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Rosa

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Posts posted by Rosa

  1. Casting has been revised for the London tour -- the revised casts I've put in bold.

    Romeo and Juliet:

    http://www.roh.org.uk/whatson/production.aspx?pid=9642

    August 3

    Juliet : Somova

    Romeo : Shklyarov

    August 4

    Juliet : Osmolkina

    Romeo : Ivanchenko

    August 5

    Juliette: Tereshkina

    Romeo: Matvienko

    Auguset 6

    Juliet: Obraztsova

    Romeo: Kolb

    Swan Lake

    http://www.roh.org.uk/whatson/production.aspx?pid=9651

    August 7

    Odette/Odile: Lopatkina

    Siegfried: Korsuntsev

    August 8 (matinee)

    Odette/Odile: Kondaurova

    Siegfried: Kolb

    August 8 (evening)

    Odette/Odile: Tereshkina

    Siegfried: Ivanchencko

    August 10

    Odette/Odile: Somova

    Siegfried: Matvienko

    August 11

    Odette/Odile: Osmolkina

    Siegfried Vladimir: Shklyarov

    Homage to Balanchine

    http://www.roh.org.uk/whatson/production.aspx?pid=9667

    August 12

    Serenade

    Kondaurova

    Ivanchenko

    Osmolkina

    Vasnetsova

    Firsov

    Rubies

    Somova

    Shklyarov

    Kondaurova

    Symphony in C

    Tereshkina

    Matvienko

    Lopatkina

    Korsuntsev

    Gonchar

    Filip Stepin

    Obraztsova

    Timofeyev

    August 13

    Serenade

    Tereshkina

    Korsuntsev

    Golub

    Chereshkevitch

    Firsov

    Rubies

    Golub

    Matvienko

    TBC

    Symphony in C

    Somova

    Korsakov has been removed – no replacement yet

    Zuzin

    Kondaurova

    Ivanchenko

    Osmolkina

    Shklyarov

    Obraztsova has been removed – no replacement yet

    TBC

    Sleeping Beauty

    http://www.roh.org.uk/whatson/production.aspx?pid=9660

    August 14

    Princess Aurora: Obraztsova

    Prince Desiré: Kolb

    Lilac Fairy: Kondaurova

    August 15 (matinee)

    Princess Aurora: Tereshkina

    Prince Desiré: Vladimir Shklyarov

    Lilac Fairy: Vasnetsova

    August 15 (evening)

    Princess Aurora: Somova

    Prince Desiré: Sarafanov

    Lilac Fairy: Kondaurova

  2. Productions of Swan Lake I've seen on TV:

    Makhalina/Zelensky -- Kirov-Mariinsky Ballet

    Bessmertnova/Bogatyrev -- Bolshoi Ballet

    Fonteyn/Nureyev -- Vienna State Opera Ballet

    Adventures in Motion Pictures

    Mezentseva/Zaklinsky -- Kirov-Mariinsky Ballet

    Makarova/Dowell -- Royal Ballet

    Makarova/Nagy -- American Ballet Theatre (Blair's version)

    Nordquist/Nordström -- Royal Swedish Ballet

    Murphy/Corella -- American Ballet Theatre (McKenzie's version)

    Hart/Schaufuss -- London Festival Ballet

    Fonteyn/Somes Act II -- Royal Ballet

    Letestu/Martinez -- Paris Opera Ballet (Nureyev's version)

    Scherzer/Matz -- Staatsballett Berlin

    Yevteyeva/Markovsky -- Kirov-Mariinsky Ballet

    Lopatkina/Korsuntsev -- Kirov-Mariinsky Ballet

    Zakharova/Bolle -- La Scala Ballet

    Mikhalchenko/Vasyuchenko -- Bolshoi Ballet

    Kolesnikova/Akulinin -- St Petersburg Ballet Theatre

    Guangdong Acrobatic Troupe Of China

    Nunez/Soares -- Royal Ballet

    Semionov/Jermakov -- Zurich Ballet

    Alexandrova/Skvortsov -- Bolshoi Ballet

    And live:

    Lorenzo/Hench -- Pennsylvania Ballet (Wheeldon's version)

    Part/Gomes -- American Ballet Theatre (McKenzie's version)

  3. Veronika's picture and bio is,finally, listed in the Principal dancers section of the ABT website. :):clapping:

    :yahoo:

    And hopefully they will fix this on her bio:

    "She was promoted to soloist in 1998 and to Principal Dancer in 2009."

  4. Nureyev's Cinderella looked very nice live, if a bit busy. Lighting, sets, and (most of the) costumes were wonderful. The camera angles were good for the most part; I found it a bit distracting when the camera would at times cut back and forth between the main dancing/action and the activity happening in the background or side of the stage. Also, in this performance I missed the sweeping camerawork from the Guillem recording which allowed you to admire the corps' dancing and the principals at the same time during Act II. The DVD image quality was clear and crisp, the colors very veibrant.

    I enjoyed Letestu's Cinderella very much. Martinez was a handsome, grand, arrogant film star, who seemed to struggle the least with Nureyev's choreography. Both Letestu and Martinez impressed me more here than in Swan Lake. There was a nice rapport between them. Romberg and Pujol were very good as the stepsisters. The standouts in the cast for me were Phavorin, who obviously had a great time as the outrageous stepmother, and Romoli, who made the producer a very personable and interesting character.

    Generally I thought that the performance clips complemented the interview segments less well than they had in Reiner Moritz's previous film about the POB's Jewels.

    I agree that the clips did not go as well with the interview segments as they had in the film about Jewels. The surprise of the film for me was learning that the stepmother and stepsisters were the soloists in the film star's search for Cinderella! I had never realized that before and found it a very interesting touch.

  5. Philadelphia, PA area: WHYY Channel 12, New York City Ballet's 'Romeo and Juliet' on Sunday, May 24 at 03:00pm.

    A New York City Ballet production of "Romeo and Juliet," featuring Peter Martins' choreography set to the classic Sergei Prokofiev score, about the tragic teen lovers (Sterling Hyltin, Robert Fairchild). From the Lincoln Center's David H. Koch Theater.

  6. I see by the more complete casting at the ABT site she's 1st cast principal for On the Dnieper.

    Good for her. I'm looking forward to reports of her in On the Dnieper.

  7. I recently read Charlotte, Julia Barrett’s continuation of Jane Austen's fragment Sanditon, and found it very disappointing. The plot (or lack there of) was all over the place once Barrett picked up the story. She did a great deal of explaining characters’ motives and mental states instead showing them really accomplish anything. The characterizations of both her characters and Austen's were not well drawn; and the romance between Charlotte and her gentleman was a series of short encounters, and even shorter conversations…not much opportunity for the two to get to know each other very well and fall in love.

    While we’ll never know just where Jane would have gone with this fragment, I have a hard time believing she would have made bootlegging and gambling major plot points in the story.

    Now I move on to Charles Dickens' Little Dorrit.

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