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mussel

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Posts posted by mussel

  1. The highlights of the season are the Ashton mixed bills, otherwise, a rather boring season. I don't usually go to ballet cinema but I may go for the Ashton mixed bill. Last time I went was Hallberg's debut with Bolshoi in Sleeping Beauty.

  2. About 150 on around 12 different bills...

    A detail breakdown of the current season:

    10: Études (Lander)/Woundwork1 (Forsythe)/Pas.-Parts (Forsythe) 1:51

    13: Rains (Keersmaeker) 1:10

    21: Nutcracker (Nureyev) 2:10

    23: La Source (Bart) 2:15

    9: Réplique (Paul)/Salut (Rigal)/Together Alone (Millepied)/Andréauria (Lock) 1:47

    14: The Song of the Earth (Neumeier) 1:30

    14: Swan Lake (Nereyev) 2:43

    12: Manon (MacMilian) 2:35

    10: Paquita (Lacotte) 2:05 + 5 Montreal tour

    9: La Enfants du Paradis (Martinez) 2:24

    11: La Fille Mal Gardée (Ashton) 2:00

    8: L'Anantomie de la Sensation (McGregor) 1:10

    159 performances, 154 at home and 5 on tour. As a comparison 178 performances for NYCB, 172 at homes and 6 on DC tour during the same period. Some of the programs were real short, just a little over an hour, don't know why POB didn't add another piece to make the programs longer.

  3. All the choreographers announced for the new Nutcracker are contemporary or modern, so I am not too hopeful the direction they're going to take. If Cinderella needs to be replaced, let it be an Ashton. As for Raymonda, let's order a new set, why not?

  4. Just noticed that Misty will be interviewed during the 6pm NBC4 local news hour today (Wed, 4/8). I'll have to set my DVR, as we'll be on our way to the 2nd NYCB program tonight at the KennCen.

    Link to the NBC4 interview: http://www.nbcwashington.com/multimedia/Misty-Copeland-is-Breaking-Ballet-Barriers_Washington-DC-299120721.html

    More on NBC4 FB: https://www.facebook.com/video.php?v=10153257329628606&set=vb.35277543605&type=2&theater

    Natalia, can't wait to hear your report.

  5. 2015-16 season announced: https://www.brb.org.uk/whats-on

    Swan Lake 28 September 6 October 2015

    Variations triple bill:
    Theme and Variations / Kin. / Enigma Variations 8 10 October 2015

    The Nutcracker 27 November 13 December 2015

    Ashton double bill:
    The Dream / A Month in the Country 17 20 February 2016

    Romeo and Juliet 24 27 February 2016

    The Taming of the Shrew 16 18 June 2016

    Shakespeare triple bill:
    The Sonnets / The Moors Pavane / The Shakespeare Suite 22 25 June 2016

    Throughout the year, Birmingham Royal Ballets 60 full-time dancers from across the world will be accompanied by Britains busiest ballet orchestra, the Royal Ballet Sinfonia, under the musical directorship of Koen Kessels. We will also be joined by members of the Colin Towns' Mask Orchestra, for Duke Ellington's Shakespeare Suite.

  6. New to corps or apprentice : Lauren Bonfiglio, Kathyrn Boren, Scout Forysthe, Raphael Spyker, Courtlyn Hanson, Emily Hayes, Connor Holloway, Rachel Richardson, Marshall Whiteley, Jin Zhang.

    No longer on roster: Kelly Boyd, Jessica Saund, and as previously reported Eric Tamm, Nicola Curry, Luis Ribagorda.

    All but one of 2014 apprentices joined the corps.

    Total head count 92: 16 principals, 9 soloists, 61 corps, 6 apprentices.

  7. Please tell me it ain't so. Or may be I'll be pleasantly surprised that Scarlett is brushing up Stepanov notation.

    Per forum rule I can't post the link but it's in today's Guardian.

    I know long-term Royal Ballet fans who have vowed not to return to Swan Lake until this production is replaced.

    After 28 years, theyre going to get their wish. The whisper is that Liam Scarlett has been entrusted with the new production, a decision that has caused much nervous fluttering of wings in dance circles. Scarletts best work to date is Asphodel Meadows, an abstract piece created in 2010. Subsequent commissions have confirmed his choreographic flair but raised questions about his grasp of narrative structure. Scarletts success in recreating Swan Lake will be in direct proportion to his humility. A heritage company such as the Royal needs a great Swan Lake. What it doesnt need is creative egotism or a new concept.

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