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cobweb

Senior Member
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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan & avid balletgoer
  • City**
    NEW YORK
  • State (US only)**, Country (Outside US only)**
    New York

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  1. Thanks for the info, @california. We’re veering off topic here, but like your sister I also had a terrible reaction to the second moderna shot. Haven’t been so sick in years! I want the booster but will be careful.
  2. Thank you, @FPF. I should have looked that up.
  3. It was a lovely afternoon for Kowroski. It was a festive, buzzing atmosphere. The audience was packed with dedicated balletgoers, dancers current and past, friends and family. We were sitting a few rows away from Kowroski's husband and what appeared to be a whole related contingent; and just down the row from Robbie Fairchild. I thought the program was well chosen, showcasing her range as well as the range of the company, and the repertory. She appeared very well in all of them. The program opened and closed with Balanchine pieces, fittingly enough, and in between two pieces from contemporary choreographers, both created (I assume DGV was done for her and Tyler Angle, correct me if I'm wrong) on her. Like someone said up-thread, Amaria appeared better and more interesting on second viewing, against all my expectations. Three of the pieces (Slaughter, Amaria, and DGV) had her legs as their primary focus (and much appreciated!); in Chaconne she got to display other aspects of her technique. I'm not a huge fan of Slaughter on Tenth Avenue, but it's a great vehicle for Kowroski and guaranteed to get the crowd whipped into an appreciative frenzy. (I also loved the moment when Aaron Sanz, as the gunman, whipped out a face mask. Great update; the audience loved it.) Then the heartwarming parade of her colleagues bringing tribute, concluded by her adorable little boy and husband. Thanks Maria for bringing so much enjoyment for so many years!
  4. KarenAG, just wanted to say I'm so sorry this happened to you! I know I would be heartbroken too. I'm planning to get the COVID booster, but just in case I have an untoward reaction, I deliberately did NOT get it last week because I didn't want to be sick for the Kowroski retirement! It was a special afternoon as befits a great ballerina. I hope you are enjoying the reports and video. I will try to post a few more words later today.
  5. Isabella LaFreniere demonstrated she has everything needed to take on the grand ballerina roles: strong technique, confidence, glamour. She dances with authority, with a grand sweep, has a megawatt smile that radiates throughout the theatre, and an expansive presence that touches your heart. I always knew she was good, but not THAT good. Highly impressed - in love with her, in fact!
  6. Good to hear. Thank you Lauren for years of beautiful dancing and artistry!
  7. I thought Isabella LaFreniere was beautiful - confident, glamorous, dancing huge, everything we've been waiting to see from this beautiful dancer for years. She has to be happy with that debut. I was so in love with her, and with Chaconne in general, that I just got off the phone with the box office for a ticket to tonight! (Chaconne only; skipping the rest of the program.) There was a disappointing lack of rapport between her and Danchig-Waring, though. I thought he looked more dour than usual, and there wasn't much eye contact between them, despite her megawatt smile that warmed the hearts of the entire theatre.
  8. My partner saw something similar. He says that the guy who wound up on LeCrone's right (Zuniga, that is) failed to reach for her hand - then suddenly lunged for it. My partner's impression is that either Zuniga forgot what he was supposed to do (that seems impossible) then suddenly remembered and lunged for her hand; or he just got his timing wrong.
  9. Thanks for pointing that out. That is a lovely photo of the three women, and their stunning dresses, on the repertory page. I wish NYCB more clearly listed timing for the programs.
  10. Good to know I'm not the only one! What was the timing on that, how long is La Valse? As I finish up a long week of work and multiple performances, I'm actually thinking that the only thing I really need to see tonight is Chaconne, so I might do the same thing, and slip in after Rotunda.
  11. Tiler Peck and Roman Mejia gave a treasure of a performance. They look great together, are incredible dancers, and this piece is a great vehicle for both. After not seeing Mejia for a year and a half, I notice a more mature, adult quality about him, that is very attractive. I liked Unity's understated approach to the After the Rain pdd; for once it didn't seem overwrought to me. Still don't need to see this again. Megan LeCrone's mishap was bad. She totally crashed onto the floor in what looked like a tripping, clumsy drop. The audience was relieved to see her appear again looking fine. I wasn't watching closely enough to be sure of what happened, but it seemed like more than just her losing her balance. I've also had enough of La Valse for awhile. I have at ticket to tomorrow's matinee, mostly because I want to see Agon again (and getting to see Peck and Mejia again is a bonus I didn't expect). But I'm thinking I might arrive late and just slip in during the pause between La Valse and Other Dances.
  12. I'm trying to figure out if Chaconne is on the schedule for Winter or Spring, but it's hard to find that information quickly on the website (unless I'm missing some season overview page). Does anyone know if it's coming back? It definitely should!
  13. I thought Sara Mearns was perfectly glorious in Chaconne last night. I don't have the memory of other dancers in this piece the way some of you do, so I didn't miss any non-ethereal quality. She charged through in a blaze of sunlight and glitter (poetic license), with a joyous smile to fill the theatre. There were other standouts as well. So great to see Harrison Coll, for the first time in years, looking so strong and full of vigor. Olivia Boisson and Alexa Maxwell both looked good as the demisoloists (saw them in these roles last week as well). Boisson has a beautiful smile and a lovely, gracious presence. Maxwell looks like she's lost a ton of weight since before the pandemic. I guess I'll get used to it, but I thought she looked pretty good before too. In any case, she still dances with an assertive sprightliness and bright appeal to the audience. Finally, Emily Kikta. Kikta Kikta Kikta. So beautiful, so beguiling. More please. I dozed off during Rotunda, and the M/M opener was a little dull compared to Mira Nadon's performance last week.
  14. It would be nice to see someone besides LeCrone get a chance in the role this time, but it seems she's the only one cast. I also miss Savannah Lowery in the role. And I remember Ashly Isaacs blazing through it, alongside Joseph Gordon (can't remember who was the other guy with them), not too long ago.
  15. Yeah... no. This makes it easier for me to make a decision, especially since I have some doubt about the adorability factor with all the kids 12 or over.
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