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Dale

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  1. Official announcement: JOO WON AHN AND ARAN BELL PROMOTED TO SOLOIST WITH AMERICAN BALLET THEATRE ABT WELCOMES NEW MEMBERS OF THE CORPS DE BALLET AND APPRENTICES FOR THE 2019–2020 SEASON Joo Won Ahn and Aran Bell have been promoted to the rank of Soloist with American Ballet Theatre. The promotions, announced today by ABT Artistic Director Kevin McKenzie, become effective September 1, 2019. Joo Won Ahn, originally from Wonju, Korea, began his formal training in 2006 at Y.J. Ballet People Academy and Sunhwa Arts School. In 2012, he continued his studies at Korea National University of Arts in Seoul. Ahn was invited to join ABT Studio Company in 2013 after winning the Gold Medal at Youth America Grand Prix in New York City. He joined ABT as an apprentice in January 2014 and the corps de ballet in June 2014. Ahn’s repertoire with the Company includes Solor in La Bayadère, a Cavalier in Cinderella, Ali and Lankendem in Le Corsaire, the Russian Dance and Spanish Dance in Alexei Ratmansky’s The Nutcracker, Winter in Ratmansky’s The Seasons, Bluebird, a Fairy Cavalier and Italian Prince in Ratmansky’s The Sleeping Beauty, Neapolitan Dance in Swan Lake, leading roles in AFTERITE, The Brahms-Haydn Variations, Garden Blue, Serenade after Plato’s Symposium and Thirteen Diversions and featured roles in AfterEffect, Bach Partita and In the Upper Room. He created roles in Mark Morris’s After You and Ratmansky’s Songs of Bukovina. Aran Bell was born in Bethesda, Maryland and began studying ballet at age four at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. He continued his training with Fabrice Herrault in New York City and Magaly Suarez in Florida. He spent several summers at The Royal Ballet School in London and at American Ballet Theatre’s Summer Intensive in New York City. Bell’s awards include the Hope Award at Youth America Grand Prix Finals in New York City in 2009 and 2010 and the Premio Capri Danza International Award in 2014. He was featured in the 2011 film First Position: A Ballet Documentary. Bell joined ABT Studio Company in September 2014. He became an apprentice with ABT in May 2016 and a member of the corps de ballet in March 2017. His repertoire includes Romeo in Romeo and Juliet, Lankendem in Le Corsaire, Harlequin’s Friend in Harlequinade, St. John in Jane Eyre, Prince Désiré in Alexei Ratmansky’s The Sleeping Beauty, Prince Siegried and von Rothbart in Swan Lake, leading roles in Garden Blue and Thirteen Diversions and featured roles in AfterEffect, Deuce Coupe, In the Upper Room and Songs of Bukovina. He created a leading role in AFTERITE and the role of Winter in Ratmansky’s The Seasons. (more) PROMOTIONS ANNOUNCED 2019 – Page 2 American Ballet Theatre apprentices Jacob Clerico, Jarod Curley, Michael de la Nuez, Léa Fleytoux, Abbey Marrison and Ingrid Thoms have been named members of ABT’s corps de ballet for the 2019–2020 season. ABT Studio Company dancers Leah Baylin, Kanon Kimura, Melvin Lawovi, Joseph Markey, Duncan McIlwaine and Chloe Misseldine will become apprentices with the Company. Jacob Clerico was born in Natick, Massachusetts and began his training at Holliston’s Dancing Arts Center. He continued studying at the American Ballet Theatre Jacqueline Kennedy Onassis (JKO) School in 2015 and joined ABT Studio Company in September 2017. Clerico became an apprentice with the main Company in 2018. Jarod Curley, from Bethesda, Maryland, studied at the Frederick School of Classical Ballet. He later trained at the John Cranko School and joined ABT Studio Company in September 2016. He joined the main Company as an apprentice in 2018. Michael de la Nuez was born in Lexington, Kentucky and trained at De La Dance Center in Cincinnati, Ohio. He joined ABT Studio Company in February 2018 and became an apprentice in December 2018. Léa Fleytoux grew up in Paris, France and trained at the Conservatory National Superior of Music and Dance of Paris before joining the ABT JKO School in 2016. She became a member of ABT Studio Company in January 