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diane

Senior Member
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Everything posted by diane

  1. pherank, I agree. Someone has to speak up, and forcefully. Too bad not many, many more are doing so. (i am pleased to see that some ARE coming out publicly to show some support) Another difficulty for dancers is that their careers are usually short (compared to other careers), and so by the time they have reached an age where they are confident enough to speak out forcefully, their careers are basically over. No one would listen. So, for Morgen to speak up now, even though she is not quite finished dancing professionally, is laudable. I think that most dancers just get
  2. Absolutely. This has been my own experience, and that of my DDs (both professional dancers). I am glad that at least some things are _finally_ being discussed openly and that some dancers have felt able to speak up. There are so many wonderful dancers who do not "fit the mold". And, yes, the Age of Social Media makes it much more complicated. Of course, now with Covid, many companies are having a very hard time keeping dancers employed, making for harder times. Wishing all the dancers struggling out there all the best. -d-
  3. Yeah, pherank, it has been awhile. I am still here.... just getting more wrinkled and greyer. It is indeed very interesting how different cultures (try to) control how their languages grow and evolve. The German-speakers also seem to be very keen on keeping things orderly, though perhaps not quite to the extent the French council tries to do. (I did live in Greece for a few years quite some time ago, but I did not ever hear if they had such a council to decide about how to develop the language...) -d-
  4. Quote by pherank: "Oh to be a child and just sponge up language without trying to reason my way through it." Oh, my, yes! It appears that Greek has quite a phonetically logical pronunciation; especially compared to English. 😛 -d-
  5. @Anne: Yes, indeed; "durcheinander" connotes more chaos. -d-
  6. Sounds wonderful! So nice when something tlike this works out! (an attempt at translation: "...they will dance next to each other, one after the ohter, and sometimes mixed-up with each other...." ??) -d-
  7. Lovely! So glad you got to see this! (and got to film a little bit for us!) -d-
  8. diane

    Maria Kochetkova

    Wonderful, thanks for those! -d-
  9. diane

    Maria Kochetkova

    I love it that she does not succumb to the normalcy of wearing tight, high-heeled shoes. (not trying to slam those who really like wearing those shoes, but there is a sort of pressure on women to try to make their feet look as small as possible. 😛 ) -d-
  10. Thanks, pherank. Yep, things have not changed. (nor are they likely to...) One thought: There are cultural differences to criticism, and there are indeed some cultures/languages where what we - in the West and in English - would consider "harsh" statements/critiques, they are there considered quite "normal" and not at all harsh, just "direct". That is something which we have to get used to as the world becomes even more connected. (in dance this connection is happening faster than in many areas, I would say) So, yeah... perhaps if one is working for or with some people from Eastern Eur
  11. So true; there are just so very many dancers willing to do anything to dance, and the market dictates that they are therefore not really "worth" that much. (".... like sand at the shore..", they used to tell us at the academy; we are like sand at the shore...) That is a great idea to try to help dancers and musicians find affordable (and nearby!!) housing! -d-
  12. Some European State Theatres maintain appartments in a building where they rent out - cheaply - to choice members of the theatre. Most members must find their own housing, though. Guests are often put up in theatre-run/rented appartments. I have no experience in the USA, though I have until now not heard of any housing provided to members ot the theatre companies; students at the conservatories somjetimes have housing, though, don't they? -d-
  13. I have not found anything resembling an obituary there - or anywhere, actually. Perhaps it was removed? Or is now somewhere else? (or maybe only visible to his Facebook friends) Just curious; it wont change anything, obviously. Sometimes people do not want an obit written, and make that clear to those around them. Perhaps that is the case here? At any rate, he was quite a "force of nature" here; and SO very knowledgeable in so many fields! -d- Edited to add that I found this short obit: http://www.tributes.com/obituary/show/Melvin-B.-Johnson-106072960
  14. Goodness, this seems to be more the norm than the exception in many companies, at least in some form or other. And it brings back many memories. Part of it is surely the near total dependance a dancer feels they have on the ADs and AADs (and often others) regarding his/her career. Often it appears largely mysterious how a decision regarding roles and advancements are made, if all else is /appears to be equal. So sometimes every word, every glance, every non-word or non-glance is analyzed meticulously, looking for clues to messages that appear to be few and far between. And, in my ow
  15. That is indeed quite unusual for a company to insist on that sort of thing! I certainly wish him all the best with this! I had wondered about this, if there were any issues for the members of the troupe if they wanted to transistion or something like that. I think it would be pretty amazing to have a company where the members could really be who they were, regardless of whether they fit a sterotype or idea. It would be a great chance to help further understanding and acceptance of not only trans but all the many diffeent aspects of humans. (I do not want to say, "lifestyles" , for it is
  16. This is a fascinating discussion. I have not as much experience as most of you, but nevertheless....Just a thought: Here in Germany and Austria when Shakespeare plays are presented they are done so of course in German, and there often are chnages to the text, perhaps in part because it has already been translated, so one can presumably continue to translate further, or for clarity or other reasons.(of course it is the same with any other plays which were originally written in a language other than German; they are all translated, as are all films dubbed) I guess that is often done with
  17. The other Strauss - meaning Richard? Yes, sometimes there are some other things; even R.Strauss, but not often. This one is for publicity, after all. Karajan - yes. Yes. It is a Tradition (with a captial "T") for us to watch the Neujahrskonzert here... and at midnight of the first of January to listen to the Donauwalzer and dance around the room precariously holding a glass of Sekt. -d-
  18. Did anyone see this? Being "over here", we of course see the German/Austrian version and the Austrian broadcasting people are "presenting" it. Is this shown "live" in the US? It's quite "kitschy"; but I guess that is the idea; get more tourists to come to Austria. I am finding the dancing bits more and more cringe-worthy as I get older. The dancers are fine, the choreography and attempts at - what? a story-line? - bother me more and more. My DH is Viennese and therefore this is a must-do for us on New year's day after breakfast. Actually, I liked it that there were not qui
  19. I am stunned that this was meant seriously. On another note: It is possible to put rubber onto strategic parts of the soles of the slippers or pointes; even so, it is still not fun dancing on super-slippery floors. Perhaps that is what was done for these brave dancers? -d-
  20. Yeah - and I wonder what the real reason is?? Copyright? Some companies at least leave up the entire class for years and years. Oh, well. -d-
  21. Cool! Yes, for sure I hope that she did not have to sit there for too long, getting cold! And, I am really wondering what she did to her pointe shoes so that she could dance on that floor!! (I know that one can have rubber glued onto the soles, but I did not notice anything, did anyone else?) -d-
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