Jump to content
This Site Uses Cookies. If You Want to Disable Cookies, Please See Your Browser Documentation. ×


Senior Member
  • Content Count

  • Joined

  • Last visited

About richard53dog

  • Rank
    Platinum Circle

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    avid ballet goer
  • City**
    nyc area
  • State (US only)**, Country (Outside US only)**
  1. Don't really know but suspect it is a matter of just only so much time available. A lot of time that would have gone to Balanchine is diverted to newer works. In theory, I agree with this but in practice it means that a lot of time and money (both finite resources) go to such junk as the Martin and Millepied pieces. This to me is the real downer of the Martins era at NYCB. so much time and money is spent putting on material that just doesn't merit the effort. But who is going to tell MArtins that he can't "create" (ha!) at least one "new" ballet each season? And this could conceivably go on
  2. It's pretty clear Mortier does have a huge ego. His program for Madrid includes many of the productions that were announced for Mortier's first season with NYCO, and in turn many of them were productions that he had already put on in different European houses. We'll never know how Mortier might have worked out in NY, I think conditions were already too far gone for his program to work and I suspect the Board may have contributed to the debacle by promising him an unrealistic budget that they couldn't deliver. In the meantime, George Steel has announced a season of only 16 staged performances
  3. I saw the Saturday evening program and all in all was very glad I went despite a number of reservations. Alonso's Carmen???? I have trouble understanding why this was resurrected. I saw it a number of times back in the 70s, first with Plisetskaya and then later with Alonso. It's a vehicle, pure and simple, for a powerful, charismatic stage personality. The overall style is a very dated, 1960s "hip". Mostly Carmen just strikes dramatic poses all over the stage. It's a silly, mostly empty piece. At the center was Lopatkina and ,while rather remote, she truly did dominate the stage which is t
  4. Well, going (but this thread has certainly wandered anyway...) according to some very plausible theories, syphilis was one of the treasures of the Western Hemisphere and only came to Europe after crews returned from voyages with tobacco, gold, etc. There are counter theories that syphilis existed in Europe prior to explorations of the "New World" but just wasn't noticed or noted (that appears sort of a stretch for me). But the Europeans did bring smallpox over with the blankets......
  5. I agree very strongly here. They only need to think about how their co-tenant basically decimated their subscription base. (OK, NYCO had a number of bad moves but it's really possible the worst was to alienate their subscribers by going dark for a year) Aside from subscription problems, the NYCB has a clunky website, a ticket buying utility that has way too many extra steps and they seem to be a bit arrogant with their patrons. Remember the block programming they tried to shove down their patron's throats a few years back? My suggestion would be really, really seriously rethink the reperto
  6. This is the most shocking casting replacement ABT has made all season: a company member...replacing an injured company member?!? Maybe Kevin couldn't find anyone to guest.....
  7. But isn't this pretty much an elephant sitting in the room? There are obviously budget issues that are challenging to solve but nothing, nothing, nothing seems to impede the relentless procession of "new Martins ballets" that it seems no one is interested in seeing. I don't know, I'm only guessing, but I wonder if Martins' published salary DOES NOT INCLUDE commissions and royalties for this junk? To make matters worse, now we seem to have a "lighter version" of this Martins procession. It's called "new Millepeid ballets". I understand the need and importance of new choreography, but ,sorry,
  8. Even more to the part, how would an "all Martins" program sell?
  9. I love the catchy quality of Bright Stream and I really like the almost coarse humor Shostakovitch incorporated into the score. I think that's what got him in trouble with Stalin; the score isn't all reverent to those upstanding Soviet citizens, it lampoons them a bit and Stalin didn't have much of a sense of humor. I was already familiar to this aspect of Shostakovitch's work with his opera Lady Macbeth of Mtsensk, which also doesn't exactly contain upright Soviet characters and Shostakovitch adds these smeared trombone effects to satirize an off stage sex scenes. It's quite funny in a dark
  10. Good point about rep. ABT has a lot of problems, many of which have been discussed recently in various threads. But their repertory history is staggering. Over the years I've seen a breadth of repertory with them that's been wider and more varied than any other ballet company that I've seen. I wish they would play to that strength, I think it's a tremendous asset.
  11. I've seen the Ashton over the years, I've seen the Kudelka, and a couple of other versions(plus more on video) and I don't think any of them really rings the bell. The Ashton has some beautiful parts, the seasons sections as well as the Cinderella/Prince pdd, but it gets horribly bogged down with the stepsisters. WAY, WAY, too much of them, they hog the show. The Kudelka has some things about it that I like but it's sort of light on the choreography and I think the plot meanders. However, Kudelka includes the around the world sequence in act 3 which I like. I wonder if the problem is based on
  12. I suspect the person that uploaded it to youtube used the release date of the DVD rather than the actual date of the performance. I've had the audio version of this performance for many years and my copy is dated, as you note, from Dec 1988. Fracci would have been in her early 50s at this point.
  13. Yes, they certainly are worse than any seats at the NYST, certainly further from the the stage. But at least there is a low cost option for the really cash-strapped. Also, I wonder what impact this will have on standing room, we are talking about the extreme limit of the cash-challenged. Will that stuill be sold (I have to admit I'm still unclear if the prices have just been really raised on the 3rd and 4th ring or if they will be just not sold for certain perfomances.
  14. Well as long as we have exploding cigarettes, then there is a severe problem isn't there? As far as the term "happiness", I was replying to your use of the the term. You were no longer "happy" when you had to pass through the mushroom cloud. It must have been very upsetting.
  15. Richard, The thing is cigs will never be illegal as long as tax revenue is there to be garnered and indeed why should it, people have been enjoying a tab for millennia in one form or another. No kidding!!!! Agree, where is there is money to be made or collected, cigarettes will not go away. But I really agree with you overall take on the situation. Yes, it's a nasty, dirty, unhealthy habit... but it's legal and the fallout to non-smokers joins a host of other unsavory effects such as breathing smoggy, poluted air, or smokestack output. I live in New Jersey and one of the nasty local a
  • Create New...