Le Corsaire - Spring 2012
Posted 05 July 2012 - 07:54 PM
Posted 05 July 2012 - 08:01 PM
it's le corsaire?
Electrifying, spectacular, perfection. All there. Why do I come away feeling I've just been to the circus?
I don't know, I thought it was a great performance. And to second the kudos for Yuriko...I hadn't seen her in some time until I saw her earlier this season in the SL pas de trois. I was REALLY impressed. And after tonight I was even more so. I want to see her in a full length main role, stat. I think Aurora would suit her well.
Posted 05 July 2012 - 10:18 PM
Well, California, that's my point entirely. Although I certainly love trolling around YouTube to see what's been posted, be they clips from HDs or telecasts by European companies, or surreptitious bits caught shakily on cell phones from the audience, we should be seeing--occasionally, at the very least--telecasts of ABT performances on American public television. I'm not eager to knock City Ballet, which had a Nutcracker telecast last year and a telecast of their (well danced, but very ugly production of) R&J the year before, but why is ABT left out in the cold?
I wondered about the lack of ABT on PBS in the last couple years as well. But there were earlier complaints that PBS (being a national 'network' ) should also showcase other national ballet companies - therefore, we had SFB in "Little Mermaid" and MCB in their triple bill last year etc. Personally, I'd like to see that PNB "Giselle" reconstruction (or even BB's which I also thought v. interesting and scarier than most others).
I guess I'll have to keep pushing for funding to finish my doc, and then you can all see & keep Herman, Angel and others for posterity.
Posted 06 July 2012 - 03:03 AM
I'm always glad when "Corsaire" is scheduled last in the season. It sends everyone out on a very happy note. But dancing elephants would not be out of place here.
Posted 06 July 2012 - 07:34 AM
I agreed with the fact tha Vasiliev handled her as only I have seen Marcelo do, and the moment commented by fondoffouettes was really something, he afforded the luxury of going almost in arabesque, in demi-point, after having walked around with her up high there, it was really priceless, and beautiful too.
Vasiliev does that almost arabesque half point as Basilio in the Act 1 coda of Don Quixote also while holding Kitri in the air. I understand both camps concerning him. Totally exciting and thrilling stage performer, but not exactly elegant, almost reckless looking, but that is part of the thrill. He's a risk taker. I think ballet will always have a circus element to it, and many people don't like that, but it is here to stay. Never going to go away. Personally, I am glad. I think there is room for all types of performers. But if you see Vasiliev in DQ, for example, you see there is more to him than just circus tricks. He acts well too. This is a true animal of the stage.
Posted 06 July 2012 - 10:33 AM
Posted 06 July 2012 - 11:06 AM
Kudos to Kayija too, she was wonderful, held her own really well,she has had a wonderful season.
Only huge disappointment to me (again) was Kobborg, its not even worth to get into details, it was worst than his Romeo, which is a lot to say, and next to the two Bolshoi beasts, oh well……my question is, what is the point of bringing this guy to dance here ? I am a big supporter of mega-stars being brought, but this guy is outdanced by pretty much every soloist and quite a few members of the corps, so……I just don’t get it…..maybe is to keep alina happy, if so, boy we are paying big time to have her here.
Posted 06 July 2012 - 11:19 AM
Kobberg is disappointing. I know he's a big star at the Royal, but so far I haven't been able to figure out why. He is a strong partner, though. I guess he is no youngster, so he may have been much more impressive in prior years.
Posted 06 July 2012 - 11:31 AM
Same with the speed of the fouettes. She made a huge deal of every single little phrase.
Did you see her throwing herself to Kobborg's arms in the bedroom pdd ?
I was quiet but a few people surounding me were close to have a nervous breakdown for real.
Posted 06 July 2012 - 11:44 AM
Posted 06 July 2012 - 11:51 AM
When I saw him next to Salstein and Mathews in R&J, I really felt bad for him too, especailly in the variation right before entering the ball room scene.
now think, if you are desperate for a chance, and you have to witness this guy being brought from far away, i wdnt be happy myself.
with that said, since I adore Alina, if thats the price, I am ok with that, as long as as they dont start putting them together, bc then it wd really be a total killer for me.
Posted 06 July 2012 - 11:56 AM
Posted 06 July 2012 - 12:07 PM
By the way, I should also say that I sat up and took notice of Arron Scott's Birbanto last night. Apart from his Dance of the (ahem) Golden Idol, I haven't seen him do an extended role before, and I was pleasantly surprised. Craig played it with great swagger, and he kicks higher in the Pirate dance, but Scott impressed me. More, please, Mr. Scott. On the other hand, it looked to me that Jared was playing the slave trader with the exact same grin on his face that he used as the ballroom von Rothbart. But whereas he was "out of his element" (as someone posted here last week,and I tend to agree) as Rothbart, the weaselly grin seemed appropriate for Lankendam.
Posted 06 July 2012 - 02:14 PM
I realize that the thread is Corsaire; please move as appropriate. Thank you.
Posted 06 July 2012 - 06:51 PM
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases. (If it doesn't appear below, your computer's or browser's adblockers may have blocked display):