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mille-feuille

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Everything posted by mille-feuille

  1. That sounds like a wonderful show!! Brahms Schoenberg and Raymonda Variations are fabulous. I'm sure the Graham solo will be cool too! And what a great group of dancers! I love Sara Mearns in pretty much anything, and she is a hurricane in Brahms Schoenberg. Joe Gordon can do no wrong in my eyes. Please report back with your thoughts! 🙂
  2. Have you seen Reichlen in Swan Lake before? I think the O/O role gets in her head. She appeared very nervous as Odile when I saw her in (I think it was) 2018, and I spent the entirety of that part of the ballet tense and worried for her. If I had to choose Bouder or Reichlen for Swan Lake, I would choose Bouder. (And this is coming from someone who loves Reichlen and is lukewarm on Bouder generally.)
  3. I believe temps de flùche can be done to the front or to the back. See this video: Also this blog (http://balletwebb.blogspot.com/2014/04/terrific-tuesday-temps-de-fleche.html) ”Temps de fleche is not a common step, but it is often found in several famous classical ballets such as Corsaire and Paquita. It is essentially a jump from one foot to another, often with an extended kick when it is performed to the front; or with both legs in attitude when it is done to the back.”
  4. Thank you so much, @cubanmiamiboy @Helene @dirac @abatt @sidwich @Kathleen O'Connell @nanushka @sandik!! I love the pieces you've suggested, and I will be carefully listening to them over the next little while. I will let you know what we eventually go with!
  5. Hi all, I wanted to ask a semi-ballet related question. Hopefully this is the best forum for it. I'm engaged to be married in about a year, and I'm looking for good music to use for walking down the aisle, processing out, our first dance, etc. I'd like to use classical music for all of this, but nothing TOO stereotypical (e.g. Mendelssohn's Wedding March is a no). Since we both love going to see NYCB, we'd love to incorporate some music that Balanchine used for a ballet. I love the second movement from Concerto Barocco, and my fiance loves the "Sicilienne" section of Emeralds. D
  6. I for one love the videos of her dancing. She deserves a shot at bigger roles and if I can't see her take those roles on onstage, I'd rather Instagram than nothing.
  7. I've seen it spelled D'Jampe. I've always (perhaps naively) thought it referred to jumping, since the choreography is so jump-heavy. That would be so cool if it had to do with the Bhutanese tradition of Jampe, though.
  8. NOOOO! I will miss her so much!! She's always so regal and elegant⁠—but also, warm out there. A rare combination. I loved her especially in Concerto Barocco and Diamonds. I am happy for her.
  9. Yes, I agree that the tone implies more than just a temporary leave. If that's the case, I look forward to seeing more of the up-and-coming men. I enjoyed Olivia MacKinnon a lot in PC#2, too. As for promotions—I was so rooting for Kikta and Hoxha. Sigh.
  10. I'd go out of my way to see that! Of the ABT dancers, Brandt is the first to come to mind for Tschai Pas. I'd also be interested to see what Hurlin could do with it, and Lane.
  11. Very sad, indeed. I liked her dancing very much and always looked out for her when I saw her name in the program.
  12. Hippolyta, thank you for the report! I always appreciate hearing them from farther afield. I only saw Shevchenko's O/O this year but next I'll see Teuscher's as well given the strength of recommendations on this board.
  13. Please, for all that is holy and good, no. I will never forget her horrifying turn at Tchaikovsky Pas de Deux a few years ago. Keep Isabella Boylston away from my beloved Balanchine choreography.
  14. Granted I've only been watching ABT's Swan Lake for about three years, but I think I've seen this arabesque balance performed well just once or twice. I'd almost rather they do it well on flat than this bobbling.
  15. I mean long sections (32 counts worth) of fouettés, such as are found in Swan Lake, Don Quixote, and Le Corsaire. I see most dancers do them approximately on the beat, but not RIGHT on it. Good luck!!!
  16. In my experience doing fouettés to the beat is the exception rather than the norm! (I'll never forget Tiler Peck's fouettés as Odile... ) Using all the music with solid, non-travelling fouettés, whether they be singles or multiples, is enough to satisfy me.
  17. My feeling exactly. Jane Eyre was also possibly the worst thing I've seen by ABT.
  18. Out of curiosity as someone who hasn't been seeing ABT for more than a few years, what were some of the worse things ABT's put on stage? Boylston in Tchaikovsky Pas de Deux?
  19. Based on these responses, I will give it a try! Which cast would y'all recommend? On the one hand it'd be nice to see Bolle, but I've found Seo bland in the past. Lane/Cornejo would usually be my choice, but he may not be able to dance by then. Boylston/ Hallberg?
  20. After seeing the devoid-of-ballet Jane Eyre last night, I'm feeling a little scarred. I had planned on seeing Manon for the first time next week, but now I feel the need to confirm--is there enough dancing in it? (All I've seen of it is the bedroom pas de deux, pretzel-like partnering I consider "ballet-lite" or "in the style of ballet.") How much meaty classical dancing is in this ballet?
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