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Really enjoyed it the second time, after a quick run through. So many Tchaikovsky overtures and fantasies, like pie fillings without the crust, one after another, often dark and dense – a bit overwhelming. I especially liked the Elegy at the beginning where the corps seem to be describing the dancer's thoughts (Shane Wagman?). Nice that Romeo & Juliet began with the ending first, freeing up the rest of the ballet.

Edited by Quiggin
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