2017 and an apprentice with the main Company in 2018. Abbey Marrison was born in Markham, Ontario, Canada and studied at the Karpov Ballet Academy. She joined the ABT JKO School in September 2016 and joined ABT Studio Company the following year. Marrison became an apprentice with the main Company in 2018. Ingrid Thoms began her training at the Kintz Mejia Academy of Ballet in her hometown of McLean, Virginia. She continued her training at the Harid Conservatory in Boca Raton, Florida until joining the ABT JKO School in 2016. She became a member of ABT Studio Company in September 2017 and an apprentice the following year. American Ballet Theatre welcomes the following ABT Studio Company alumni as apprentices in Fall of 2019: Leah Baylin, from Boulder, Colorado, trained at the ABT JKO School and joined ABT Studio Company in January 2018. Kanon Kimura was born in Tokyo, Japan and received training at the San Francisco Ballet School. She joined ABT Studio Company in September 2018. Melvin Lawovi studied at VM Ballet School in his hometown of Toulouse, France. He became a member of ABT Studio Company in January 2018. (more) PROMOTIONS ANNOUNCED 2019 – Page 3 Joseph Markey, from Jacksonville, Florida, trained at Orlando Ballet School under ABT’s National Training Curriculum. He joined ABT Studio Company in September 2018. Duncan McIlwaine was born in Worcester, Vermont. He studied at the ABT JKO School since age 13 and became a member of ABT Studio Company in January 2018. Chloe Misseldine, from Orlando, Florida, trained at Orlando Ballet School under ABT’s National Training Curriculum. She joined ABT Studio Company in March 2018. American Ballet Theatre’s Spring season at the Metropolitan Opera House continues through July 6, 2019. For tickets and information, please visit www.abt.org.
  2. From the company: AMERICAN BALLET THEATRE’S ABT INCUBATOR RETURNS FOR SECOND ANNUAL WORKSHOP, OCTOBER 29–NOVEMBER 9, 2019 TWO-WEEK CHOREOGRAPHIC PROGRAM OPEN TO ABT DANCERS AND FREELANCE CHOREOGRAPHERS Audition for Freelance Choreographers to be Held August 8 American Ballet Theatre continues its in-house choreographic program this Fall with ABT Incubator. It was announced today by Artistic Director Kevin McKenzie. ABT Incubator, a two-week choreographic workshop, provides new and seasoned choreographers with a focused lab to inspire and generate ideas for the creation of new work. Directed by American Ballet Theatre Principal Dancer David Hallberg, ABT Incubator will be held October 29–November 9, 2019 at ABT’s New York studios and is open to ABT dancers and freelance choreographers. Participating choreographers will be chosen through an audition process with selections made by a panel of choreographers, directors and artists in ballet and dance, including Hallberg, McKenzie, Danspace Executive Director Judy Hussie-Taylor and choreographer Jessica Lang. The audition will be held Thursday, August 8 at ABT’s 890 Broadway studios. Choreographers chosen for the two-week program will be provided studio space, a stipend, collaborators, panel discussions and mentorships to create new work on dancers from ABT, culminating with a private studio showing on November 9. “Following the success of the first iteration of ABT Incubator in 2018, I have recognized the immense value of our choreographic workshop and am thrilled to host this essential program for ABT for its second season,” said Hallberg. “I remain as committed as ever to providing new voices in choreography with the resources to focus on process and create freely.” “American Ballet Theatre is committed to establishing an environment conducive for creating new work,” said McKenzie. “ABT Incubator is the next step for our institution to support that commitment.” Choreographers of all ages, ethnic and racial backgrounds and gender identifications are encouraged to apply. Applicants must be legally authorized to work in the United States to be considered. Audition information and guidelines for freelance choreographers are available by visiting: www.abt.org/abtincubator. ABT Incubator is supported by the Virginia B. Toulmin Foundation.
