dirac

Roanoke Ballet Theatre presents "Dracula."

An interview with Thomas Forster.

A review of the Royal Ballet in "The Dante Project" by Sarah Crompton in The Guardian.

A review of "Fall for Dance" by Gia Kourlas in The New York Times.

A review of Alessandra Ferri and Carsten Jung by Jann Parry for DanceTabs.

A review of New York City Ballet by Ivy Lin for Bachtrack.

Q&A with Sidra Bell.

A review of Philadelphia Ballet by Ellen Dunkel for The Philadelphia Inquirer.

Ithaca Ballet returns to the stage.

A look at the making of the Royal Ballet's "The Dante Project," by Roslyn Sulcas in The New York Times.

Reviews of the Royal Ballet in "The Dante Project." The Economist The Arts Desk

Reviews of the Royal Ballet in "The Dante Project." The Evening Standard Bachtrack DanceTabs

San Francisco Ballet returns to the great indoors with "The Nutcracker."

A TV news segment on Grand Rapids Ballet's return to the stage.

An interview with Kamal Singh, the first Indian student to be accepted at the English National Ballet School.

An interview with Sae Eun Park.

A TV feature previewing the Joffrey Ballet's new program.

Charleston Ballet presents "Dracula: The Seduction," not without challenges.

A review of NYCB by Gay Morris for danceviewtimes.com.

A review of "No Fixed Points. Dance in the 20th Century" by George Jackson for danceviewtimes.com.

The Boston Ballet launches a free online content platform.

A review of the Joffrey Ballet by for The Chicago Sun-Times.

Maybe the cast and occasion make a difference? Yuan Yuan Tan and Damian Smith danced the pas at his farewell performance and it was lovely to see on every level.

Hi, all. It’s Halloween and scary movie/TV series time again. Tel us what you're watching! Last night I saw “It’s Alive” from 1974 on TCM. Briefly, something goes seriously wrong in the delivery room when Frank and Lenore Davis are having their second child and soon a killer newborn is terrorizing Los Angeles. Anxiety and fears about childbirth, sexuality, and science are not new to the horror genre and they all get a workout here. The movie is very watchable despite the cheesy dialogue and amusingly stilted acting from the supporting cast. Distinctive score from Bernard Herrmann. The movie has an open ending and there were two sequels. Has anyone else seen it? Any opinions on the denouement?

A review of the Royal Ballet by Lyndsey Winship in The Guardian.