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Victura

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About Victura

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
    dancer, balletgoer
  • City**
    New York
  • State (US only)**, Country (Outside US only)**
    NY
  1. 2018 Met Season

    Sarah Lane posted an Instagram story of her and Jeffrey Cirio rehearsing Harlequinade together. Enjoy watching both of them (and he especially hasn’t been given many opportunities at ABT), so was very happy to see this.
  2. 2018 Met Season

    Thank you for that detailed analysis, ABT Fan. I agree with a lot of your points. Personally, I really enjoy both Lane and Cirio and am somewhat disappointed not to see them more often. Curious why you say you don't see the two of them having chemistry together? I don't think they've partnered together but it could be interesting to see. Also would not mind at all if you wish to do a tally of the men as well.
  3. Podcast Interview with Sarah Lane

    According to this article, Simkin will be in Berlin starting September 2018 but will retain his post with ABT. https://mobile.nytimes.com/2017/09/08/arts/dance/daniil-simkin-joins-staatsballett-berlin.html
  4. Veronika Part leaving ABT

    Did anyone see Part's performance in Don Quixote? She wasn't listed on the official schedule for Don Q (not sure if Queen of Dryads is normally listed) and the only reports on this site just said it was a nice surprise to see her in the role. I also felt like the farewell was quite hastily done, and I wonder if there's an explanation for it - perhaps either she didn't want a big affair, or since the performance hadn't been advertised as a farewell (even after the program order changed) that management decided not to make it a big affair? All the other celebrations (anniversaries and farewells) were specifically listed in the program as such. Either way, I do wish she had had a better send off more befitting of her long tenure at the company.
  5. Roster in Review - 2017

    My first thought reading his comment was that he was talking about his body, because ballet as a discipline is certainly a form of abuse for the body. I can't speak for him, but I would certainly want to give my body a break to recover after 15 years of dancing.
  6. Veronika Part leaving ABT

    To Part's credit, she did initially discourage the fan from doing anything and even deleted some of her comments, but the fan went ahead and organized a petition (among other things) anyway. Perhaps now that the news is out there, it almost doesn't matter to her what others decide to do since it's out of her hands. One part of her father's comment that was translated was that usually dancers are warned almost a year before their last performance, which indicates that this was not the case for Veronika.
  7. Veronika Part leaving ABT

    I think this last point is an important one. While Part does have her fans, I don't get the sense that her performances attract ticket sales the way someone like Vishneva (or even American ballerinas like Murphy or Boylston) would to the general public. When ABT offered discounted subscription tickets for young people or certain membership levels some years ago (not sure if that's still around), they generally offered performances that were deemed not to be very popular. At least one year her Swan Lake was on there, though later on I think no performances of Swan Lake were offered. Part also has the least social media presence among the principal dancers, and that can be a way to cultivate a bigger audience or bring in new fans to the theater. She doesn't attract much publicity at this stage of her career. And of course, not giving her too many performances is itself a vicious cycle, since there are less opportunities for new ballet goers to discover her. I would also assume that her salary isn't low given that she's a fairly senior principal. As disappointed as I am at this turn of events and the treatment she's gotten, if you only look at it from a financial perspective, it does make a certain amount of sense. All that said, I really hope her farewell goes well with extra love and support shown to her and hopefully no disruptions. I was very grateful to have seen her Mozartiana at dress rehearsal last week, which was incredibly lovely, and have wonderful memories of her dazzling Odette/Odile and Nikiya performances. I hope that those who attend will report back to us about tomorrow's performance.
  8. ABT 2017 Onegin

    I'm usually not one for super dramatic ballets without a great deal of dancing, but have to say that Onegin pleasantly surprised me. I have seen it before and didn't have great recollections of it, but really enjoyed Ferri/Bolle and Lane/Simkin on Tuesday night, and there was a lot more dancing in it than I remembered. Bolle in particular was spot on in his characterization IMO and very strong in the partnering and lifts with Ferri. Regarding the lineup of programs: what I don't understand is why they brought back Golden Cockerel for a second year. Did they have a two-year rental agreement on the sets/costumes or something? It was nice to see once for the spectacle, but it didn't seem like it sold very well even last year and didn't contain much dancing at all. Would've really loved to see La Fille Mal Gardée again instead, as it's not done too often here and just such a charming ballet amidst all the dramas and tragedies.
  9. ABT 2017 Swan Lake