  3. The release: WORLD PREMIERE BY TWYLA THARP IN HONOR OF HERMAN CORNEJO’S 20TH ANNIVERSARY TO HIGHLIGHT AMERICAN BALLET THEATRE’S 2019 FALL SEASONAT THE DAVID H. KOCH THEATER, OCTOBER 16–27 FALL SEASON TO CELEBRATE ABT CHOREOGRAPHERS PAST AND PRESENT WITH WORLD PREMIERE BY GEMMA BOND, NEW YORK PREMIERE OF JESSICA LANG’S LET ME SING FOREVERMORE AND REVIVALS OF GEORGE BALANCHINE’S APOLLO AND CLARK TIPPET’S SOME ASSEMBLY REQUIRED FAMILY FRIENDLY MATINEE ON SATURDAY, OCTOBER 26 BOX OFFICE TO OPEN JULY 22 World Premieres by Twyla Tharp and Gemma Bond will highlight AmericanBallet Theatre’s 2019 Fall season at the David H. Koch Theater, October 16-27. The season was announced today by Artistic Director Kevin McKenzie. Principal Dancers for the 2019 Fall season include Stella Abrera, Isabella Boylston, Misty Copeland, Herman Cornejo, Sarah Lane, Alban Lendorf, Hee Seo, Christine Shevchenko, Cory Stearns, Devon Teuscher and James Whiteside. The Company will present a program of works in honor of Principal Dancer Herman Cornejo on his 20th Anniversary with American Ballet Theatre. This special celebration on Saturday evening, October 26 will include Cornejo in works by George Balanchine and Tharp. Fall Gala and World Premieres American Ballet Theatre’s Fall season will open with a Gala performance onWednesday, October 16 at 6:30 PM. Lisa Lutoff-Perlo, President and CEO of Celebrity Cruises® will be the Fall Gala honoree. The evening will feature a performance by students of the ABT Jacqueline Kennedy Onassis School, the World Premiere of a new (more) ABT 2019 FALL SEASON ANNOUNCED – Page 2 work by Twyla Tharp, Jessica Lang’s Let Me Sing Forevermore and GeorgeBalanchine’s Theme and Variations. The new Tharp work, created for Herman Cornejo and ABT Company members, will be given its World Premiere at the opening night gala on Wednesday evening, October 16. Tharp’snew ballet, her 17th for ABT, will be set to String Quintet No. 2 in G major, Op. 111 by Johannes Brahms with lighting by Jennifer Tipton. The work will be given five performances during the season. A World Premiere work by ABT corps de ballet member Gemma Bond is scheduled for Wednesday evening, October 23. Set to Benjamin Britten’s Suite on English Folk Tunes for orchestra, Bond’s first work for ABT will feature costumes by Sylvie Rood and lighting by Serena Wong. The new work will be given three performances during the Fall season. The New York Premiere of Jessica Lang’s Let Me Sing Forevermore is set to a medley of songs recorded by Tony Bennett. A pas de deux with costumes by Bradon McDonald, Let Me Sing Forevermore received its World Premiere on March 23, 2019 at the Erik Bruhn Competition in Toronto, Canada performed by Catherine Hurlin and Aran Bell. Revivals The 2019 Fall season will feature revivals of George Balanchine’s Apollo andClark Tippet’s Some Assembly Required. Apollo, choreographed by Balanchine and set to music by Igor Stravinsky, will have its Revival Premiere on Friday evening, October 18. The ballet was given its world premiere by Serge Diaghilev's Ballets Russes at the Theatre Sarah Bernhardt, Paris on June 12, 1928. The ballet received its first American performance by Ballet Theatre at The Metropolitan Opera House, New York on April 27, 1937. Apollo was first performed by American Ballet Theatre on April 25, 1943 at the Metropolitan Opera House in New York with André Eglevsky as Apollo, Vera Zorina as Terpsichore, Nora Kaye as Polyhymnia (more) ABT 2019 FALL SEASON ANNOUNCED – Page 3 and Rosella Hightower as Calliope. Staged for ABT by Victoria Simon, Apollo was last performed