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nysusan

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About nysusan

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
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    NY, USA

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  1. nysusan

    ABT 2018 Fall season

    I was there last night. ABT's fall gala started out with a lovely, short introductory speech by the ever elegant Caroline Kennedy. It was followed by Lauren Lovette's work "Le Jeune" performed by ABT's Studio Company. If not a great work, it was charming, enjoyable and well danced. During the "pause" between Le Jeune and the new Dorrance piece we were treated to what felt like at least 20 minutes of speeches by Lauren Post, Misty Copeland and 2 women from among ABT's patrons or board. I guess I should be grateful that McKenzie didn't decide to speak. I was really rooting for the Dorrance piece, but I was disappointed. It was set to Duke Ellington and while the women were on point, the choreography was basically lindy-hop inspired movement mixed with tapping with some ballet tricks thrown in - a triple pirouette here, a grand jete there. In between she had the women tapping out rhythms with their pointes and looking like somewhat spastic holdovers from another era. I love In the Upper Room, and its the main reason why I decided to go to any of ABT's fall performances. It was enjoyable, but not nearly as good as it had been in the past. It still built to that exhilarating finale, and it started ok, but the middle kind of dragged. Somehow, it seemed slower (although I know it couldn't have been, because its danced to a tape and those speeds don't change) and the 2 main stompers - Teuscher and Brandt - didn't dominate anywhere near the degree I remember from past casts (I think it was Murphy/Boone and Wiles/Abrera most recently). The printed program doesn't jive with the online casting so I'm not 100% sure who some of the corps dances were. Most of the cast was new and at soloist & corps level so hopefully they will improve.
  2. Casting has been posted for this: https://www.nycitycenter.org/pdps/2018-2019/Balanchine/ Scroll down to Cast & Credits to see the casting I'm most excited about seeing Jeanette Delgado in Serenade, Mathilde Froustey in Scotch, Tereshkina and Kim in Tschai Pas. Also the 2018 top Vaganova grad Maria Horeva as Terpischore. I don't know the POB dancers very well at all, but I'm wondering if Hugo Marchand and Sae-Eun Park are versatile enough to do justice to both the heavenly Midsummer's Divert and the bold, bracing Agon Pas.
  3. nysusan

    New York City Ballet Fall Season

    Hyltin's height wasn't a major problem for me. Even though she is short she is very long-limbed and when I saw that she was cast I thought that might serve her well. I think that in general taller dancers look better in this but she looked ok. It was more her temperament that was the problem. Symphony in C's second movements is one of those magical Balanchine Goddess roles. I remember Whelan in an interview (paraphrasing) saying that when she danced it she felt as if she was talking to God. Others have brought great mystery, or spirituality or transcendence to it. Hyltin was just pretty, she didn't really project any inner life and for me that is a killer in this role. I have enjoyed her very much in other roles, but not this one. I think LaFreniere, Gerrity, Phelan and Laracey are all promising candidates for this, but I don't think any of them are ready for it with the exception of Laracey, and I don't think they'll cast her in it. She doesn't seen to be a favorite.
  4. nysusan

    New York City Ballet Fall Season

    When I saw the casting for the recent tour - Reichlin did all the Bizet and Kowroski only the After the Rain PDD - I held my breath for NY casting hoping I'd get to see Kowroski in Diamonds and the Bizet one last time. I expect that her technique will not be what it was 5 years ago, but I'm sure its still strong enough, and there's no one I'd rather see in those roles. I can wait for new interpreters, especially remembering the last new ballerina to be given 2nd movement Bizet- Sterling Hyltin who was totally miscast.
  5. nysusan

    NYCB 2018-2019 Season

    I think LaFreniere & Kretzschmar will both make great Rubies tall girls - this is very exciting casting!
  6. nysusan

    NYCB 2018-2019 Season

    So happy to hear about this! Now I want to see Farrell here coaching her roles.
  7. nysusan

    NYCB 2018-2019 Season

    I have 2 subscriptions. I received one about a week ago, still haven't received the other.
  8. nysusan

