Romeo & Juliet
Posted 21 November 2003 - 09:22 AM
Our college got us tickets to see the company in class the next morning. Although I don't really want to comment on individual dancers (I know how much I hate being watched in class myself!) I would like to say what an amazing opportunity it was, and how much I enjoyed it. It was really kind of the dancers to let us watch, and it was an experience none of us will ever forget!
Posted 21 November 2003 - 03:17 PM
I'm honestly not being biased but Johan and Alina were so wonderful. I really felt that wednesday's cast was perfect! Their characteristions were deep and multi-layered: Johan, before my very eyes, transformed himself from the 31 year old dancer I know (and LOVE) into the young and rather nieve teenage Romeo! The balcony PdD was sheer heaven, and small details such as the way he grabbed Lady Capulet's skirt in utter sorrow after killing Tybalt.........
I really had died and gone to heaven
(Rojo_fan and I are not ashmed to say were in tears at several sections of the ballet! )
Posted 21 November 2003 - 04:48 PM
Did other BalletTalkers see this production with the same or different casts?
Lynnette, Jane, anyone? Speak up!
Posted 22 November 2003 - 01:45 AM
The only R&J I've been to so far was way below the RB's norm - I hope it was a one-off aberration.
Posted 24 November 2003 - 05:57 AM
Overall though I've seen better performances of R&J in the past: I think it needs a rest from the rep to regain some freshness and zest. It should look like a matter of life and death for everyone on stage, not just the principals. Somehow this just didn't. It's difficult to put a finger on what individually wasn't quite right, but it didn't come off with the impact that it can do.
Posted 25 November 2003 - 03:28 AM
Though when it returns in March/April there are some interesting partnerships to watch. Alina is dancing with Roberto Bolle rather than Johan Kobborg, and then the new partnership in Lauren Cuthbertson and Edward Watson which I can't wait to see!
Posted 27 November 2003 - 10:09 AM
Posted 18 December 2003 - 06:53 AM
Question 1: Do the mandolin dancers in Act II now always paint their faces like clowns or was it just the performance I saw (24th November)?
Also concerning the mandolin dance. Instead of dancing the original choreography, the dancers now incorporate a game of leapfrog, is this now also the norm?
Question 2: I was told the (very ugly) new sets now being used in R&J were created to fit outside stages during the ROH closure and were a temporary measure, have they now been adopted as the standard sets for R&J and if so does anyone know why?
Hoping someone can enlighten me.
Posted 18 December 2003 - 08:21 AM
The mandolin dancers have been doing leapfrog for ages, I think - I seem to remember it from years ago, certainly in MacMillan's lifetime.
Posted 18 December 2003 - 10:22 AM
I am appalled by the current sets - no balcony for Juliet and she now sleeps in what appears to be a deserted church! The crypt scene is a disaster. Perhaps I could have stomached all of that if the dancing had been better, but apart from the leading pair it was dreadful. I left the theatre deeply depressed and have to agree with the earlier posters, Lynette and Rebekah, who suggested this ballet be "rested". Looking at the state it's in; it deserves to be put to rest permanently.
0 user(s) are reading this topic
0 members, 0 guests, 0 anonymous users
Help support Ballet Alert! and Ballet Talk for Dancers year round by using this search box for your amazon.com purchases (adblockers may block display):