, Idris Elba and Kwame Kwei-Armah, Skepta and Janelle Monáe. Giselle was commissioned as a Trailblazer for The Factory, the landmark cultural space being developed in Manchester, led by MIF in partnership with Manchester City Council. It was the first in a series of pre-Factory events being presented ahead of the building’s opening in 2021, which illustrate the variety, ambition and scale of work that will be created there. For more information about MIF and The Factory visit the website: mif.co.uk About Sadler’s Wells Sadler's Wells is a world-leading creative organisation dedicated to dance in all its forms. With over three centuries of theatrical heritage and a year-round programme of performances and learning activities, it is the place where artists come together to create dance, and where people of all backgrounds come to experience it – to take part, learn, experiment and be inspired. Audiences of over half a million come to its London theatres each year, with many more enjoying its touring productions at venues across the UK and around the world, and accessing its content through digital channels. Sadler's Wells commissions, produces and presents more new dance work than any other theatre in the world, embracing the popular and the unknown. Since 2005, it has helped to bring over 160 new dance works to the stage, many of them involving its 16 Associate Artists, three Resident Companies and four Associate Companies – the most exciting talents working in dance today. For further information visit www.sadlerswells.com
  3. Miyako Yoshida did dance in a variety of mixed programmes during her time with SWRB/BRB. Who could ever forget "License my roving hands". I can't even though I would like to!
  4. I agree Mab. Having been doing searches on the internet this morning all the VERY MANY articles I have found are nothing more than rehashes of the official press release (which is very lazy reporting). It should be very interesting and exciting days ahead for BRB (as long as he doesn't inflict Carmen on the company!).
  5. My all-time favourite production is Sir Peter Wright's 1990 production for Birmingham Royal Ballet, which he made as a gift to the city when the company moved there. I really like the party scene, which often can feel as though it drags but which just flows in this production. It took me many years to work out how one of the magic tricks is done (and boy did I feel foolish when I realised!). And then on to the transformation scene, which is the best bar none. It still thrills me after all these years and I still get a lump in my throat as the Rat King marches out of the fireplace. When the Nutcracker comes alive in human form there is the most beautiful duet for him and Clara - so beautiful I never seem to see the scene transforming to the snow kingdom! This really is a production to savour.
  6. I saw one preview and the official world premiere as well as a couple of other performances in Manchester and Liverpool. I must admit to being a huge fan of Akram Khan and I was totally blown away by this production. I saw 3 casts and they were all tremendous but, for me, James Streeter was truly outstanding as Albrecht. Overall the production was very well received - in Liverpool it got standing ovations at all the performances I saw (a near miracle in Liverpool) but I think it could be a bit marmite. One friend refuses to even mention it and another walked out at the first interval. Everyone else I know who saw it had the same reaction as me. BTW, it seemed to be only one chain of cinemas (Vue) that showed the cinecast in the UK and I couldn't get to any of them near-ish to me. I hope people are able to get to Chicago in February and enjoy the production as much as I did.
  7. Link to Dance Spirit article about Jay Ledford: https://www.dancespirit.com/jay-ledford-transgender-ballerina-2584065372.html?utm_campaign=RebelMouse&socialux=facebook&share_id=3741869&utm_medium=social&utm_content=Dance+Spirit&utm_source=facebook
  8. It's great news about the promotions. Jenna Roberts had her valedictory performance as Juliet on 29th June 2018 with Tyrone Singleton has her Romeo. It was a glorious performance and she was just radiant during the curtain calls. David Bintley made a short speech before the performance started and there was a flower shower and bouquet presentation at the end. Nao Sakuma and Chi Cao had their joint valedictory performance on 30th June. I have followed both of them since the day they joined the company so it was a sad day for me. The performance was incredibly emotional and I felt privileged to have been there. Again David Bintley made a short speech and there was a flower shower and presentations. It was Chi's final performance with the company. Nao Sakuma performed Lise in Fille during the week in Bristol. Her final performance was the matinee on 7th July and what a very special performance it was too. Her husband Yasuo Atsuji danced the role of Colas, having made his debut in role (partnered by Nao) earlier in the week. It was a truly joyous occasion and the whole company rose to it. There were more bouquets at the end, including one presented by her 3 year old daughter - there was not a dry eye in the house. With Iain Mackay having retired earlier in the year it really was the end of an era. I am happy to say, however, that the company is in truly splendid form. Apart from the existing principals Brandon Lawrence, Lachlan Monaghan and Max Maslen have been making a splash all season and more than deserve their promotions. The ladies are also looking good with Yvette Knight, Maureya Lebowitz, Miki Mizutani and Yaoqian Shang consolidating their positions during the Spring tour and well deserving their promotions. There is oodles of talent bubbling under too.
  9. JMcN

    RB promotions

    Congratulations to all the promotees!
  10. Matthew Ball will be on a short leave of absence to dance The Swan in Matthew Bourne's Swan Lake during the Sadler's Wells season. https://new-adventures.net/news/full-casting-announced-for-matthew-bournes-swan-lake
  11. I thought that came across in the Dance Magazine interview where he made his comments about class with lady dancers.
  12. Chase Johnsey has a big following among ballet fans in the UK. I sincerely hope Chase can make a career here and we get more more opportunities to see him dance. I was interested in his experience of working with ladies "en pointe" in the Dance Magazine article. He's just about the best fouetté-er I have seen! Interesting that Tamara Rojo gave him the opportunity but actually did not capitalise on it at all.
  13. Thanks for sharing Cristian.
  14. Neither the van nor the technical equipment has been retrieved so the money will be going towards that.
  15. BRB fans have known for some time that William Bracewell is pretty well unmissable! I remember seeing his Romeo at The Lowry a couple of years ago and immediately declaring that he was the best Romeo I had ever seen in that production!
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