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Sophoife

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About Sophoife

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    avid balletgoer, former student
  • City**
    Hobart, Australia
  1. It was the most beautiful night, @naomikage. Senior Artist of seven years, all but one of the current principals leapfrogged her, and when she retired she had her very long hair cut and donated it for a wig for an ill child. She was partnered by Chris Rodgers-Wilson, and the atmosphere on stage spread to the audience - joyous but a little sad at the same time.
  2. Hi altongrimes, she is dancing Petit's Carmen with Royal New Zealand Ballet, then participating in a "gala des étoiles" in Luxembourg in May. No further info to hand, sorry.
  3. They didn't bring it back because that tour was with the indigenous Australian company Bangarra Dance Theatre, and so it was a double bill: Australian Ballet in Les Presages and Bangarra in Rites. The Murphy Swan Lake has just had 3 performances in Tokyo, followed this weekend by the Murphy Nutcracker. I'd be interested in a Japanese reaction to these. Also, there is now a DVD of the Murphy Swan Lake: Australian Ballet Shop - sadly the photos on the jacket are of Adam Bull and Amber Scott, not the dancers performing (Robert Curran and Madeleine Eastoe).
  4. I would also like to defend this Swan Lake. No, it's not traditional, but yes, the dancing is excellent, the storyline credible, and on the available DVD (recorded live at the Sydney Opera House in April 2006) Madeleine Eastoe (seen in the film Mao's Last Dancer as "Lori") is a superb Odette, and Robert Curran a wonderful Prince. The costumes, particularly Odette's wedding dress and the swans' costumes, are amazing, as is the fantastic set for the lakeside scenes. My mum can't stand Graeme Murphy's work (she says so much of it is "unnecessary" i.e. too sexy), but she liked this, although she
  5. Glyn Scott is a 2004 graduate of the Australian Ballet School whose first job was with American Ballet Theatre's Studio Company, and who is now at Birmingham Royal Ballet. He competed in the New York international ballet competition in 2005, and the Prix de Lausanne in 2004.
  6. At 42, Steven retained his artistry, but was the first to admit the body wasn't up to the demands of many principal roles any more. He says he's moving in a new direction, which will include character roles (he's learnt Drosselmeyer for the forthcoming "eye-poppingly traditional Nutcracker", for example). He'll also be teaching and coaching. I suggested he join the Dancers' Company tour and do the Headmistress in Graduation Ball and now he thinks I have some weird desire to see him in drag!
  7. New Romantics Melbourne, Saturday 30 June 2007 Apollo Everything we love about Balanchine (beautiful shapes, visual images) and everything we don't really like about Balanchine (ugly shapes, movements styled for a particular body type). Constant Variants Quite clever especially the lighting and the combinations and recombinations of dancers. After the Rain© The second half of this I had tears running down my face. So beautifully controlled that it was languid and limpid, the music (Arvo Pärt's Spiegel im Spiegel) was so simple, and the combination had me weeping. Haven't cried at ball
  8. Thanks all for comments - ppl are reading! Talking about "loyal Russian Ballet followers" - the last time I saw a Russian company in Australia I was appalled - I think it was the Russian National Ballet. Simply dreadful - sloppy, shortcuts, scratchy recorded music...
  9. How sad that the performance you saw contained so many disappointing elements. I went over to Melbourne on the following weekend, Saturday 16th June, and saw both the matinée and the evening performance. Valetta actually reminded me quite a lot of chunks of Paquita and I think you'll probably see it brought out at least once more, Knobloch is Very Well Thought Of as far as I can tell so it will be given another chance. Matinée Amber Scott/Adam Bull/Remi Wörtmeyer/Kevin Jackson, evening Madeleine Eastoe/Remi Wörtmeyer/Daniel Gaudiello/Tzu-Chao Chou. Evening was much more enjoyable, seemed to
  10. Geesh what an active board. Not. Well I never got to the Revolutions triple bill (many reasons) in Melbourne but am going to jolly well get to Sydney. Just back from the usual 2 performances in a day for Raymonda and I have to say that it was very good indeed. The music we all know is beautiful. The costumes were faaaaabulous 1950s gowns - both really long and ballet-length - and it's funny to see men in black tie and white tie-n-tails dancing ballet - but it worked. The dancing was generally of a very high standard although some of the characterisations didn't quite work - the fault of th
  11. Will actually be interested to see Don Q as the last live performance of it I saw was the Royal Ballet's which is the Baryshnikov version. Haven't seen the Nureyev one live for close on 30 years. Lucette Aldous shines in my memory more brightly than Sylvie Guillem, perhaps because I was much much younger? Whatever, Irek Mukhamedov was simply sensational Would've loved to see him again. Last Paquita seen was for the 25th anniversary gala - IIRC it was Liz Toohey and David McAllister. ETC: That was La Favorita. David's really pleased it's being done again, as it was choreographed for himself
  12. Hi Helene and thank you for your welcome! Always happy to spout about Performances I Have Seen... Ohhh Lucy Dunn's adage! Saw her in the Murphy Sleeping Beauty last year, and she's just rock solid. Not a wobble in the whole Rose Adage, and you couldn't even see the usual arms gripping like death and shaking with tension thing! Annabel Bronner Reid was the Lilac Fairy in the same cast, and she's one to watch. The same day I saw Lisa Bolte and Steven Heathcote dance the matinée, and Lisa's Aurora was just - not quite right - even before I saw the evening performance. Steven was Steven and st
  13. No, the AB doesn't come to Tasmania - the biggest reason being that not even the Princess Theatre in Launceston can fit their sets, let alone the Theatre Royal in Hobart. Dancers' Company (AB School) comes to Launceston about every 2 years, and Hobart once in a blue moon. The first time I saw the AB was Fool on the Hill in Sydney in (I think) 1977. I've been travelling to Melbourne 5 times a year since 1980 and it has cost me a lot of money (apart from 1980-81 and 1986-92 when I actually lived there), but I have gained a lot of pleasure from watching the company. I was in the Palais Theatre t
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