Kings of the DanceA "3 Tenors" situation?
Posted 04 February 2006 - 12:12 PM
The magic date is Feb 17, when the real-life couple, Alina and Johan, will dance together.
By the way, you can click on a lengthy photo gallery of the Kings.
Posted 05 February 2006 - 04:42 AM
Posted 14 February 2006 - 01:42 PM
"After much agonizing, it was decided the classical variations made the whole show too physically exhausting; instead, they were videotaped this past week for broadcast during the performances."
Note that Orange County prices are half those in New York.
You may also want to click on "kings of the dance" in the article. It will give interviews with each dancer and four more photos.
Posted 16 February 2006 - 11:45 PM
More comments later.....it's late.
Posted 17 February 2006 - 09:50 AM
Posted 17 February 2006 - 11:32 AM
Bravo to all involved in bringing these four incredible artists together and for creating a program that had true artistry and not merely a technical fireworks showcasing. My being was lifted away while watching Kobborg perform Rushton's "Afternoon of a Faun". This was worth the entire entrance fee. Also, my first viewing of Nikolay Tsiskaridze - this is a special dancer with enormous talent. His group of solos from Carmen were the surprise of the night for me. A must see. Clever, humorous and beautifully danced.
Act I......the program was rearranged from its first announcement, opening with Wheeldon's group piece for the four men. A musical working of Shubert's "Death of a Maiden" which show cased nicely each of these men's fine talents.
Much of the movement was quite contemporary and blended well with all of the dancers. Infact, these four looked amazing dancing together. And when they were together or interlacing movements with one another, there was a good feeling of community among them. Very satisfying.......especially to see four such fantastic dancers melding their talents together so seamlessly on stage.....that was a 'wow' for me.
The Lesson was performed by Kobborg as the teacher. (originally it was listed as Angel dancing the Teacher on this night.) It was as creepy as the reviews I had read. wonderfully performed by Kobborg and a treat to see Cojocaru as the pupil and Yanowsky as the pianist. A moody piece, but it did not put a damper on this evening of dancing, incredible dancing.
Even if you did not like this ballet, and there is alot to be repulsed by these characters, you could admire the dramatic talent within the work.
Act III....... was filled by four solos, one for each dancer. The ranges were vast in style and content which I am supposing was designed for programing reasons.
Ethan danced admirably in "Wavemaker" but the choreography went nowhere for me and there is so much more he could have been given to show his talent. Nikolay came next with his Carmen solos. This is a must see. Brilliant and humorous as well. It was the unexpected thrill of the evening for me. Until Kobborg danced "Afternoon of a Faun". Kobborg transported me to the forest and his creature like rendering was amazing and musically satisfying while listening to Debussy's tone poem. This is a performance I will never forget. Angel follows and does what I think Angel does best. Smile and jump and turn and be charming. Stanton Welch's "We Got It Good" was nifty theatrical Broadway type show piece for him and it was a ton of fun watching Angel in his tux pants, an unbuttoned white shirt with bow tie undone and hair fixed so it would move to the music. What a kick.
Ofcourse, they did an encore.....which was what one might consider typical for a night like this. But it was OK by me. These four dancers deserved to blow off steam after the great artistic work that came before.....
Go see this if you can........oh....and there is a wonderful film before the concert with rehearsal footage and interviews with each gentelman anda few of the choreographers. Bravo to the presenters of this!!!
Posted 17 February 2006 - 12:00 PM
Posted 17 February 2006 - 12:22 PM
Another interesting note on last night was the greatness of each dancer was coupled with distinct diversity in each man's dancing style and personality. And they all managed to be humbled by one another. The respect they each carried for one another was extremely visable, especially in the preperformance film.
I am going to try and go Sunday again.........
Posted 17 February 2006 - 02:29 PM
Posted 18 February 2006 - 12:20 AM
"The Lesson" was a real winner, with finely acted - as well as danced - performances from all three Royal Ballet dancers (Kobborg, Alina Cojocaru and Zenaida Yanowsky). A treat, as was said above, to see Cojocaru's brightness and easy way with technique and character up there on stage.
