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A review of TrioConcertDance by Lyndsey Winship in The Evening Standard.

A UK Vogue interview with Alessandra Ferri.

I’d say both of you have a point. I’d also add that Channing played her cards better than many one or two hit wonders in terms of keeping her name before the public, although as time went on – and on, and on - I’m sure even her biggest fans probably wished she would just pack it in already. It sounds as if she was hooked on the attention, though, an occupational hazard for performers. The cast of the current "Hello, Dolly!" pay tribute.

Thomas Edur's contract at the Estonian National Ballet is not extended.

Reviews of the English National Ballet in "Manon." The Independent The Times

Les Ballets Trockadero de Monte Carlo visit Aspen.

A look back at the night Princess Diana danced onstage with Wayne Sleep.

The Indianapolis Museum of Art presents an exhibition of work by George Platt Lynes.

Brief Q&As with Sasha De Sola and Benjamin Freemantle.

An autopsy determines that a St. Louis ballet dancer found dead last November died by drowning.

Musings on "Apollo" by Alastair Macaulay in The New York Times.

Thank you for posting, ABTFan. Interesting to reflect that Channing had only two major Broadway roles to her credit, Lorelei and Dolly. An appreciation by Sylvie Drake in The Los Angeles Times:

A review of Ballet Preljocaj by Ilona Landgraf in her blog, "Landgraf on Dance."

Kate visits the Royal Opera House.

A list of "unmissable" dance events in 2019 from The Daily Telegraph.