Vishneva To Bolshoi, Principal Guest
Posted 30 March 2006 - 12:06 PM
She must continue with the Kirov and do the 'Ondine' DVD! We won't allow her to leave her roots just yet.
I'll pass on more info as I receive it.
Posted 31 March 2006 - 10:06 AM
Posted 31 March 2006 - 10:42 AM
Nonetheless, Vishneva is still shown as dancing Juliet -- to Ilya Kuznetsov's Romeo -- in the Leonid Lavrovsky 100th-Birthday performance of Romeo & Juliet the following week. So it appears that Vishneva continues with the Mariinsky, as her home base.
Posted 31 March 2006 - 01:19 PM
Posted 31 March 2006 - 01:28 PM
Posted 31 March 2006 - 02:43 PM
Posted 31 March 2006 - 05:03 PM
I did not see Fernando more than a couple of times after he started concentrating on his guest-artist career, and I don't know whether he managed to pull together the discipline which he seemed to have lost.
I wish Vishneva well, and I hope she takes care of herself.
Posted 31 March 2006 - 05:44 PM
Posted 06 April 2006 - 06:29 PM
This is pretty much what Vishneva says on her site. She's not leaving MT but she is taking on some guest gigs at the Bolshoi
Posted 10 April 2006 - 07:35 AM
It's a shame that her site's performance schedule -- which is quite trustworthy -- lists no Ondines at the Mariinsky, which makes me wonder the credibility of the talk about the DVD project? This is added to the fact that the July 18 Ondine at the MT -- the one which DV was to have danced & maybe filmed -- is now off the schedule but, instead, Ondine will be danced in early May (3 & 5) & early June (7th), while Vishneva will be in NY with ABT.
So - Vishneva's detailed three-month performance calendar shows no Ondines. However, Ondines will be performed in early May & early June. Are all of them to be performed by Obraztsova (who has danced the role) or Novikova (who rehearsed the role as 3rd-cast Ondine)? If there is a DVD project, will it now be either Obraztsova or Novikova, instead of the assumed Vishneva, in the lead?
I give up on trying to follow these scheduling shenanigans (by the theater...not Vishneva)!
Posted 10 April 2006 - 07:58 AM
Posted 10 April 2006 - 08:18 AM
It's a totally-different situation, canbelto.
DV is most definitely appreciated at home by audiences and, I think, less so by the management. [Yet - the management has accorded many special galas in recent years...so????]
AA was appreciated by the pre-1996 management but not so much by local audiences. Appreciated, of course, but her curtain calls never were as long as were Makhalina's then or Lopatkina's and Vishneva's now. I didn't hold-up an applause meter but I was there to hear the cheers and compare.
Posted 14 April 2006 - 09:02 AM
* DV is amused by all of the buzz surrounding the as-yet-to-be-finalized guest-contract with the Bolshoi. She explains that this should not be a surprise, as she has had a close working relationship with the director of the Boslhoi, Ratmansky, since he choreographed 'Cinderella' for the Kirov, in 2001/02.
* Although the longer-term contract has not been signed, she is busy preparing her debut in the Yuri Grigorovich version of 'Swan Lake.'
* She now maintains similar contracts with at least four other troupes: POB, ABT, Berlin, La Scala. She said that she has received invitation to dance as permanent guest with many, many other ballet troupes, most of which she regretably must turn down.
* She laments that, for various reasons, she has danced only two roles with the Kirov-Mariinsky during this season. However, she thanks Maestro Gergiev ("with whom I have good working relations") for being able to work everything out. "I work directly with him; this saves me time and nerves." [Natalia's comment: Note who is not mentioned - Vasiyev!]
* She hints that some of the young ballerinas selected by management to replace her in her old ballets cause her and the public some surprise..."it is incomprehensible..."
* She recently danced the roles of Frikka and Brunhilde in Bejart's 'Ring und der Ring' in Berlin, finding the four-hour ballet a tremendous challenge. "Four hours with barely a moment to catch one's breath."
* On dancing Forsythe: "It is very hard on the body, to switch from Petipa, to Forsythe, then back to Petipa....causing tremendous stress and depression for the body."
* On dancing Odette-Odile at the Kirov, after a long wait: "It is necessary to properly mature into the role." She considers the current version of 'Swan Lake' that's danced at the Kirov -- that of K. Sergeyev -- as "...overly naive...created for the Soviet era...Sergeyev himself would have done it differently, had the politics been different." She then adds: "It is time to re-examine & redo this ballet at the Mariinsky but, at present, there is NO ARTISTIC LEADER, NO BALLET MASTER, who could do this at the Mariinsky." [Natalia's note - my CAPS, for emphasis.]
* Uses meditation, yoga, respiratory exercises to prepare for performances.
* She does not wish a life in ballet to any future child that she may have. What's more, she would not return to ballet, in a second life. She accepts her talents & is basically happy but says that the physical & nervous strains, coupled with the short professional life of a dancer (compared with actor or singer), is not worth it.
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