Jump to content


  • Content Count

  • Joined

  • Last visited

About mille-feuille

  • Rank

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan and just-for-fun student
  • City**
    New York
  • State (US only)**, Country (Outside US only)**
    New York

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. mille-feuille

    New York City Ballet Fall Season

    Saturday (9/22) matinee Jewels: Emeralds, while having the most understated choreography of the three, to my ears has the most beautiful music. Tiler Peck was buoyant and pristine, but perhaps too down-to-earth to fully entrance me. Unity Phelan, on the other hand, reminded me of a mermaid queen. She and Adrian Danchig-Waring (what a welcome sight he is!) floated through their pas de deux and solos. Days later, visions of her dancing the Sicilienne solo are still echoing in my mind. I loved Sterling Hyltin in Rubies and found Andrew Veyette less leaden than I had expected from reports. Sterling was like a lightning bolt -- seemingly no transitions between crystal-clear positions, jumps, and turns. Bam, bam, bam -- there she was! What a joy she is. I completely agree with whoever characterized Kretzschmar as a cheerleader. She was way too smiley and did not radiate command. I sorely missed Tess Reichlen's subtle menace as the Tall Girl. Mearns and Gordon were sublime in Diamonds. Although I see Odette influences in Mearns' Diamond, there is a larger-than-life seriousness and profoundness to her interpretation. Where Odette is vulnerable, Mearns' Diamond is not. You get the sense that she is powerful but choosing not to display it, so as not to terrify us: she is an angel in the old style, a heavenly warrior who has to tell us "Be not afraid" when she first appears before us. And despite all the recent turmoil, this performance still made me think: "Thank heaven for New York City Ballet."
  2. mille-feuille

    New York City Ballet Fall Season

    I saw the Friday (9/21) All-Balanchine performance and Saturday (9/22) matinee Jewels. Friday (9/21) All-Balanchine: Reichlen was gorgeous in Concerto Barocco. I just love her -- so on top of the music, she's almost dancing a hair's breadth ahead of it, illuminating it. Stafford was very competent, but I find her too cutesy and her dancing rather clipped, lacking amplitude. The corps looked a bit ragged at times, but overall the ballet was lovely and, delightfully, not too long. 😉 Tschaikovsky Pas de Deux with Tiler Peck and Joaquin de Luz... what more is there to say that you all don't already know? The audience, myself included of course, ate it up. Peck sparkled, radiated joy. de Luz was his charming, mischievous self. His jumps looked more labored than even as recent as last season, but the charm is still there in spades. They got a standing ovation for this, and five curtain calls. It was a lovely moment. I was disappointed by Stravinsky Violin Concerto. When I last saw this (too many years ago), Ramasar was dancing it and he along with Hyltin and whoever else was dancing really made the coda a strong statement of happiness and playful energy. With the information standing as we know it now, I could not watch Ramasar again and feel good about it, no matter the quality of his dancing. Although Hyltin, Mearns, and Stanley were excellent Friday night, somehow this ballet still felt half-baked. I'm seeing it again Wednesday 9/26 -- I hope I will enjoy it more then. Symphony in C had many highs but a few disappointing lows. The highs: Ashley Bouder, Joseph Gordon, Indiana Woodward, Sebastian V-V, Troy Schumacher. I too thought that Woodward's jumps were low compared to Sebastian V-V's, but whose wouldn't be? She, however, has lovely head, arm, and shoulder movements that he currently lacks. If you watch that Instagram video of the two of them posted by the Times and included in this thread, she has a lovely variation in speed and texture and reminds me of the weaving of a basket. Joseph Gordon's jumps and turns were less impressive than some of the corps men who did them in unison with him, but I can't get enough of his seriousness and regal bearing. I'm watching him eagerly! I found Maria Kowroski disappointing. To me, she is heart-stopping when doing things that do not require too much strength, but she makes me very nervous when strength is required and in turns. Her entrance had me spellbound, but the famous developpe a la seconde was VERY shaky and that + Tyler Angle sprinting behind her to catch her other hand completely took me out of the moment. (I wish that more dancers, if they're feeling shaky, would do what Kent and Ludlow do in the German recording -- it looks so dignified and serene.) During the coda, Maria almost lost it in a fouette and I had to force myself to watch Bouder instead. (To be fair, during a later fouette in the coda, I saw from the corner of my eye that hers was the most beautifully held of the four main women.) Will post my impressions of Saturday's Jewels later.
  3. mille-feuille

