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Swanilda8

Senior Member
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About Swanilda8

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    Senior Member

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    historian
  • City**
    Boston
  • State (US only)**, Country (Outside US only)**
    Massachusetts

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  1. My new book Ballet in the Cold War is coming out in a couple of weeks from Oxford University Press. You can find the link to the Oxford site here and to the Amazon page here. The book is about the first few years of exchange between the Soviet Union and the United States. It deals with the differences between how American and Soviet audiences saw ballet and what the political impact of the tours was. I hope you enjoy it!
  2. I saw this too and I pretty much agree with everything. I also have trouble loving 4Ts, but some of the lead performances gave this one interest. Alexander Peters as melancholic was a big standout to me, along with Lauren Fadeley as choleric. They both performed the parts as roles rather than as abstract dances, and I think that makes a big difference. I loved the dancing in Duo Concertant - Renan Cerdeiro especially. And Miami City Ballet has a real treasure in Francisco RennΓ³, their pianist. But the violin playing was rough; a lot was out of tune. I had the same trouble when I saw NYCB
  3. As a heads up, James Steichen's book on Balanchine and Kirstein in the 1930s just came out (Balanchine and Kirstein's American Enterprise). I'm biased because I know the author, but I really enjoyed it. It's a very interesting look at American ballet in the 1930s and the research is phenomenal. In particular, I think we so often look at Balanchine in the 1930s through the lens of the 50s and 60s that the picture becomes distorted. This does a great job of placing Balanchine in this time, not inherently destined to become THE ballet choreographer and leader of NYCB but rather one of many intere
  4. I have nothing to add to this conversation but excitement! I just moved to Miami this year – looks like it was the right time. And for Jeanette Delgado to be coming back as well. 😁
  5. This is all a little late for the topic, I realize, but asking for a passport number is pretty much business as normal in Russia – it's not seen as the same kind of radical demand as it would be in the US or the UK.
  6. I'm puzzled as to why you're returning to this point. The Post has come up with two very specific instance of harassment – Boal accusing Martins of shaking and choking her in the workplace and the earlier charges from his ex-wive of violence. If your point is that it's not clear this harassment was sexual in nature, than I guess I agree with you; but in that case, the problem is that the title of this thread should be "Peter Martins Sexual Harassment and Violence Allegations." It doesn't mean that the complaints are irrelevant. It's completely unacceptable for someone to harm their employees i
  7. I saw Miami City Ballet perform Jewels on Friday and then on Saturday. I agree with Birdsall that Emeralds was particularly excellent on Friday night, and that Tricia Albertson was very notable in her solo. I also just love Shimon Ito whenever I see him dance β€” he had such smooth landing in his jumps on Friday. I was sitting very close to the stage (far to the side) and you couldn't hear a thing when landed. He's very graceful all around. Furlan and Messmer did well in Diamonds on Friday, and congratulations on Furlan for his promotion. But the cast of Diamonds on Saturday night, w
  8. My impression in talking to people in dance studies is that there are a few academic biographies of Balanchine in the works. I'm very much looking forward to have a wealth of critical, academic biographies to compare, because it is so hard right now to separate out fact from myth.
  9. I got tickets for the June 10 ex-Polunin performance as well, this time with very nice seats in the Grand Tier. Thanks, everyone! Hopefully this will also prove to be a good list of resources for others in the future looking for sold out shows.
  10. Thank you so much, one and all! I am going on June 8 to see Alessandra Ferri, Francesca Hayward, and many other favorites. I'll also be keeping an eye out on the ROH website for June 10 tickets.
  11. Hi Everyone, I'm going to be in London very briefly this summer, and I'd really like to see the Ashton triple bill at Covent Garden on June 8 or 10. It's currently sold out and it's a pretty impressive program and cast, so I'm not optimistic about my chances. But does anyone have special tips for getting Royal Ballet tickets to sold out shows?
  12. I'm going to be in New York next January through May, so I'm purchasing a choose your own subscription series. This is my first time ever buying a NYCB subscription - does anyone have any advice before I make the purchases? (i.e. does one get better tickets by calling them up or is it ok to do online, are there some categories of tickets that I should avoid, or is there something else I haven't even thought of yet?)
  13. One of the things I always admire about Polunin is that he always finds a way to talk about the generally unfair conditions for ballet dancers. He never makes it a story about his own personal hardships - as easy as that would be to do since he's obviously had many. He comes off sounding very intelligent and savvy. I hope that his message is heard loud and clear.
  14. Congratulations to Misty!!!
  15. Thanks! It's really nice of the forum to let us post our blogs here. My blog (http://itinerantballetomane.blogspot.com/) is called the Itinerant Balletomane because I get to travel a lot and watch ballet - lately there's been a lot of Boston (my home base) and New York, but next month I'm going to Moscow, so I'm going to review the Bolshoi and Stanislavsky, and next year I'll be based on Berlin, so hopefully I'll review many of the German companies.
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