    Sarasota @ Joyce Aug. 2018

    it is usually done with a full orchestra, which gives the music a more lush feeling. But the solo piano version seemed just right at the Joyce. The first time I saw it was during the Ashton festival at the Met maybe 10 years ago. The Joffrey did it and I fell in love with it instantly! I agree that ABT did it poorly, in fact I think they were OKish in Monotones II, but really terrible in Monotones I. I think all of their Ashton has suffered since they lost Georgina Parkinson.
  9. nysusan

    Sarasota @ Joyce Aug. 2018

    I went to ABT often in the Seventies and have vivid memories of Bujones in it Les Patineurs. I believe it was the same role as the boy in blue. Meanwhile, it was such a pleasure to see multiple performances of Monotones danced so well in a small, intimate theater. My only quibble was that on opening night Ryoko Sadoshima was extremely wobbly in Monotones 1. She was better at subsequent performances but to me she was always the weak link. I can imagine how difficult those long sustained balances are but the rest of her M1 cast - Samantha Benoit and Thomas Giugovaz as well as the entire second cast - Kate Honea, Katelyn May and Nicolas Moreno - performed them beautifully. I especially liked the 2nd cast and wish they had performed it more often. I thought both of the Monotones 2 casts were wonderful. I was convinced that I preferred the Amy Wood cast till I saw the Hulland cast again on Saturday night and they just blew me away. My other quibble was with the choice of rep. Program A started with Monotones followed by the Graziano Symphony of Sorrows and then Wheeldon's There Where She Loved. The last 2 pieces were much too similar for me. Both were to music that included sung lyrics (in Polish & German) and both were episodic. While the Wheeldon had some lightness in the Chopin sections they were both pretty gloomy. The program would have benefited greatly from the inclusion of something lighter and of different structure in place of one of them. Something like the full length Les Patineurs, or Rodeo, or some Bournonoville, all of which are in their rep. Program B was so much better, starting with the Wheeldon, followed by Monotones and ending with the Ashton Diverts. It really made a difference having something upbeat on the program. I was disappointed that the extract from Les Patineurs was so short, but Thais and Two Pigeons were divine. And it so wonderful to see Marcelo on stage again! Back to the rep. Over 7 performances they performed only 4 ballets (counting the diverts as one ballet). They performed Monotones and the Wheeldon on EVERY PROGRAM. Even granting that Monotones is a masterpiece and I can see it every night for a month without being bored, I wish they had brought just one more piece. I'm sure they had their reasons - cost, stage size etc. but having the Wheeldon on one program and the Graziano on the other with a different ballet rounding out Program A would have made for a much more rewarding experience.
  10. nysusan

    Sarasota @ Joyce Aug. 2018

    I've seen both casts of this first program and have been enjoying it, albeit with some reservations that I'll try to go into later. Amy Wood has been my favorite dancer so far, but I miss Danielle Brown. I really liked her last time they were here. Anyone know if she is still dancing with them?
  11. nysusan

    ABT: Roster in Review - 2018

    They seem to be comfortable casting him as the lead in more modern full length pieces like Whipped Cream or in the second fiddle character roles like Hilarion, but I agree - they need to cast him as the lead in a full length classical role like Albrecht or Siegfried or Solor.
  12. nysusan

    ABT: Roster in Review - 2018

    Please, please no Matthew Golding. I didn't like him when he was with ABT and seeing him in the RB cinema SL a few years ago did nothing to change my opinion. I would LOVE to see Sarafanov or Shklyarov guest with ABT but based on their family situations I don't think either of them are likely. Maybe as 1 offs here or there but not even for a full Met season. Osiel Gouneo would be interesting, as would Alejandro Virelles, formerly of ENB and Bayerische Staatsoper. I love Fabrice Calmels, but if he hasn't guested with ABT in all of these years I don't think its gonna happen now. My number 1 pick would be Friedmann Vogel - tall and an absolutely gorgeous dancer! Within the company,I wish they would give Forster and Gorak more opportunities but management doesn't seem to favor them. Its clear that ABT has to import some male dancers while simultaneously developing their own. I'm sure there are lots of talented men around besides the few we've been discussing - the question is whether ABT has the will & the money to do some real top shelf shopping.
  13. Its true, I always go to the box office to buy tickets and they do close for vacation every year in August. They re-open about a week before fall for dance tickets go on sale.
  14. Too bad, Parish is my least favorite of the Mariinsky men. I'd much rather see Sergeev as Apollo. Now it all depends on who his Muses are...
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