Haglund's Posted November 20, 2006 Share Posted November 20, 2006 I hope ABT is at least thinking about this in its long range plans. A new Mayerling would be nice along with a few oldies but goodies. Has anyone heard about any celebration plans? Link to comment
Helene Posted November 20, 2006 Share Posted November 20, 2006 Maybe invite New York Theatre Ballet? Link to comment
Haglund's Posted November 20, 2006 Author Share Posted November 20, 2006 Did I say Mayerling? I did. As I approach my own centenary, senility is such a warm feeling. Link to comment
richard53dog Posted November 20, 2006 Share Posted November 20, 2006 Did I say Mayerling? I did. As I approach my own centenary, senility is such a warm feeling. Oh well, don't I know the feeling! Ok, how about a wishlist for a theoretical program honoring Tudor's 100th birthday? They can be revivable or not, this is just what we would LIKE to see. Mine: Undertow Judgement of Paris Romeo and Juliet (not to be confused with another current thread!) Of these I only have firsthand knowledge of R&J Link to comment
bart Posted November 20, 2006 Share Posted November 20, 2006 I would love the chance to reconnect to Tudor's works, never having warmed up to them when they were in the active repertory. (Except for Pillar of Fire.) Miami City Ballet is introducing Lilac Garden into their rep in the spring. It's their first Tudor work. Oddly, I once lived not far from the Rinzai Zen Center on East 30th and had the chance to meet Tudor, who resided there, on several occasions. But I never even heard that this was the world-famous choreographer. I guess another hierarchy of values were in force there. Link to comment
Helene Posted November 20, 2006 Share Posted November 20, 2006 We need at least two programs if we're going to celebrate the Tudor Centenary Celebration 2008: Dark Elegies Pillar of Fire Lilac Garden For an opening gala, the main pas de deux from The Leaves Are Fading, which Amanda McKerrow could restage based on personal coaching by Tudor. Link to comment
bingham Posted November 20, 2006 Share Posted November 20, 2006 Gelsey kirkland could help in the staging /coaching of "leaves are fading'".I never saw her in Lilac Garden but imagined her Caroline would be great. Joe Link to comment
carbro Posted November 20, 2006 Share Posted November 20, 2006 I only saw it once, but An Echoing of Trumpets was a very powerful commentary on the horrors of war. (Probably not a good companion piece to The Green Table.) And while the ballet as a whole was a mess, many of the dances in Tiller in the Fields were gorgeous. Maybe someone could resurrect them in a suite form. Of course, it wouldn't be Tudor then, would it? I couldn't imagine the estate granting rights to do that. I've never seen Undertow, and I'm wondering how Shadowplay would look on this generation of ABT dancers. Here's the Tudor oeuvre as listed on ABT's website: Dark Elegies Dim Lustre Echoing of Trumpets Fandango Gala Performance Goya Pastoral Jardin Aux Lilas Judgment of Paris The Leaves Are Fading Little Improvisations Nimbus Offenbach in the Underworld Pillar of Fire Romeo and Juliet Shadow of the Wind Shadowplay The Tiller in the Fields Undertow Link to comment
Helene Posted November 20, 2006 Share Posted November 20, 2006 Not The Tiller in the Fields, especially with the rest of the list. ( ) Link to comment
volcanohunter Posted November 20, 2006 Share Posted November 20, 2006 I would hope that ABT wouldn't limit itself to just one program. You'd have to present more familiar works like Lilac Garden, Dark Elegies, Pillar of Fire and The Leaves Are Fading, but also ballets seen less frequently like Judgment of Paris, Undertow and Dim Lustre. Definitely Romeo and Juliet. Perhaps the Royal Ballet could be persuaded to take Shadowplay on tour. Ditto for the Royal Swedish Ballet with Echoing of Trumpets. Does anyone out there think a revival of Tiller in the Fields is worth attempting? I never saw it, which is why I ask. Link to comment
volcanohunter Posted November 20, 2006 Share Posted November 20, 2006 Not The Tiller in the Fields, especially with the rest of the list. ( ) What was so awful about it? Do tell. Link to comment
Helene Posted November 20, 2006 Share Posted November 20, 2006 What was so awful about it? Do tell.I don't remember it in detail, but I do remember it not being particularly subtle. Link to comment
Haglund's Posted November 20, 2006 Author Share Posted November 20, 2006 I remember reading many years ago that a full evening of Tudor works was a somewhat difficult sell, and somewhat difficult for the non-balletomanes to sit through, because so much of the choreography and drama relied on the strings without benefit of the brass, percussion, etc. (Wish I could remember where I read it, 'cuz it was a darn good analysis.) So, "we" will have to be careful about that in "our" programming. Also, we must have a photography exhibit to go with the celebration. And don't forget the on stage panel discussions - this is something that The Juilliard School could do for everyone. Can you imagine - Gelsey, Sallie Wilson, Amanda, Cynthia G. all on stage for a Tudor panel! Link to comment
