dirac

A preview of Tulsa Ballet's new "Carmen" by James D. Watts Jr. in Tulsa World.

Ivan Putrov brings "Men in Motion" back to London.

A review of the United Ukrainian Ballet by Sarah Navin for Bachtrack.

A review of American Ballet Theatre in "Whipped Cream" by Ivy Lin for Bachtrack.

A review of Jennifer Homans' new biography of George Balanchine by Dwight Garner in The New York Times.

James Whiteside talks about his injury and recovery.

A review of the National Ballet of Japan by Naomi Mori for Bachtrack.

A review of American Ballet Theatre by Ivy Lin for Bachtrack.

A review of Northern Ballet by Louise Levene in The Financial Times.

A review of Northern Ballet by Graham Watts for Bachtrack. Review of NB by Lyndsey Winship in The Guardian.

They cut off the Donmar Warehouse completely. What a colossally shortsighted move. A few small companies like Ballet Black will get a funding boost, which is nice, but arts organizations in London are struggling as much as any. They need more money, not less. Thanks for posting, volcanohunter.

All they have to do is work out an entirely new business model. No sweat. I think they will manage, but at some cost.

Score another for the tribe of the tiger: Related.

NIcely put.

Sibley and Shaw, 1963: Choe and Campbell: Does anyone have any favorites in this pas? Discuss.

Thank you, volcanohunter. Love this pas de deux.

The United Ukrainian Ballet visits Australia. Related.

ABT gala red carpet slideshow.

Ballet Arkansas presents "Dracula."

A preview of Alberta Ballet's season opener.

A review of American Ballet Theatre by Gia Kourlas in The New York Times.

I think the choreography is a little different in places as well (?) Baryshnikov and Kudo are on video and it's a very good recording. Kudo in particular stood out for me, going toe to toe with Baryshnikov and making it look easy. I'd like to thank cobweb for starting this thread and everyone who reported on the performances here. I'm emerald with envy of everyone who was there.

Benjamin Millepied talks about his directorial debut in film with "Carmen."

A review of the Royal Ballet by Sarah Crompton in The Guardian.

A review of the Sarasota Ballet by Carrie Seidman in The Sarasota Herald-Tribune.