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Former ballet students at the University of Utah call for reforms at the school's ballet deaartment.

A review of West Australian Ballet in "Coppelia" by Lucinda Coleman for Arts Hub.

I'm getting back into the game, so to speak. For a long time there just weren't that many books out there that were tempting. A quote from the book, from an old Fonteyn interview:

I can see why the British might not see the joke with Union Jack - it's not as if Balanchine were making any pretense at being authentically British - but Dromgoole pretty much gives the game away with "Outside his chosen area ‐ dancers with expressionless faces and minimal costumes......" I'm guessing that the things that outraged Balanchine about Onegin were probably not cultural in nature, although certainly that aspect may have been part of his disaffection.

A piece in Vogue on New York City Ballet's Fall Fashion Gala.

The Charlotte Ballet returns to live performance. TV news segment.

A review of the Joffrey Ballet at the Ravinia Festival by Hedy Weiss for WTTW.

A review of "In Balanchine's Classroom" by Robert Abele for The Los Angeles Times.

A review in the LA Times.

The stars of the new Amazon Prime movie "Birds of Paradise" talk about training for their roles as ballet students. Review in The Guardian.

William Bracewell and Fumi Kaneko talk about returning to the stage after COVID-19 in "Romeo and Juliet."

A gallery of photographs by Colin Jones, photographer and former Royal Ballet dancer who has died at age 85.

Ismene Brown writes on the life of the late Colin Jones and reprints an interview. An obituary for Jones in The Guardian.

Colin Jones, photographer, former ballet dancer, and Lynn Seymour's ex-husband, has died at age 79.

A review of New York City Ballet in Amaria,” “Opus 19/The Dreamer,” and “Russian Seasons” by Gay Morris for danceviewtimes.com.

A review of New York City Ballet by Marina Harss for DanceTabs.

A review of the new television series Amazon Prime movie set at a French ballet academy, "Birds of Paradise," by Asher Luberto for LA Weekly.

Q&A with Esteban Cortázar about designing costumes for the New York City Ballet.

A review of Scottish Ballet in "Starstruck" by Róisín O'Brien for The Guardian.

Queensland Ballet announces its 2022 season.

A belated welcome, Variationer. As the mother of a young dancer, I'm sure you know more than you think!

😄

I thought Ashley gave reasons why Ballade is hard to cast and program generally, but that shouldn't stop the House of Balanchine, particularly since, as abatt notes, the ballet was revived years ago for none other than the company's current Associate Artistic Director. So there are two leading ballerinas around who have danced it, including the one the ballet was made on and as BalanchineFan says, Andersen is still around and about. Croce wrote a long piece pursuing that theme at the time of the premiere, called, if I remember correctly, "Ashley, Balanchine, and Ballade." From the time frame I'm guessing it would be found in Going to the Dance, don't know if it was included in her final collection. Ashley said in her book that Balanchine read the piece and told her he hadn't been trying to push her in a different direction, but Ashley suspected that he was. I think Croce wrote, "Balanchine is not going to let Merrill Ashley carry on as if she were an uninteresting woman," or words to that effect.

Turner Classic Movies will honor Powell on October 16.

I recently acquired a copy of Keith Money’s “Margot Assoluta.” Very good reading as Money always is, especially on his friend and favorite subject, but the chief attraction here is the many color photographs – in his previous books all were reproduced in black-and-white. Lovely book. There are also a number of photographs of Fonteyn as a child, previously unseen by me, which were provided to Money by Fonteyn’s father. There are nice color shots of Fonteyn in Cranko’s Poème de l'Extase, which featured Fonteyn supported by the young bloods of the Stuttgart – Cragun, Madsen, Berg, Stripling, and Clauss. Looks like fun. I didn't realize that Fonteyn had been hoping to film the revival of "Daphnis and Chloe" with her and Christopher Gable, but it never happened. A pity. They look great together.