Alexandra Posted November 20, 2006 Share Posted November 20, 2006 Not The Tiller in the Fields, especially with the rest of the list. ( ) What was so awful about it? Do tell. The pillow. Kirkland came out at the end with a pillow stuffed under her costume -- a pregnancy pillow. I've seen Offenbach, Dark Elegies, Romeo and Juliet, Undertow, Dim Lustre and Shadowplay. (And Leaves, Jardin, Pillar of course. ABT did them regularly through the '70s and early '80s.) Back then, the ballets were in an awkward stage. The aesthetic was pretty much dead by then -- it was the High Abstract Period -- and, try as they might, the dancers were always judged (rightly, I'm sure) as not being up to the earlier standard. The centennial would be a wonderful opportunity to really restage them, not as hand-me-downs that didn't quite fit the current cast, but as fresh works. Link to comment
Helene Posted November 20, 2006 Share Posted November 20, 2006 The pillow. Kirkland came out at the end with a pillow stuffed under her costume -- a pregnancy pillow.That was it. Yikes. Link to comment
Amy Reusch Posted November 21, 2006 Share Posted November 21, 2006 I wish someone would pony up for Romeo & Juliet... I've heard so many good things about it... with several people preferring it to the more prevalent Prokofiev treatments. It's a one-act version, isn't it? Link to comment
Alexandra Posted November 21, 2006 Share Posted November 21, 2006 I hope atm is reading this thread and will comment, because she saw Tudor when it was Tudor. I saw his R&J in 1976, with Hilda Morales and Fernando Bujones, and I just remember it as one very, very, VERY long act. Link to comment
carbro Posted November 21, 2006 Share Posted November 21, 2006 I saw it with Makarova and ???, and my memory jibes with yours, Alexandra. Link to comment
bingham Posted November 21, 2006 Share Posted November 21, 2006 John Prinz danced it with Natalia makarova. Joe Link to comment
atm711 Posted November 21, 2006 Share Posted November 21, 2006 R&J is the one to revive--maybe they could throw in 'Dim Lustre'--but this is definetely the way to go--with the original sets, please. With all the histrionic interpretations out there I think we all deserve to see this one. I was fortunate to see Markova and Nora Kaye as Juliet with Hugh Laing. What a pleasure it would be to see the subtlety of the bedroom scene---Hugh Laing, with one brief jesture in a longing glance at the bed said more than all the 'throw-them-up-in-the-air' lifts. And think of what a great antidote this would be to the coming NYCB version In Balanchine's Complete Stories of the Great Ballets, there is a very good commentary by Martha Siegel of the Boston Globe. Link to comment
richard53dog Posted November 21, 2006 Share Posted November 21, 2006 John Prinz danced it with Natalia makarova.Joe Right, that's the pair I remember. But Carla Fracci also did it in the early 70s and I don't remember who she was paired with. Maybe Nagy? Alas, almost all my programs from this period are gone. Link to comment
rg Posted November 21, 2006 Share Posted November 21, 2006 my programs show that in '76 tudor's R&J was danced both at the Met and the NYState Th. the Met run had the following casts: seymour & bujones prinz & morales then in the NYST prinz & morales i can't recall if makarova danced it during these runs (or later). i seem not to have a program w/ her participation, but i know she danced this rep. Link to comment
FauxPas Posted November 21, 2006 Share Posted November 21, 2006 I remember seeing "Undertow" around 1993 or so with Johan Renvall as the young man who is so ground down and disaffected by urban poverty that he turns into a killer. I think the story still works and it wouldn't seem dated, especially at City Center with its greater intimacy. Ethan, Angel and Herman (perhaps Sascha Radetsky too) would all be good choices for the male protagonist. That is my candidate for revival. I imagine Julie Kent would make a lovely Juliet in the Tudor version though I have never seen this ballet. Faux Pas Link to comment
bart Posted November 21, 2006 Share Posted November 21, 2006 As to the matter of how these ballets can be reconstructed, the current Miami City Ballet newsletter has an article (with photo) about repetiteurs for the current season. They have already had Donald Mahler down to set Lilac Garden. He's described as having "trained under Antony Tudor and danced for the National Ballet of Canada." Does anyone have any pesonal knowledge of Mr. Mahler's work? And what about the way that Tudor ballets are currently passed on and protected in general? Link to comment
Drew Posted November 21, 2006 Share Posted November 21, 2006 The pas de deux that led to the pillow/pregnancy in Tiller in the Fields might be worth reviving--perhaps for a gala in Tudor's honor. Personally, I'm most curious about Echoing of Trumpets with Romeo and Juliet a close second. However, Lilac Garden is my favorite of the Tudor ballets I have seen--including one performance with Kirkland as Caroline. (I found her performance very moving.) The Leaves Are Fading with Kirkland was, as I remember it, a transcendent experience--but from all reports the ballet has quite survived quite beautifully with other casting. I hope they do revive it for the centenary. Link to comment
Recommended Posts