Alexandra Posted December 8, 2002 Share Posted December 8, 2002 I'm stealing this idea from Grace who proposed it on another thread. I don't think we've had a thread about comic ballets -- at least, not in awhile. There aren't many. Can we find 1 dozen? Two? There's a story that one night, when Bournonville was leaving the theater after the premiere of one of his more ambitious, mythological ballets, the night watchman told him, "They want a good laugh, Guv'nor." And so, at least with Bournonville, it's his comic ballets that have lasted -- "Far from Denmark," "Kermesse in Bruges," and "The King's Volunteers on Amager." "Kermesse" is one of the few ballets at which I've ever laughed out loud. KVonA (usually called "Lifeguards;" the Danish word is Livjaerne, literally [the King's] Life Guards") isn't slapstick, more a gentle, domestic comedy. What comedy ballets have you seen? Which are your favorites? Link to comment
cargill Posted December 8, 2002 Share Posted December 8, 2002 La Fille, of course, in all its manifestations, though I have only seen the Ashton. Don Quixote, lots of early Ashton like Facade and Wedding Bouquet. Fancy Free, I suppose would be considered a comedy--I laugh anyway! 3 virgins and a devil by de Mille. Devil's Holiday (though it has been lost.) Certainly there are ballets with comedy in them, like the versions of Midsummer. Parts of Napoli are certainly funny, and it has a happy ending so I think it would be considered a comedy. Petipa's one-act Halte de Cavalrie is a comedy I think, and it was revived by the Maly within living memory. And of course Eifman, which makes me laugh myself silly. Link to comment
Ari Posted December 8, 2002 Share Posted December 8, 2002 The Concert comes immediately to my mind, as does Fancy Free. Robbins had a real gift for comedy in dance; it's a pity that he seems to have lost his sense of humor after that. And Balanchine's Harlequinade. And, of course, Coppelia, in all versions. Link to comment
Estelle Posted December 8, 2002 Share Posted December 8, 2002 Jiri Kylian's "Symphony in D" and "Sechs Tanze". To some extent, Lichine's "Le bal des cadets" ("Graduation ball"). Some parts of Balanchine's "Western Symphony" are quite comical too. Link to comment
Manhattnik Posted December 8, 2002 Share Posted December 8, 2002 Balanchine's Donizetti Variations is a hoot, especially the more one knows about Bournonville. Link to comment
grace Posted December 8, 2002 Share Posted December 8, 2002 Ari: you LAUGH during coppelia?!?!?!? :eek: Link to comment
Tessa Posted December 8, 2002 Share Posted December 8, 2002 Is Rodeo considered a comic ballet? It's one of my favorites. Link to comment
Calliope Posted December 9, 2002 Share Posted December 9, 2002 I'm having a senior moment, but Wheeldon's backstage farce, Variations.... I suppose Nutcracker would fall under comic, at least Balanchine's, with Fritz and Mother Ginger hamming it up. Union Jack also has some light comedy to it. As does Balanchine's Midsummer's Link to comment
Treefrog Posted December 9, 2002 Share Posted December 9, 2002 This one's easy! Cranko's The Taming of the Shrew. We were practically rolling in the aisles last fall when the Joffrey staged it. And our seats were in the center of the row! Link to comment
Tessa Posted December 9, 2002 Share Posted December 9, 2002 How could I have forgotten Taming of the Shrew? That's one of my favorite ballets too, Treefrog! Especially the bit with the horse I've heard Graduation Ball can be very funny- never seen it, though. Link to comment
Mary J Posted December 9, 2002 Share Posted December 9, 2002 One of my favorite lighter ballets - more playful than laugh out loud - was Jerome Robbins Interplay. The music was blues-jazzy but a lot of the choreography was based on kids' games, including leap frog and wheelbarrow. It was fun to watch, and the dancers seemed to enjoy dancing it. Joffry had it for a while as did ABT MANY years ago. Link to comment
atm711 Posted December 9, 2002 Share Posted December 9, 2002 My fondest memory of a hilarious ballet is Tudor's 'Gala Performance'--especially with a good cast. Link to comment
BalletNut Posted December 9, 2002 Share Posted December 9, 2002 Ah, yes, one cannot talk of comic ballets without including Gala Performance. My personal favorite. Might as well throw in Sandpaper Ballet. It's funny the first couple times, anyway.;) While watching the Classic Arts Showcase, I caught a clip of Go For Barocco, performed by the lovely and talented Trocks. Mr. B would be proud. Link to comment
Mme. Hermine Posted December 9, 2002 Share Posted December 9, 2002 i'm very fond of lew christensen's 'con amore', what with rossini overtures, amazon women and a little pirate, a straying wife with lovers all over the place, cupid and god knows what else. Link to comment