Corella wins the virtuoso award of the night, with flying leaps and never-ending spins. Steifel seemed the most popular, drawing the biggest cheers from the crowd just for appearing. Tsiskaridze was the classically tall prince, and certainly a show man with his solos from Carmen.
Posted 18 February 2006 - 09:35 AM
Did anyone see the Saturay night performance? Come on...I can't wait to hear about it!
Socalgal, I'm interested by what you say of Tsiskaridze's solos being the biggest surprise of the night - in what way? Choreography...impersonation...dancing...? And just by the way, can you tell me which piece/s of music it was from Carmen that he danced to?
Posted 18 February 2006 - 11:59 AM
If I go on about my impressions of Tsiskaridze's "Carmen" I might spoil it for those who will see this program later. He takes on the roles of Don Jose and Escamillo as well as the title role from the Bizet score. Chris Pasles, critic of the Los Angeles Times, was not as enthralled with this piece(according to today's review) as myself. Maybe it is because I had never seen Nikolay dance before. Also,the night needed humor and Nikolay provided it and more. I personally thought Petit's choreographic staging quite clever. The role changes are done on stage with the use of props and a 'propman', neatly crafted into the musical pauses.
Posted 18 February 2006 - 01:18 PM
Regarding 'The Lesson", it would not surprise me if Kobborg did all performances of this ballet. I cannot figure how the others could have the time to learn a complex dramatic ballet on short notice. Kobborg did dance it last night again as Ethan S. bowed out due to 'knee injury' says the OC Register review today.
The OC Register preview article cited above on Feb 14 tells of Kobborg teaching the role to the others; indeed, taking Alina's part before she arrived so they would have sufficient time to learn their role. Kobborg's website also has a lot of commentary by him on the group's preparations. Good luck to Ethan.
Posted 18 February 2006 - 04:52 PM
Posted 18 February 2006 - 11:59 PM
In spite of socalgal's glowing review I still went to Kings of the Dance Saturday night with trepidation.
Act I was OK, pretty much what I expected.
Act II. Corella danced in The Lesson. I had hoped to see Kobborg but I am SO glad Corella danced tonight. Corella is forever the cutesie pie pixie, handsome as all get out, a cut up with dazzling technique. In The Lesson he is deranged. Corella deranged! It was so unlike his usual persona that I couldn't take my eyes off his face. His partnering was top notch. I haven't seen Cojocaru for a while and had forgotten how wonderful she is. She dances part of The Lesson in ballet shoes rather than on pointe, which is not my cup of tea, but her feet are actually more beautiful in soft shoes than in pointe shoes. She looked great. Yanowsky was the very strange pianist! It's a shame we couldn't see her in a role in which she could show her tremendous talent but it was nice to see her anyway.
Act III was one of life's great surprises. Stiefel looked so good in his solo: a strange piece that you just interpreted in your own way. I've never seen him look better. It is difficult to discribe Tsiskaridze style. In Carmen he was both Don Jose and Carmen. I know the ballet Carmen very well; along with Alexandra, my love of Carmen is one of my secret delights. Tsiskaridze began as Don Jose and his long legs amplified every step. I couldn't believe it when he entered as Carmen (signaled by a red fan appearing from the side). Zizi Jeanmarie sensuous legs and feet in this ballet are not to be forgotten, and Tsiskaridze's feet are as articulate as Jeanmarie's. He injected comedy in his transistions from one section to another, which kept the performance itself from becoming a joke. Wonderful. Then, THEN....Kobborg in Afternoon of a Faun. I echo socalgal's sentiments; this was a performance that had to be seen. Kobborg was a revelation; he was mesmerizing as he played with a spotlight and discovered life and himself. Graceful, sensuous (that word again), emotional; I just can't describe it. I was in tears by the end and didn't want it to stop. But it did with a jolting contrast: Corella dancing Ellington. I knew it was coming and hoped it wouldn't be as jarring as I feared but it was. Corella was his old self; cute, lots of spins and mugging....good old Corella. The audience ate it up.
An encore and it was over. One couldn't help but notice the difference levels of applause as each dancer bowed. Corella was the winner, and I think sensational Kobborg came in last. I'll never forget Kobborg's performance tonight.
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