I think directors tend to like pictures that are Directed. The most immediately arresting quality of Les Enfants du Paradis is the richness of its performances and dialogue, while Carne's direction is less to the fore, although his touch is apparent in such scenes as the murder of the count, which we see only through the horrified expression of Lacenaire's confederate. Even so, Truffaut once said he would give up all his films to have directed Les Enfants du Paradis.
I guess no one ever asked Bergman for his list. And none of his movies are in that top thirty, which is nuts.