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Miami City Ballet plans to present "The Nutcracker" alfresco.

New York City Ballet releases a new video, "Thank You, New York."

A review of NY Fall for Dance's first program by Marina Harss for DanceTabs.

An interview with Wayne McGregor.

Thank you for the link, maps, that's great. I have seen the 1963 movie a couple of times. I think it is as good as its high critical reputation, although I prefer Jackson's book. It's very well cast - Julie Harris is just right for Eleanor and Claire Bloom makes a very saucy lesbian. Richard Johnson and Russ Tamblyn would have more horror flicks in their future although they probably didn't think so at the time. The direction and cinematography do a great job of disorienting the audience's view of the house. I regret to say I also saw the remake with Liam Neeson, Catherine Zeta-Jones, et al., and I've managed to erase it from my brain cells. I don't remember anything except that it stank. I haven't seen the Netflix series, which I understand wanders far afield from Jackson.

Happy Halloween!

It's well known that characters in horror flicks make bad decisions, but "The Birds" is something special in this regard. A hostile flock of birds attacks a children's party? Do we hurry the children into that pretty imposing looking building and board up the place until help arrives or the birds disperse? No, we march the kids outside so Angry Birds can have another go at them. Smart thinking, Suzanne and Tippi! This season I saw Joe Dante's "The Howling" (1981) for the first time. This was the picture that revived the filmic fortunes of lycanthropy. A TV anchorwoman fears she is being targeted by a serial killer and is freaking herself and everyone around her out. It is suggested by her celebrity shrink, (Patric Macnee) that she take the cure at the Colony, a mental health spa in a rural setting, which proves to be not so relaxing for Karen, given the howling dogs that raise the roof every night. The special effects by Rob Bottin wowed at the time and are still effective, if dated. The picture is chock full of genre in-jokes (Look! Roger Corman!) that it's helpful, if not essential, to get. Another one new to me: "It Follows" from 2015. An interesting variation on the "bad things happen to teenagers who have sex" aspect of the genre, and by no means a Cautionary Tale. Also with some killer shock effects and a real atmosphere of unrelenting dread; the heroine has no place to run and no place to hide.

Milwaukee Ballet presents virtual performances. Video.

Q&A with Carlos Acosta.

A review of Birmingham Royal Ballet by Sarah Crompton for The Guardian.

An interview with Robert Wallace, a former ballet dancer and the head of Stanford University's endowment.

A review of Birmingham Royal Ballet by Jenny Gilbert for The Arts Desk.

A review of "Out Loud, a Memoir" by George Jackson for danceviewtimes. Has anyone read it?

A review of NY Fall for Dance's second program by Marina Harss for DanceTabs.

Reviews of the Birmingham Royal Ballet. i News The Daily Telegraph

Carlos Acosta wonders if Birmingham Royal Ballet can survive without an easing of social distancing.

Ballet Theatre of Maryland presents Dracula outdoors.

An obituary for Susan Hendl.

Lawrence Ballet Theatre presents a virtual fall show.

Ballet West presents "Nine Sinatra Songs."

An interview with Gabe Stone Shayer of American Ballet Theatre.

Smuin Ballet presents a virtual dance series.

Cincinnati Ballet performs live next week.

Birmingham Royal Ballet expands its dancers' tutus for COVID-19 considerations.

A look at how two Joffrey dancers manage their money.