grace Posted December 10, 2002 Share Posted December 10, 2002 i'd like to see a whole season of comic ballets...isn't it interesting that one's IMMEDIATE response must surely be: "that'll never happen." i wonder why... anyway, i am surprised by how many we have come up with. there are many names here i am completely unfamniliar with - mostly works by american choreographers. but there are also many which i would not describe as comic ballets, even though there might be the occasional or incidental laugh in them...coppelia, nutcracker, and certainly grad ball are several that spring to mind immediately. even fille, which has so many marvellous comic moments, and is clearly intended to delight all the way through, is not what i would have described as a 'comic ballet' in it's raison d'etre, or, ... 'deeper meaning' might be what i am referring to... (please let's not speculate too much about the inner workings of the choreographer's brains, or refer to their statements, published or otherwise...really i am asking about the ballet's effect, rather than its intent...oops - that could be dicey! ;) ) i think maybe the distinction i am making, is that the main purpose of, say, midsummer night's dream or nutcracker is not to get people to laugh (as, for example, the concert's 'main purpose' IS - if i can be so bold and foolish as to make such a statement). OK OK, maybe you COULD say that about coppelia - in it's time - but not now, surely? the only work i would have in MY list, which no-one else seems to have mentioned, is elite syncopations - whose intent must surely be to amuse, at least. and i'm not sure if, up above, someone mentioned ashton's wedding bouquet? i've never seen that, but i assume it's comic? if i may presume to slightly re-direct the topic (?): out of all of these above - and any others that come to mind - which are really 'intended' (ALLOW yourself to make assumptions, please!) to amuse, pretty much all the way through...and DO work (for you)... - as distinct from those which just have comic moments? i would start such a list with the concert facade --------------- p.S. later thought: i'd have to concede that lots of these ARE 'comic ballets'. i guess what *I* am really asking is slightly different to what alexandra asked:- which ballets make you laugh pretty much all the way through - or at least summon true amusement/delight? Link to comment
Alexandra Posted December 10, 2002 Author Share Posted December 10, 2002 Interesteing distinction -- I wasn't wild about "Elite Syncopations," but I'd agree it was intended to amuse. I'd also make a distinction between "comic ballet" and "comedy" Midsummer, Fille, Coppelia and others are "comedies" in that classical sense of the term -- and not intended as laugh machines. Whereas "The Concert" -- or "Yes, Virginia, Another Piano Ballet" which is out and out slapstick (Peter Anastos's jibe at Dances at a Gathering and its many sons and daughters) -- are made for laughs. The Joffrey did "A Wedding Bouquet" a lot in the 1980, and it definitely was funny. Link to comment
Treefrog Posted December 10, 2002 Share Posted December 10, 2002 I'd still keep Taming of the Shrew on your short list, Grace. Link to comment
Lovebird Posted December 10, 2002 Share Posted December 10, 2002 La Croquese de Diamants and Deuil en 24 heures by Petit are very funny and comic.So is Bejart's Le Concours,one of the few ballets that I find genuinely funny.Cinderella by Ashton also has it's comic moments,especially the two Ugly Sisters.Pineapple Poll is also funny,although I have always found the humor in it to escape me.Much more entertaining is Bournonnville's Far from Denmark. Link to comment
Mel Johnson Posted December 10, 2002 Share Posted December 10, 2002 Pineapple Poll is very funny, and I find that people who know the Gilbert words to the Sullivan music being played have an even better time at it than non-Savoyards. Cranko makes choreographic puns on the words! Link to comment
Victoria Leigh Posted December 10, 2002 Share Posted December 10, 2002 Gala Performance would be at the top of my list, for sure! Link to comment
grace Posted December 10, 2002 Share Posted December 10, 2002 can anyone tell me a bit about gala performance? - i don't know anything about it. Link to comment
Mashinka Posted December 10, 2002 Share Posted December 10, 2002 The Envelope by David Parsons is very, very, funny indeed. What about the ballets of Massine? He seems almost forgotten now. I used to love Mamzelle Angot and the last time it was revived (about 20 years ago) some wag at the RB had the bright idea of casting two dancers as Mamzelle A. and the aristocrat who in real life were also fighting for the affections of the same man. A prime example of life imitating art. Link to comment
Manhattnik Posted December 10, 2002 Share Posted December 10, 2002 Speaking of Massine, Gaite Parisienne has its funny moments, and I'd love to see a live performance of Good-humored Ladies. Although I've never seen Gala Performance (more's the pity), I think Offenbach in the Underworld was wickedly, deliciously funny. Link to comment
Mary J Posted December 10, 2002 Share Posted December 10, 2002 Does anyone else remember Joffrey's performances of Ruthanna Boris' Cakewalk? That was a true delight - and it made fun of a whole range of dance mannerisms from ballet to vaudeville. Link to comment
Alexandra Posted December 10, 2002 Author Share Posted December 10, 2002 I remember Cakewalk -- another one that should be brought back, IMO. I wonder if Gala Performance could be done today? To really "get it" you have to see stylistic differences -- both as a viewer and as a dancer -- because the ballet is about distorting those differences. (It pits a French, Russian and Italian ballerina against each other, in all their respective glory.) We have quite a long list -- remember this the next time you read a review that says, "Comic ballets are as rare as hens' teeth.".... Link to comment
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