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Ashton Fan

Senior Member
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About Ashton Fan

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    Bronze Circle

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    AVID THEATRE GOER
  • City**
    ILFORD ,ESSEX
  • State (US only)**, Country (Outside US only)**
    Essex

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  1. A new recording of de Valois' production of the ballet is due to be issued on the 23rd October 2020. The cast in the recording is headed by Nunez and Muntagirov with Avis as Dr. Coppelius. Although Coppelia was the first nineteenth century ballet the Vic Wells company ever danced it has had a somewhat patchy performance history since the company acquired its royal charter and became the Royal Ballet with lengthy periods of neglect followed by enthusiastic rediscovery for relatively short periods. Last Christmas gave audiences the opportunity to reacquaint themselves with the work and once agai
  2. The event held in October 2019 has been placed on the Foundation's website. It is of interest because a large part of the afternoon was devoted to coaching a section of Foyer de Danse which dates from the early 1930's when Markova was working in London and appeared at Rambert's Ballet Club. There is a film of this early Ashton work made by a ballet enthusiast which has tantalised people for years because it is clearly incomplete and many have thought it was too fragmentary to work on. On the basis of what was shown last October it seems that Ursula Hageli has solved many of the problems with t
  3. While I am not a great Cathy Marston fan the Cellist may be of interest as it was made on Cuthbertson, Ball and Sambe all of whom are on top form in their created roles. My problem with it in the theatre was that I thought it could have done with some serious editing and that Marston had wasted a large number of talented dancers who seemed to have little reason to be on stage except to populate it as moving scenery and occasionally to act as props. My main interest in this DVD will be in Dances at a Gathering which again provides an opportunity to see a lot of the company's dancers but this ti
  4. While I am not a great Cathy Marston fan the Cellist may be of interest as it was made on Cuthbertson, Ball and Sambe all of whom are on top form in their created roles. My problem with it in the theatre was that I thought it could have done with some serious editing and that Marston had wasted a large number of talented dancers who seemed to have little reason to be on stage except to populate it as moving scenery and occasionally to act as props. My main interest in this DVD will be in Dances at a Gathering which again provides an opportunity to see a lot of the company's dancers but this ti
  5. These are the latest Royal Ballet performances to be made available to a worldwide audience during shutdown. Romeo and Juliet is being shown today at 7pm London time and will be available for a further fortnight. Now I know that I often feel that MacMillan's Romeo and Juliet is in danger of being done to death and that I would appreciate it much more if it were rested for several seasons and replaced, say by Ashton's version, but this is a performance that I shall be watching as the leading roles are taken by Yasmine Naghdi and Matthew Ball. It was a revival of this ballet a couple o
  6. The latest Royal Ballet DVD will be issued on the 17th July 2020. It contains performances of three ballets which entered the company's repertory towards the end of the 1960's. Concerto has an interesting cast which includes Hay and O'Sullivan in the opening section and Naghdi and Hirano in the central section of the work. The performance of Ashton's Enigma Variations has the best cast that the company has mustered in years with Saunders as Elgar, Morera as Lady Elgar, Gartside as Jaegar and Hayward as Dorabella. In fact this revival was exceptionally well cast and coached with only one dance
  7. I don't see how anyone can do anything other than guess about when companies might be able to perform again. I believe that the experience from 1919 in Minneapolis and Saint Paul makes it clear that shutting down early means you come out of a pandemic much quicker and with much less. economic damage than you do if you delay shutdown. As both the US and the UK were slow to lock down we are likely to be stuck with the virus for much longer than say Germany which acted very promptly. Until we know what the real extent of the infection is and its rate of reproduction in our respective countries we
  8. Having pulled stumps on the ballet season some weeks ago I am surprised that the ROH has taken so long to officially abandon the remnants of the opera season. It will be interesting to find out when the management anticipates being able to open the doors again and what form the opera and ballet seasons actually take. At the moment i can't see much happening before Christmas. Given the number of dancers who were prevented from making major debuts in Swan Lake by the shutdown or made unscheduled debuts but never had the opportunity to dance with their advertised partners I suspect that "Lac" wil
  9. I wholeheartedly agree with your concerns about the wisdom of donating ticket money to the ROH. I suspect that it will be more than a handful of regulars who are faced with the problem you described. There are quite a lot of regulars who seem to be just hanging on at present. The economic landscape is likely to be very different when the lock down is eased . Jobs in some sectors will be lost while those like teachers who work for the state could easily find that the government decides that the aftermath of the lock down presents a wonderful opportunity for salary and wage cuts. Such actio
  10. A cursory glance at the Royal Opera House website makes it pretty clear that the opera and ballet seasons have been brought to a premature close. I don't expect any early announcement of what the 2020-21 season will look like for either company as I imagine that both companies are currently revising their original plans and devising seasons which will sell without any effort on the part of the marketing department as its objective will be to deal with the losses which the truncation of the season has caused. The ROH has been trying to persuade people to donate the money that they have spent on
  11. I am not sure that I gained a lot from seeing Bathilde and the Duke of Courland arrive on horse however authentic that may be theatrically and socially. It was interesting to encounter a sympathetic Bathilde rather than the cold and aloof creature one is used to seeing in Bow Street. I know that this is an attempt to capture something of the flavour of the ballet as a nineteenth century creation and it is almost certainly authentic but I am not sure that Hans/ Hilarion's characterisation as a peasant clod adds much to the mixture. However I suppose that if Bathilde is to be played more natural
  12. It is pretty clear that there are more potential candidates for promotion among the ranks of the First Soloists than there are likely to be vacancies for Principals at the end of the season. The company seems to have largely lost its dead wood through retirement. It is going to be very interesting to see which dancers the management has decided have gone as far as their talents can take them. As the company does not seem to be touring abroad this summer perhaps Mr O'Hare will decide that he has no need to promote anyone at this time and that he can afford to defer what is likely to be a diffi
  13. On what I hope proves to be a happier note. The Royal Ballet is increasingly becoming Kevin O'Hare's company rather than the one he inherited from his predecessor. It is usual for appointments to follow on from departures and retirement but some unusual things have been happening in the company as far as long serving personnel are concerned. It is almost unheard of for dancers to leave early in a new season but that is what both Alistair Marriott, Principal Character Dancer,and Jonathan Howells, Ballet Master and Character Artist, chose to do making it necessary to modify the casting for Copp
  14. AB's Mom,Thank you for posting the link to the Guardian newspaper article about this. There are some posts on this topic in the section devoted to news from the Royal Ballet which may be of interest to you and others.
  15. Since his time as a student at the Royal Ballet School Scarlett has been seen as a choreographer of considerable promise and on the basis of his choreographic talent he was able to retire from dancing in his mid twenties and take up an official choreographic post at the Royal Ballet which was created for him. It has now been announced officially that he was suspended from his company post in August last year and that his activities there and at the school are under investigation by an outside organisation. The investigation which concerns allegations of sexual misconduct and bullying are ongo
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