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Needlepoints

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About Needlepoints

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    fan, avid balletgoer
  • City**
    New York
  • State (US only)**, Country (Outside US only)**
    New York

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  1. Arron Scott is probably my favorite Mercutio ever, and I've seen a lot in the 45 years I've been going to the ballet. The Prokofiev score is glorious but Mercutio's death scene seems to go on and on and on and most dancers I've seen tended to milk the scene for all it was worth, going OTT trying to fill out the music. Scott on the other hand reined it in, giving a wonderfully restrained performance that reached the Dress Circle without descending into caricature as so many others have. I'm another fan who will miss Arron Scott.
  2. Josette, When Luis Ribagorda and Eric Tamm left ABT they went into selling real estate in New Jersey as a career. Whether either one did it for the whole time he was away from ABT I don’t know.
  3. I saw Fairchild and Garcia on Thursday night and I was reluctant to come here with my impressions, as I am a fan and not a ballet professional, but here goes: I saw no chemistry between the leads until the last 10-15 minutes of the performance. Fairchild was on robotic autopilot through the White Act; not once did I see a swan from her, never mind a swan queen. The Black Act was a slight improvement and then in the final lakeside scene all of a sudden the principals came to life. If only they had been like that for the whole performance. In 45 years of ballet-going in NYC this was the
  4. I was quite startled by the moment when Albrecht put his finger to his lips and looked past Giselle directly at Bathilde, imploring her to keep quiet and not blow his cover. I don’t think I’ve ever seen that before.
  5. Lauren King was the girl in blue in tonight’s Dances at a Gathering. (Which I thoroughly enjoyed.)
  6. Back to Bell and the availability to cover a part: is it not also an issue of who can partner whom? Some pairs are more suitable together than others, or should ABT just throw anyone who is available on stage.
  7. Keith Roberts came onto my radar screen when a few seasons ago he completely stole the first act of R&J as the Duke of Verona. He was powerful and dramatic; everyone else was anemic. I’ve had mad respect for his acting skills since then, and I knew his Carabosse would be great. It was.
  8. I went last night and tonight. My first Manon was at the Royal Ballet in 1980 with Jennifer Penney and Wayne Eagling, and I loved it. The first season ABT did it, I rushed to see it and was sorely disappointed. What had been fresh and interesting in London was stale in NY; I can’t even remember who danced. As a result I’ve skipped all the intervening times it’s been done by ABT, but I wanted to see Bolle one more time and I wanted to see Lane and Cornejo. Whiteside versus Hoven as Lescaut: Whiteside wins overwhelmingly, although Hoven was not bad. Hammoudi versus Zhurbin as the jailer: H
  9. I saw this cast, but I have no technical background so can’t say anything other than I enjoyed it. I thought both Teuscher and Williams were great. The bedroom pas at the end of Act 2 (Teuscher and Stearns) was gorgeous; it was my favorite between Brandt/Mack, Teuscher/Stearns, and Shevchenko/Mack.
  10. Insert in tonight’s program says Simkin is injured.
  11. I was also at tonight's performance, and I thought Brooklyn Mack was a little rough in the first act. I put it down to nerves, but by the second act he had settled in and as noted above, the pas de trois was off the charts. I would also like to put in a word for Blaine Hoven; I believe tonight was his first Lankendem and I thought his first act in particular was terrific. Hoven has been doing yeoman service for the last few years; of the three Pierrots in Harlequinade that I have seen (Hallberg, Hoven, Forster), Hoven was my absolute top in the role. If promotions are handed out and Forste
  12. Stearns is another blander than bland for me. I'm sorry I missed Forster as Sergei, but I'm really pleased I saw Whiteside as Olga's fiance. That's another issue with ABT. Where is the cast where everyone is good and perfectly cast? Getting it half right isn't good enough these days.
  13. I was at the triple bill on Wednesday night. I went specifically to see On the Dnieper, as I loved it the one other time I saw it. The name of this company is American Ballet Theatre and one of my complaints is that the company forgets about the theatre part. I fell in love with ABT 45 years ago because of all the terrific 1-act pieces with storyline that they did at that time. (First time at ABT was Three Virgins and a Devil, two different pas de deus, and Les Patineurs. I was totally hooked.) I sat in the Grand Tier. The center sections were not completely filled and the side sect
  14. I went, but I don't feel qualified to comment on the performances. I will say that I loved the sets and costumes very much; I also thought the orchestra played magnificently. Tsvirko was indeed Basil and I liked him a lot. I have no idea who danced the Gypsy King, Amor or Queen of the Dryads since they were not listed in the cast list, which I thought was a big oversight. I also found it hard to tell Mercedes from the Street Dancer. I don't know any of the dancers so I don't know if there was any doubling up of roles. I also went to the Gala on Nov 4, and yes, it did have a lot of
  15. One thing management has been doing to ease crowding is to make announcements about the garage level entrance. The line has been much longer than usual down there, but it moves very quickly. There are benches to sit on, bathrooms outside the house that are always open, and it's much easier to get an uncrowded elevator at that level. I always go in down there.
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