by the Company in 2012. Clark Tippet’s Some Assembly Required will be revived for the 2019 Fall season for four performances beginning Friday evening, October 18. Set to WilliamBolcom’s Second Sonata for Violin and Piano, the ballet features costumes by Gary Lisz and original lighting by Jennifer Tipton. Some Assembly Required received its World Premiere by American Ballet Theatre on April 14, 1989 at the Kennedy Center for the Performing Arts in Washington, D. C., performed by Amanda McKerrow and John Gardner. Staged for ABT by McKerrow and Gardner, the ballet was last performed by the Company in 2009. Returning Repertory Theme and Variations, created by George Balanchine for Ballet Theatre in 1947, will be given five performances beginning October 16. Set to music by Peter Ilyitch Tchaikovsky (“Theme and Variations” from Suite No. 3 for Orchestra), Theme and Variations has costumes and scenery by Zack Brown. Theme and Variations, which was last performed by ABT in 2015, received its World Premiere at New York's City Center on November 26, 1947, danced by Alicia Alonso and Igor Youskevitch. Alexei Ratmansky’s The Seasons returns for three performances beginning Thursday, October 17. Set to The Seasons by Alexander Glazunov, the ballet features costumes by Robert Perdziola and lighting by Mark Stanley. The Seasons, Ratmansky’s16th ballet for ABT, received its World Premiere on May 20, 2019 at the Metropolitan Opera House. Jessica Lang’s Garden Blue will be given three performances beginning Wednesday, October 23. The ballet is set to Piano Trio No. 4 in E Minor “Dumky,”Movements 1, 2 and 3 by Antonín Dvořák, with scenery and costumes by American artist Sarah Crowner and lighting by Nicole Pearce. Garden Blue received its World Premiere on October 19, 2018 at the David H. Koch Theater in New York City. (more) ABT 2019 FALL SEASON ANNOUNCED – Page 4 Twyla Tharp’s Deuce Coupe will be given five performances during the Fall season beginning Friday, October 18. Set to music by The Beach Boys, Deuce Coupefeatures scenery and costumes by Santo Loquasto, after original costume design by Scott Barrie and original scenics by United Graffiti Artists, and lighting by Jennifer Tipton.Deuce Coupe was given its World Premiere in 1973 by The Joffrey Ballet at the Auditorium Theatre in Chicago, Illinois and received its ABT Company Premiere on May 30, 2019 at the Metropolitan Opera House. Dream within a Dream (deferred), created by Michelle Dorrance for ABT in 2018, will return for three performances beginning Wednesday, October 23. Set to music by Duke Ellington, the ballet features costumes by Linda Cho and lighting by Brad Fields. A co-commission with the Vail Dance Festival, Dream within a Dream (deferred)received its World Premiere on October 17, 2018 at the David H. Koch Theater in New York City. Family Friendly Matinee A special matinee on Saturday, October 26 will feature family friendly programming including ABT Studio Company in Interchangeble Text by Gemma Bond and season works by George Balanchine, Jessica Lang and Twyla Tharp. Children (ages 6-18) receive a 50% discount off tickets with the purchase of a full-priced adult ticket. Tickets for American Ballet Theatre’s 2019 Fall season at the David H. Koch Theater go on sale beginning July 22, 2019 at 10:00 AM. Tickets priced from $30 are available online, at the Koch Theatre box office or by phone at 212-496-0600. Performance-only tickets for the Opening Night Gala begin at $35. The David H. Koch Theater is located at Lincoln Center, Broadway and 63rd Street in New York City. For more information, please