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About sz

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    former NYCB dancer, B'way // currently teacher/coach/mentor, fan, balletgoer
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    New York
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  1. I think you will love Shevchenko. Her Swan Lake last spring season was extraordinary.
  2. I just checked the calendar and it seems Hoven replaces Cornejo for all Nutcracker perfs.
  3. sz

    Alexandra Ansanelli

    Sad news, but there are films of Alexandra's dancing I have no doubt in the Lincoln Center Dance Library.
  4. Emma: "And for some corps dancer shout outs: Ashely Hod looked particularly lovely in Concerto Barocco." Ashley Hod is one of my very favorites. I'm hoping to see her more often and in soloist and principal roles. If you ever see Ashley Hod cast for Dewdrop, don't miss her. She not only has gorgeous lines, but her jumps are big and spring with such lightness and sparkle. She has danced this role in Nutcracker at least a couple of times now, also Sugar Plum. In Barocco, I'd have loved to see her paired with Laracey in the leads..... I can dream....
  5. Finally! This is a perfect cast for Other Dances, imo. Yes, it's a Wednesday, yes, it's in the dead of Winter and an expensive trip from NYC..... but I may need to take a couple of days off from the job and go!
  6. A wonderful, generous evening. I was there too and was very thankful to Yuriko, Jared, and Alvin Ailey for bringing this fund raising event to us in NYC. In spite of the hurricane's destruction to Houston Ballet's home, Yuriko and Jared looked in great shape and ready to face the future's challenges. Yuriko was especially touching in the Coppelia Prayer Solo, bringing tears to I think everyone's eyes. In addition to the above mentioned dancers by ABT fan, I ran to see Mayara Pineiro and Arian Molina Soca dance the DonQ Act 3 Pas de Deux. They had just performed their full-length Sleeping Beauty in Philly, not an easy ballet especially stamina wise -- made it to NYC to deliver a DonQ full of Cuban fireworks. His leaps were stunning, with the look of a sleek but powerful panther in the air. She did every third fouette as a triple for the first 16....with such ease.... and finished with a smile and sparkling eyes to the audience. I was happy and sad to see Daniil with his killer technique and charm in what might be his last gala here before leaving ABT for Germany. Wishing him all the best. What an exquisitely talented dancer. Bravi to all the dancers who gave such heartfelt performances.
  7. Anybody else notice that Other Dances is cast now for all of its ABT Fall perfs except for the one on Oct. 27?
  8. I loved canbelto's review! Thank you. So much detail and deep thought, experienced thought, went into this. I'll be seeing the Saturday matinee, and perhaps the evening too. Can't wait to see this great ballet with all the different tributes to its brilliance.
  9. Timofej Andrijashenko is fabulous! I don't count fouettes either, but I do focus on what they look like. Singles or with adding doubles, etc., they can be breathtaking if done beautifully. I would never want to see them replaced with something else. An exception.... I saw Natasha Markarova's first DonQ pas with ABT and she could barely get eight fouettes done.... but she then continued to the music with the most incredible stage leaps I had ever seen (pre Osipova....).
  10. Thank you canbelto for such a wonderful tribute to Veronika and her ABT farewell.
  11. Back to casting, casting, casting! Directing, directing, directing! Without naming individuals....some ballerinas are stunning Giselles and Juliets, etc., and some are stunning Swans, White and Black, etc. I think it's a huge mistake to push any dancer into a role that doesn't suit their strengths, styles. One or two major performances should not be "the test." On the other hand, where are the many choices of qualified dancers understudying major roles? Many are dancing these major roles in smaller companies. And where are the ballets that might better show off dancers that are currently available? ABT needs much better direction.....
  12. Sarah was not dancing small last night! Neither was anybody! For me it was, in sum: Wow! I thought it was Sarah at her best. Sarah was more relaxed with Herman and their chemistry was real! He is so sensual, sexy, intense and yet sweet. A perfect partner to pump up her natural lyrical, romantic, soulful, sweet beauty. Act 1: Sarah’s solo started with a divine arabesque balance only going to plie penchee at the very last second. No interruption to the music…. and stunningly big. Turns were slow and perfectly controlled (esp the back attitude ones….wow.) Hops were feminine and lovely. Then wild, fast circle of pique turns. Acting: Incredible throughout….. and the mad scene was fantastic…. Loved the huge grande jetes (losing her mind totally) ending in exhaustion to the floor. Peasant pas: Cassandra was better than on Saturday (too one note for me….) with Gabe (so strong, a bit flashy for this role). Act 2: Sarah will hate me for loving Orsmby (conductor)……I usually prefer David LaMarche. Orsmby’s tempos were too slow for all the adagio sections last night…. But I loved it because it forced Sarah to push beyond her comfort in places such as huge develope a la secondes (I didn’t know she could do that!). First table lift didn’t stay up long enough with Herman partnering…. But the second one was perfect. Rest of the partnering was wonderful….. full of real emotion and gorgeous lines. Herman did really well, as he’s still a little injured from his DonQ.... Sarah was a little more distant with Daniil, but I liked her with both guys. Future roles? Can't wait! Also loved Christine as Myrta! She improved so much since Saturday’s perf! She doesn’t jump, fly enough, often enough, yet… especially in most of her Myrta solos…. until the very last section…. But what stunning beauty and presence, lines, throughout. Then, at her last big jumping solo, she really flew! I predict she will dance a Swan Lake very soon….. if not this season…. and I will be there! Only real critique from me: corps and the two Willis demis needed some cleanup work.
  13. Sarah Lane will dance Giselle again on Wednesday night - with Herman Cornejo! She replaces Maria Kochetkova. Everyone, don't forget about the Rush Tickets ($30 with no fees) that are available for each performance.
  14. BRAVA to Sarah for a most moving, beautiful Giselle. A performance I have not seen the likes of in years. Responding to the person who posted earlier here that Sarah must have had coaching for a long time and outside of ABT......That could not be further from the truth, speaking as a good friend to Sarah. Giselle is one of Sarah's most loved roles and she has learned so much from watching others perform it, not from working on the role outside of ABT. Life perhaps full of great love and loss has been her guide as well. Bravo to Daniil too for his brilliant dancing and improvement both in partnering and acting. I was very impressed with how much he has grown. I fell deeply in love, and in tears, heart aching, during this wonderful performance. So grateful to have experienced these amazing artists.
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