    New York City Ballet Fall Season

    I actually prefer the dignified, languid quality of how Kent and Ludlow do the a la seconde to the man positively sprinting to get to the ballerina's other hand (e.g., how Reichlen and Angle do it in canbelto's video around 2:15). But I mean... this entire ballet is transcendent and spiritual nourishment, so I don't mind TOO much. 😉 I am finally going to NYCB tonight and I CANNOT WAIT YOU GUYS!!!
  4. She was, and if these allegations are true I would be surprised if Finlay *didn't* have material of Lovette taken without her consent. I was just wondering where that was in the court document.
  5. Where was Lexi Maxwell named as a dancer whose photos were passed around? Item 61 says that Chase "offered to share Ms. Waterbury with Mr. Ramasar and Alexa Maxwell" -- almost sounds like Lexi Maxwell was joining Amar in looking at the photos/ videos. I too hope they don't return. If they do, I will go out of my way to avoid them.
  6. Glad to hear that Interim Leader Craig Hall isn't the one named. When I first heard about Chase's resignation and Amar and Zachary's suspension, I admit the only one I cared about was Amar as I've found Chase and Zachary to be uninspiring dancers. I fell trap to the belief that Amar's wonderful, noble dancing must mean that was a wonderful and noble person himself. I know it's a question that's come up time and again about separating the art from the artist, but this is the first time it's really hit home for me. I'm glad that Amar (and Zachary for that matter) doesn't seem to have engaged in behavior nearly as heinous as Chase's, but I doubt I'll be able to watch Amar's dancing with the same rapture as before. :\ This is just so disappointing all around.
  7. Item 57 of the court document names Craig Hall as someone who was part of the text/ email chain and voiced his enjoyment of the images/ video(s). But he's identified as a former student at SAB rather than a member of the interim team. Are there two Craig Halls? To think that a member of the interim team might be involved in this... It makes me sick.
  8. mille-feuille

    NYCB 2018-2019 Season

    This is great news. I can't wait to see the fruits of their coaching.
  9. mille-feuille

    ABT: Roster in Review - 2018

    ABT Fan, thanks for sharing. I'm so sorry to hear that; I had noticed Zhiyao Zhang and was rooting for him to advance. Here's hoping for a speedy recovery!
  10. mille-feuille

    Kathryn Morgan

    I always sought her performances out when she was dancing with City Ballet. Her picking up where she left off there would be so wonderful, but I'd go out of my way to see her perform with any company if she came within striking distance of New York. I'm sorry to hear that her weight loss was partly caused by "life circumstances" (having been there myself), but these photos bode well and I'm excited for her!
  11. mille-feuille

    NYCB 2018-2019 Season

    I called specifically because I was worried about this -- being a millennial it was one of the first faxes I had ever sent and I was suspicious of the technology. 😂 They told me that my fax had been received and I have yet to get any sort of confirmation, so I assume they will just send the tickets.
  12. mille-feuille

    ABT 2018 promotions

    I used to always spot Fang in a bad way because of her highly staccato style of dancing, but recently she seems to have toned it down and it's made a world of a difference -- she looks so glamorous and floaty! I think her promotion was well deserved. Like others on this board, I wish Gabe Stone Shayer and Kaho Ogawa had also been promoted.
  13. mille-feuille

    ABT 2018 Swan Lake

    Trenary was luminous as one of the cygnettes on Monday (as incongruous as that sounds!). I saw a Swan Queen in her and look forward to her taking on the role hopefully sooner rather than later. I'm depressed about missing Shevchenko too. I saw her last year in Don Q and she was phenomenal. Next year, I will be at her Swan Lake no matter what!
  14. mille-feuille

    ABT 2018 La Bayadere

    This is certainly the reason I am only lukewarm about ABT.
  15. mille-feuille

    ABT 2018 Firebird / AFTERITE

    The pas de deux (if danced well) has a sexual energy, but it's in no way explicit or overt. I think it'd sail WAY over a kid's head.