visit ABT’s website at www.abt.org. (more) ABT 2019 FALL SEASON ANNOUNCED – Page 5 Leadership support for The Ratmansky Project has been provided by Avery and Andrew F. Barth, the Blavatnik Family Foundation, Mr. and Mrs. Hamilton E. James, and The Ted and Mary Jo Shen Charitable Gift Fund. Additional support has been provided by Dr. Joan Taub Ades, Linda Allard, Sarah Arison, Steven Backes, Mark Casey and Carrie Gaiser Casey, Lisa and Dick Cashin, The Susan and Leonard Feinstein Foundation, Linda and Martin Fell, Vicki Netter Fitzgerald, William J. Gillespie, Brian J. Heidtke, Caroline and Edward Hyman, The Marjorie S. Isaac/Irving H. Isaac Fund, Robin Chemers Neustein, Howard S. Paley, Pearl T. Maxim Trust, Lloyd E. Rigler – Lawrence E. Deutsch Foundation, Bernard L. Schwartz, Segerstrom Center for the Arts, John Leland Sills and Elizabeth Papadopoulos-Sills, Melissa A. Smith, The H. Russell Smith Foundation/Stewart R. Smith and Robin A. Ferracone, Martin and Toni Sosnoff Foundation, Sutton Stracke, and Sedgwick Ward. Champion support for ABT Women’s Movement is provided by Jenna Segal. Additional support provided by Mark Casey and Carrie Gaiser Casey, Donna and Richard Esteves, Margee and John Falk, Janine and J. Tomilson Hill, the National Endowment for the Arts, Rockefeller Brothers Fund, Denise Littlefield Sobel, The Laurie M. Tisch Illumination Fund, Virginia B. Toulmin Foundation, Elizabeth Yntema, and through an endowed gift from The Toni and Martin Sosnoff New Works Fund. Theme and Variations is generously underwritten through an endowed gift from Mr. and Mrs. John C. Sites, Jr. Deuce Coupe is generously supported through an endowed gift from The Toni and Martin Sosnoff New Works Fund. The Family Friendly Matinee is generously underwritten by Bloomberg Philanthropies. American Airlines is the Official Airline of American Ballet Theatre. ABT is supported, in part, with public funds from the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council.
  4. Several of her fellow dancers commented on one of Misa’s IG posts, saying things like best of luck in SF, SF is lucky to have you, Best of luck at SFB.
  5. Sad. He is often mentioned by former pupils as an influential teacher and lovely man.
  6. From the company: CASTING ANNOUNCED FOR FIRST TWO WEEKS OF AMERICAN BALLET THEATRE’S 2019 SPRING SEASON AT METROPOLITAN OPERA HOUSE World Premiere of Alexei Ratmansky’s The SeasonsScheduled for Spring Gala, Monday, May 20 at 6:30 P.M. Casting for the first two weeks of American Ballet Theatre’s 2019 Spring Season at the Metropolitan Opera House was announced today by Artistic Director Kevin McKenzie. The season will begin with eight performances of Alexei Ratmansky’sHarlequinade, beginning Monday, May 13, with Isabella Boylston, James Whiteside, Stella Abrera and Thomas Forster in the leading roles. The performance on Tuesday, May 14, will feature New York debuts by Carlos Gonzalez (Harlequin), Devon Teuscher (Pierrette) and Calvin Royal III (Pierrot). Tyler Maloney will dance the role of Harlequin for the first time in New York at the matinee on Wednesday, May 15. This production ofHarlequinade received its World Premiere by American Ballet Theatre on June 4, 2018, led by Isabella Boylston (Columbine), James Whiteside (Harlequin), Gillian Murphy (Pierrette) and Thomas Forster (Pierrot). A comic ballet in two acts, Harlequinade is set to music by Riccardo Drigo and first premiered in 1900 in St. Petersburg, Russia. Ratmansky’s Harlequinade features sets and costumes by Robert Perdziola and lighting by Brad Fields. The 2019 Spring Gala on Monday, May 