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mussel

Senior Member
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Posts posted by mussel

  1. With all these issues on this new Met site, I wonder if my own wishes that ABT should update their own site might be a good idea. I have to say I love the NYCB site, it is so fresh and easy to manneuver. Maybe that is what the Met is trying to do but isn't just quite there yet? I guess we are all part of the test this season.

    ABT website should be relatively easy to update as all of its tickets are sold thru venue websites, so it doesn't need to maintain its own online ticketing system like NYCB and Met do. May be ABT is nostalgic it's heydays thru 2000's and, therefore, it doesn't want to update its website.

  2. The Vishneva Gomes show on MOnday sold well too, but not quite as heavily. Maybe that will be ABt's new strategy going forward - advertise superstar Russian guest artists and then switch the cast.

    Vishneva Gomes on Monday was a sold out except last 2-3 rows of Family Circle. There are always no-shows.

  3. Opened curtain view is 90% more helpful than closed ones, hope Met will listen to us and replace them with opened ones in the future. Kennedy Center has opened curtain views, it even uses the set from ABT SL act 3 ballroom scene. BAM used to have opened curtain views but now they're no long available.

  4. I just have to add this one point. THE BED! Oi! It looks like the prop department went out to a Sleepys and ordered the "biggest 'perfect sleeper' you got"! Totally unadorned, except for that rather large bird hanging above it. Is this supposed to represent our own worst nightmare? Can't the set dressers at least put a few frills around it? Poor Aurora looks like she just stopped in at her local mattress store to test one out! I'm just sayin'

    The bed and bedroom should be uncluttered so there's no distraction from the all-important kiss.

    The large bird is a menacing eagle. I believe it represents the French Imperial Eagle (Aigle de drapeau), it's in the first French Empire (Napoleon Bonaparte as the first emperor) coat of arms: EyO7Ls.png

    I think the production design team tried to draw a parallel between the restoration of King Louis XVIII aka le Désiré following Hundred Days of Napoleon and the restoration of King Florestan XXIV following hundred years of comatose state. The eagle's retreat signifies the restoration of the kingdom.

  5. to get the full season you also have to look at the Volksoper site:

    Season 2015/2016

    Schneekönigin Premiere by Michael Corder (December 2015)

    Choreographer Michael Corder’s successful and highly acclaimed full-length ballet "The Snow Queen" is based on the score of "The Stone Flower" by Sergei Prokofiev, the music newly arranged by Julian Philips. The freely-adapted story recalls Hans Christian Andersen’s famous fairy tale. The creative costumes and sets designed by Mark Bailey heighten the magical atmosphere of the ballet.

    more

    Marie Antoinette by Patrick de Bana (May 2016)

    Patrick de Bana’s ballet saw its world premiere on November 20th 2010 at the Vienna Volksoper. Now the touching story of Marie Antoinette, Archduchess of Austria and Queen of France and Navarre, returns.

    more

    Does Volksoper have its own ballet troupe or it stages ballet using dancers from Vienna State Ballet?

  6. First and most important of all let's hope Osipova wasn't injured. Her fall is very upsetting to me. A friend just called, KM made an announcement at the stage door that she's being treated and it's too early to tell the extent, if any, of the injury. I was sitting at the orchestra not far from the stage, I thought I saw Veronika with tears in her eyes as if she's expressing great concern for a close friend and couldn't do anything about it when witnessing the fall diagonally across the stage . I thought she was fully recovered when she exited the stage when 2 grand jetés but my heart sunk when walked with a slight limp during curtain calls. The audience showered her with thunderous applause to express their supports and for her professionalism. Even the corps broke their characters with applause during curtain calls. I hope someone will post YT video of the curtain calls.

  7. http://www.mariinsky.ru/en/playbill/playbill/2015/6/14/1_1930/

    http://mariinsky.tv/n/e

    June 14. 2015 19:30 St. Pete Time, 12:30pm EDT, 9:30am PDT

    PROGRAMME:

    I. The Young Lady and the Hooligan

    Music by Dmitry Shostakovich

    Choreography by Konstantin Boyarsky

    Libretto by Alexander Belinsky based on the play of Vladimir Mayakovsky

    Set design by Vyacheslav Okunev after Valery Dorrer

    Costume design by Tatiana Noginova

    Lighting design by Vladimir Lukasevich

    Lighting Adaptation for the Mariinsky II by Andrei Ponizovsky and Yegor Kartashov

    In the lead roles:

    The Young Lady: Viktoria Tereshkina

    The Hooligan: Danila Korsuntsev

    The Leader: Alexei Kuzmin

    II. Le Divertissement du roi

    Music by Jean-Philippe Rameau

    Choreography by Maxim Petrov

    Costume Designer: Tatiana Noginova

    Lighting Designer: Konstantin Binkin

    Dramatist: Bogdan Korolyok

    Performed by Igor Kolb

    III. Schéhérazade

    Music by Nikolai Rimsky-Korsakov

    Scenario by Léon Bakst and Michel Fokine after Arabian Nights fairytales

    Choreography by Michel Fokine

    Reconstruction by Isabelle Fokine, Andris Liepa

    Set and costume design by Anna Nezhnaya, Anatoly Nezhny after original sketches: Léon Bakst

    In the lead roles:

    Shahriar: Vladimir Ponomarev

    Zobeide: Olga Belik

    Zobeide’s Slave: Yevgeny Ivanchenko

    The Odalisques: Viktoria Brilyova, Yulia Kobzar, Zlata Yalinich

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