Posted 21 July 2009 - 01:42 PM
Posted 22 July 2009 - 10:44 AM
I would love to know why he is staying in Stuttgart and wonder if the article explains it.
Any reaction from NBC so far?
Posted 22 July 2009 - 11:00 AM
Posted 22 July 2009 - 11:13 AM
The article is using the metaphor "Home is where the heart is" to describe the shift from Toronto to Stuttgart.
It takes 15-20 seconds for the translation to resolve to English. The "percent completed" is shown in red in the left hand corner.
Posted 22 July 2009 - 01:21 PM
The major factor seems to be the big repertoire he can dance at Stuttgart, especially Cranko. As the time to dance his last performance (Petruccio in Cranko's Taming of the Shrew -- a.k.a. Of The Recalcitrant Taming) he began having more and more second thoughts. He has lived and worked in Stuttgart for 12 years.
For those of us not familiar with this dancer -- or the National Ballet of Canada's hopes for him -- I'd love to hear what you who know it think of his work.
Posted 22 July 2009 - 01:43 PM
I've only seen him in Cranko -- R & J and Taming of the Shrew -- and in those, he was excellent. Very confident technically, and a strong partner with natural acting abilities. I was looking forward to seeing more of him. Hopefully even though he is staying with Stuttgart he will still be able to come do some guesting at NBoC.
Posted 22 July 2009 - 02:40 PM
In fact, thanks to Paquita's reference to Karen Kain on the cover of a women's magazine, I just noticed that Onegin, which will be performed in June, is being redesigned by Santo Loquasto. I hope the company isn't on the verge of making a terrible mistake. Susan Benson's redesign of Romeo and Juliet was a disaster. Would it be too much to hope that the company's massive deficit could scupper this move?
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