20 at 6:30 P.M., paying tribute to the 10thAnniversary year of Alexei Ratmansky as ABT Artist in Residence, will feature the choreographer’s 2016 work Serenade after Plato’s Symposium and this Spring’s World Premiere of The Seasons. Serenade after Plato’s Symposium is set to music by Leonard Bernstein and features scenery and costumes by Jérôme Kaplan and lighting by Brad Fields. The ballet will be danced by Herman Cornejo, Alexandre Hammoudi, Thomas Forster, Calvin Royal III, Gabe Stone Shayer, Daniil Simkin, Joseph Gorak and Devon Teuscher. The World Premiere of The Seasons will be led by Aran Bell, Hee Seo, Katherine Williams, Catherine Hurlin, Luciana Paris, James Whiteside, Sarah Lane, Skylar Brandt, Isabella Boylston, Blaine Hoven, Arron Scott, Tyler Maloney, Cassandra Trenary and Calvin Royal III. Set to the score by Alexander Glazunov, The Seasons features sets and costumes designed by Robert Perdziola and lighting by Mark Stanley. The second week of the Spring season will continue with four performances of an all-Ratmansky program of repertory works, May 21–23. In addition to The Seasons, the Ratmansky Trio will include Songs of Bukovina (2017) and On the Dnieper (2009). Joo Won Ahn, Devon Teuscher, Zhong-Jing Fang, April Giangeruso, Betsy McBride, Thomas Forster, Stella Abrera, Herman Cornejo, Gabe Stone Shayer, Jonathan Klein, Catherine Hurlin and Blaine Hoven will debut in The Seasons on Tuesday, May 21.Songs of Bukovina, with Isabella Boylston and Blaine Hoven leading the opening night cast, is set to music by Leonid Desyatnikov and features costumes by Moritz Junge and lighting by Brad Fields. The ballet was given its World Premiere on October 18, 2017 at the David H. Koch Theater in New York, performed by Christine Shevchenko and Calvin Royal III, as well as April Giangeruso, Lauren Post, Katherine Williams, Stephanie Williams, Marshall Whiteley, Joo Won Ahn, Duncan Lyle and Patrick Frenette. The May 21 cast of On the Dnieper will be led by Hee Seo as Natalia with debuts by Cory Stearns as Sergei, Christine Shevchenko as Olga and James Whiteside as Olga’s Fiancé. The matinee on Wednesday, May 22 will feature debuts by Thomas Forster (Sergei), Devon Teuscher (Natalia) and Catherine Hurlin (Olga). On the Dnieper, set to a score of the same name by Sergei Prokofiev, has scenery by Simon Pastukh, costumes by Galina Solovyeva, lighting by Brad Fields and projections by Wendall K. Harrington. Ratmansky’s production of On the Dnieper received its World Premiere on June 1, 2009 at the Metropolitan Opera House, performed by Veronika Part (Natalia), Marcelo Gomes (Sergei), Paloma Herrera (Olga) and David Hallberg (Olga’s Fiancé). Prokofiev’s score for On the Dnieper was originally commissioned by the Paris Opera, and the ballet received its World Premiere in 1932 by the Paris Opera Ballet. On the Dnieper was last performed by ABT in 2010. The second week will conclude with three performances of Whipped Cream, beginning Friday, May 24, led by Daniil Simkin as The Boy, Stella Abrera as Princess Tea Flower, Calvin Royal III as Prince Coffee and Sarah Lane as Princess Praline. Tyler Maloney will make his New York debut as The Boy at the matinee on Saturday, May 25. Choreographed by Alexei Ratmansky, the ballet features scenery and costumes by artist Mark Ryden and lighting by Brad Fields. Whipped Cream, with a libretto and score by Richard Strauss, is based on the two-act ballet originally created as Schlagobers, which premiered at the Vienna State Opera in 1924. Ratmansky’s production received its World Premiere by ABT on March 15, 2017 at Segerstrom