    I was at the Seo/Gomes performance tonight. Agree with others that Seo's Odette was just beautiful and lyrical and the white swan pas de deux gorgeous. Her Odile started off relatively strong. She was more expressive than I've seen in the past and there were two supported pirouettes that lasted forever (10-12 turns, perhaps helped out by Marcelo) that even garnered a good bit of applause. She also held an unsupported arabesque for quite awhile. There were a couple of messy turns in one variation but nothing major. However, fouettés were not good - there was a small bobble (like she slipped off pointe) near the beginning which probably threw her off, but she managed to keep going for around 20 singles (there might have been one double at the beginning?) - another audience member counted 24. She came out of them a bit awkwardly and exited normally but there was a bit of extra music left. (From the reports of Copeland, it sounded like Copeland's exit looked more awkward.) For what it's worth I've seen Seo do much better in the past, so I think this was just an off night. Usually the end of Odile's fouettés overlap a bit with the beginning of Siegfried's, but in this case she ran off and then Marcelo started his. He didn't have a very long set but they were very clean with some doubles and perhaps even a triple (maybe someone else can confirm) in there, and definitely louder applause for him. I always like Gomes and tonight was no exception. Expressive (just crazy in love after Odile), clean dancing (some very strong turns and neat landings to leaps), effortless partnering, and just as elegantly princely as can be. Seeing him dance made tonight totally worth it for me. Stearns was an okay Purple Rothbart - his dancing was fine but characterization a little bland. I've seen better from him but Gomes is definitely the gold standard for this role. One last thing, the leaps at the end - hers seemed like she just fell off the cliff rather limply, while his leap was absolutely magnificent.
  10. ABT 2017 Swan Lake

    I absolutely agree with this. An anecdotal example: I saw a performance of La Bayadere a few years ago with Cojocaru and Cornejo that Copeland was also in. There were some clearly non-ballet Misty fans in front of me who applauded/cheered loudly at first every time she entered the stage. By the end of the performance, they cheered even louder for Cojocaru. I appreciated their enthusiasm and think Cojocaru definitely won over some new ballet fans that night.
  11. Thank you, nanushka. I saw Part and Gomes partner together in a performance that was in the Gomes documentary, and they looked great together and was curious why they didn't partner each other more often. She has also spoken quite well of him and attended that documentary premiere and they seem quite friendly. But he has been retiring roles lately and is getting older, so it makes sense that he may want to prolong his ballet career for as long as possible and play to his strengths.
  12. Why did they stop partnering each other?
  13. ABT 2017 Corsaire

    I'll be seeing Shevchenko and Lendorf tomorrow! What a season for unexpected injuries, but also quite exciting to see the soloists' debuts! If Murphy has to pull out of Swan Lake, who could replace her? I would've said Teuscher since she and Gomes partnered at the Kennedy Center, but she's doing the matinee that afternoon, so it seems doubtful they would have her do two performances in one day. Part, if she's recovered?
  14. I meant precisely since they came to ABT, in response to those who said Cirio was promoted faster than anyone before. Both were principals at Boston Ballet, both left to become soloists at ABT, and after one year, both were promoted to principal. Same trajectory.
  15. I've loved seeing Cirio this Met season and am very glad that he's being promoted. Even if he's only done Colas this Met season, he was a principal and has done many leading roles at Boston Ballet. He basically followed the same track as James Whiteside, who was also promoted a year after joining. Cirio is not as short as Cornejo, has good partnering skills and greater range than Simkin, and he's pretty young, so I could see him staying for quite some time. Sad for Sarah Lane, but hopefully she'll be next in line when there's an opening to the female principal roster.
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