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Amy Reusch

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Everything posted by Amy Reusch

  1. Isn't there something about fiduciary responsibility? Hasn't he abused his role as trustee, or does "trustee" mean that everything must devolve to his benefit? Would be nice if there were some way of making a special requirement for artistic legacy trustees that they have some responsibility to maintaining the legacy. Is there some sort of imminent domain available in regards to national treasures like the Graham repertoire & technique? (I apologize for my poor spelling). Where's Steve Keeley and his trusty dictionary? [This message has been edited by Amy Reusch (edited March 29, 2001
  2. Does the musician's union give you any breaks when your interim artistic director is a conductor? I'm not sure, Jeff, about reflecting one's home cities tastes being a bad thing... after all, didn't NYCB reflect NYC in some way that American Ballet Theater didn't? Didn't Diaghilev's original presentations reflect the Russian scene to the west? Picking up on one's local environment might lead to interesting developments. Isolation can be a bad thing or a good thing depending on what kind of talent is involved. [This message has been edited by Amy Reusch (edited March 29, 2001).]
  3. Thanks Juliet... The other thing I'm wondering is whether this is mostly a pick-up company. I think that is the tradition of festival ballets, isn't it? Wasn't the first festival ballet something Alicia Markova put together for some festival in England that was in such demand for return performances that it finally become a company in it's own right? Or is this a true company that performs at home in Moscow as well.
  4. That sounds like a wonderful idea... I wonder if it is possible. I apologize for my ignorance, I've never written a review for publication before. I wonder if he has time to talk to me on a one-night-stand situation like this performance will be. I guess I should ask the press contact person at the venue. So far, I've only sent out an exploratory e-mail to see if I can get the casting and some info on the National Ballet/Moscow Festival Ballet issue. It must be exhausting doing a tour of one night stands like this (although I guess it's all part of the game for most companies).. I ca
  5. I'll be reviewing this company doing "Don Quixote" in a few weeks for Eastern CT University's campus paper "The Lantern". I saw their production of Swan Lake here a couple of years ago. The casting was impossible to figure out from the program for that performance as well. The jester was the only memorable dancing of the evening. At one point, Moscow Festival Ballet changed it's name to Russian National Ballet. Now it seems to be touring again as Moscow Festival Ballet. Anyone know why? I tried to find a website for them, but without success. I'm curious to know where their costumes an
  6. Nothing so fun as above, but perhaps a note for those N*t weary dancers... my parents took me when I was a three year old to see Princeton Ballet's version. I fell in love, right then and there, apparently for life... something about the men flying through the air... as far as I can figure, the Sugarplum held no enchantment for me, and pink tutus and toe shoes seemed a disgusting and misleading stereotype to me for years... maybe it was the tomboy in me, but ballet was about men flying, not tutu princesses... anyway, for those of you who dread December, just remember the little timebombs you
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