Center for the Arts in Costa Mesa, California danced by Daniil Simkin (The Boy), Stella Abrera (Princess Tea Flower), David Hallberg (Prince Coffee) and Sarah Lane (Princess Praline). Tickets for American Ballet Theatre’s 2019 Metropolitan Opera House season, beginning at $25, are available online, at the Met box office or by phone at 212-362-6000. The Metropolitan Opera House is located on Broadway between 64th and 65th streets in New York City. For more information, visit ABT’s website at www.abt.org. Complete casting follows. Leadership support for Harlequinade, part of The Ratmansky Project, has been generously provided by the Blavatnik Family Foundation and The Marjorie S. Isaac/Irving H. Isaac Fund. On the Dnieper is generously sponsored by Leila and Mickey Straus and through an endowed gift from The Toni and Martin Sosnoff New Works Fund. Leadership support for The Ratmansky Project has been provided by Avery and Andrew F. Barth, the Blavatnik Family Foundation, Mr. and Mrs. Hamilton E. James, and The Ted and Mary Jo Shen Charitable Gift Fund. Additional support has been provided by Dr. Joan Taub Ades, Linda Allard, Sarah Arison, Steven Backes, Lisa and Dick Cashin, Mark Casey and Carrie Gaiser Casey, The Susan and Leonard Feinstein Foundation, Linda and Martin Fell, Vicki Netter Fitzgerald, William J. Gillespie, Brian J. Heidtke, The Marjorie S. Isaac/Irving H. Isaac Fund, Howard S. Paley, Pearl T. Maxim Trust, Lloyd E. Rigler – Lawrence E. Deutsch Foundation, Bernard L. Schwartz, John Leland Sills and Elizabeth Papadopoulos-Sills, Melissa A. Smith, The H. Russell Smith Foundation/Stewart R. Smith and Robin A. Ferracone, The Toni and Martin Sosnoff Foundation, Sutton Stracke, and Sedgwick Ward. Leadership support for Whipped Cream, part of The Ratmansky Project, has been generously provided by the Blavatnik Family Foundation and the Lloyd E. Rigler - Lawrence A. Deutsch Foundation. American Airlines is the Official Airline of American Ballet Theatre. ABT is supported, in part, with public funds from the National Endowment for the Arts; the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council. Follow American Ballet Theatre on Twitter at https://twitter.com/ABTBalleton Facebook at https://www.facebook.com/AmericanBalletTheatre on Youtube at https://www.youtube.com/user/ABTBalletTheatre or on Instagram at https://www.instagram.com/abtofficial/?hl=en
  7. That is absolutely wonderful, Alexandra. Congratulations!!
  8. Hello! Glad you've come out from the shadows I hope you'll let us know about the performances you see. Enjoy!
  9. From the company: WORLD PREMIERE BY ALEXEI RATMANSKY SET FOR MARCH 5, 2020 AT SEGERSTROM CENTER FOR THE ARTS, COSTA MESA, CALIFORNIA American Ballet Theatre will premiere a new full-length production choreographed by ABT Artist in Residence Alexei Ratmansky on March 5, 2020 at Segerstrom Center for the Arts in Costa Mesa, California, it was announced today by Artistic Director Kevin McKenzie. The ballet will be given five performances, March 5-8, 2020 in California, and will have its New York Premiere during ABT’s 2020 Metropolitan Opera House season. Based on the historical romance novel Callirhoe by Chariton, the World Premiere work tells the story of star-crossed lovers Callirhoe and Chaereas in ancient Greece. The ballet will be set to music by Aram Khachaturian, arranged by Philip Feeney, and will feature sets and costumes by Jean-Marc Puissant. The World Premiere will be Ratmansky’s seventeenth work for American Ballet Theatre. For more information on American Ballet Theatre, please visit www.abt.org.
