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JumpFrog

Senior Member
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About JumpFrog

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    Fan, avid balletgoer
  • City**
    San Francisco
  • State (US only)**, Country (Outside US only)**
    California

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  1. I had the good fortune to interview her years ago for a local Seattle arts bulletin and found her inspiring. How I wish I might be able to take her class as your girls have but with two artificial hips it seems unlikely. 😉
  2. Agreed on that. I believe it will be a highlight of the year for many others too.
  3. Holy smokes did I ever miss a lot while on vacation. Thank you blackcurrant for your links here. Very interesting to read. And actually kind of nice to know that we are starting to expect more from corporate policy and how it can and must protect employees. It shows just how far behind some sector are from others. Hopefully the arts catch up. I also find it very interesting vs1 reading through this thread those who appear to be in agreement that any corruption or nepotism is wrong ....but then call about finding out about "snitches". In terms of dancers leaving it definitely d
  4. Agree about the Peck piece. I thought it was the strongest although the others might have needed just more time and or development. I think it really takes a special choreographer to know what to choreograph for what company. It cant just be good. It has to be fitting.
  5. Excellent mom2. That is very useful. Thank you!! Please keep us updated. The incompetency would be funny if it were not so sad. Thats it! It is all documented publicly already. The company going back and deleting files from the Internet because the public are now asking questions just makes things look ***worse***. Awesome work on the PDF file. Definitely save everything. As an audience we are going to have to work together to demand this change . These wrongs are unacceptable and need fixed. Karen Kain and Barry Hughson are obviously not up to the task.
  6. The casting for the company tour to San Francisco has been released. Evan Mckie is still missing. https://national.ballet.ca/Media-Room/News/Just-Announced/Nijinsky-Tours-to-San-Francisco
  7. Agreed. I was looking forward to this. What I would do to see them perform Opus 19: The Dreamer in Paris. Le sigh...
  8. This keeps getting deeper. Binet Sr. has now had his quotes and history under the Endowment section of the website removed entirely. He has also been removed entirely from the National Ballet School website. This means that other than the financial contributions made through his companies (Thomson Reuters, The Globe and Mail, The Woodbridge Company L.L.C.) he will now, at least personally, appear absent from both organizations. Binet Jr. remains present throughout including under the Soaring - New Productions referenced above. Obviously, like any company would, they are try
  9. The rankings aren't really considered in this company. Corps doing Principal roles, Principals doing Bluebird, and some Principals doing nothing at all. Siphe November does not appear to fit the aesthetic Karen has mandated for her tenure ie. long and thin. He does not appear to have a traditionally classical line or body at all. At least in the photos online. However the company may be changing in this regard. His jump sounds exciting. volcanohunter and kbarber you have each referenced Evan McKie as "unavailable". Do you have a source for this? Can anyone verify the reason for his
  10. Good find mom2 and i enjoyed reading your thoughts on the mixed too. It appears Karen Kain and Barry Hughson are moving Binet around in order to both keep his and his companies money while also keeping the public outcry at bay. I hadn't heard of either the Soaring Cabinet or Music Circle and Orchestra before so did some reading this afternoon. Of particular note in the Soaring Campaign link above is the promise of "New Work". This heading is seen under a photo of The Dreamers Ever Leave You () and paired with the following quote from Binet Jr.: "I grew up wanting to be a part of this Nati
  11. I agree with this. I also wonder if this situation may cause all involved to begin reconsidering the process itself. Perhaps there is a better way.
  12. So getting back to the subject.. Anyone else see the mixed program? I found the following review. https://www.theglobeandmail.com/arts/theatre-and-performance/theatre-reviews/review-made-in-canada-gives-a-panoramic-view-of-the-national-ballet/article38170873/?utm_medium=Referrer:+Social+Network+/+Media&utm_campaign=Shared+Web+Article+Links Looking forward to hearing your thoughts from this afternoon mom2.
  13. So busy that a decade goes by without follow up? I doubt it.. Saw the performance last night and since no one else appears to have gone thought i will share some thoughts. The Dreamers Ever Leave You was painful. There is no way around it. It did not seem to say anything, take you anywhere, and at points I was uncertain if it would ever end. When the curtain finally came down the overwhelming sense was "thank goodness". More than anyone I felt sad for the dancers. Here are some wonderfully talented artists in the prime of their careers and doing what? Stomping their feet...trying to
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