  10. A release: ISABELLA BOYLSTON, MISTY COPELAND AND DEVON TEUSCHER DISCUSS AMERICAN PREMIERE OF JANE EYRE WITH CHOREOGRAPHER CATHY MARSTON AT 92ND STREET Y, FRIDAY, MAY 3 AT 8:00 P.M. American Ballet Theatre Principal Dancers Isabella Boylston, Misty Copeland and Devon Teuscher will join choreographer Cathy Marston for a conversation on her full-length ballet Jane Eyre. Boylston, Copeland and Teuscher will dance the title role in Marston’s ballet during ABT’s Spring season at the Metropolitan Opera House. The discussion, moderated by Elda Rotor, Vice President and Publisher for Penguin Classics, will take place at the 92nd Street Y on Friday, May 3, 2019 at 8:00 P.M. Tickets for the event, starting at $35, are available online at https://www.92y.org/event/jane-eyre. The American Premiere of the full-length Jane Eyre, set for Tuesday, June 4, features choreography and direction by Marston, music compiled and composed by Philip Feeney, scenery and costumes by Patrick Kinmonth and lighting by Brad Fields. The production received its World Premiere by Northern Ballet on May 19, 2016 in Doncaster, England. Jane Eyre is a co-production with Joffrey Ballet and is staged for ABT by Jenny Tattersall and Daniel de Andrade. Following the June 4 Company Premiere, the ballet will be given seven performances by ABT through Monday, June 10. Tickets for American Ballet Theatre’s 2019 Metropolitan Opera House season, beginning at $25, are available online, at the Met box office or by phone at 212-362-6000. The Metropolitan Opera House is located on Broadway between 64th and 65th streets in New York City. For more information, visit ABT’s website at www.abt.org. Jane Eyre is part of the ABT Women’s Movement, a multi-year initiative to support the creation, exploration and staging of new works by women for ABT and the ABT Studio Company. Leadership support for Jane Eyre is generously provided by The Leila and Mickey Straus Family Foundation. Jane Eyre is part of the ABT Women’s Movement. Champion support for the ABT Women’s Movement is provided by Jenna Segal. Leadership support has been generously provided by Denise Littlefield Sobel and the Virginia B. Toulmin Foundation. Additional major gifts have been provided by Mark Casey and Carrie Gaiser Casey, Donna and Richard Esteves, Margee and John Falk, Janine and J. Tomilson Hill, The Laurie M. Tisch Illumination Fund, National Endowment for the Arts, Rockefeller Brothers Fund, Elizabeth Yntema, and through an endowed gift from The Toni and Martin Sosnoff New Works Fund.
  11. What many of us have been wishing for!
  12. Happy to see revivals of rarely performed Balanchine and Robbins works: JEROME ROBBINS’ Piano Pieces and Concertino,BALANCHINE’s “Variations” from Episodes, Haieff Divertimento and Sylvia: Pas de Deux. I know Suzanne Farrell Ballet performed Haieff and Miami and POB regularly performed Sylvia but I'm happy to see them at the home theater. They will be great vehicles for today's dancers. ETA: Plus Danses Concertantes, Divertimento from ‘Le Baiser de la Fée! La Source etc..so many other wonderful Balanchine ballets. And a Ratmansky new ballet. I've always thought he does some of his best work at NYCB.
  13. It's very interesting, and sure to shine a light in what is the most important/powerful trust in ballet. And, I was thinking, right before some works might go into the public domain. Apollo and Prodigal Son being the oldest, most regularly performed works by Balanchine. (Maybe some of our legal people will know. There seems to be different rules for works before and after 1977) https://fairuse.stanford.edu/overview/faqs/copyright-basics/ https://www.nyulawreview.org/wp-content/uploads/2018/08/NYULawReview-80-6-Lakes.pdf
  14. I understand that feeling. But I've been happy to see Patricia McBride, Edward Villella and Baryshnikov coach at the company since Martins left. Mearns posted a photo of Villella coaching Prodigal Son this week, which is amazing. It would be great to see more of that. It does seem as if the new leaders are open to that. \
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