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Everything posted by Roberta

  1. Thank you for this information, maps. I will likely do my subscription renewal before the June 4 deadline and hope for the best. I was a little concerned because Washington, DC, where the Kennedy Center is physically located, seems to be clamping down, such as the recent ban on dancing and standing at weddings.
  2. That is lovely, pherank. I am wondering if this might be a portion of Liang's untitled new full work for PNB, set to premiere as part of the last offering in PNB's digital series, next month? The new full work will also have music by Oliver Davis.
  3. I am wondering if seating will be allocated according to social-distancing rules? If so, how will "singles" seats be allocated? This might be a year when seating could run out at the subscription stage, unlike past years when people could easily purchase show-specific tickets closer to the performance dates, after casting was announced.
  4. Radio silence about ABT's Costa Mesa programme? Especially interested to hear about Grand Pas Classique with Catherine Hurlin and Sung Woo Han. According to the printed program, Lang's Let Us Sing Forevermore was cancelled, replaced by Swan Lake A2 pdd with Teuscher and Stearns. UIM-program-digital.indd (scfta.org)
  5. Excuse me but I was not indifferent. Two were excellent - one previously known (the Ratmansky) and another much-read about, on my wish-list for a while (The Swimmer). I loved both, let's be clear. However, one was truly awful - not just dull and dark. Unappealing music, undeveloped characters (we barely saw the Director, Tiit Helimets), poor editorial choices, etc. Just an excuse to make yet another create-in-place film. I would never pay to see this in a regular theater, even if reworked for a normal stage. I later paid to see the earlier Program 2, just before the closing date.
  6. Digital Program #3: I purchased this one program a while back, primarily for the opportunity to view Possokhov's The Swimmer, which I enjoyed as a grand theatrical concept, more than as a ballet. What a blast - as the composer stated in an extra feature, Possokhov has "...thrown in everything but the kitchen sink..." to show his Americana. What a blast! I'd already seen and greatly admired Ratmansky's Symphony #9, so no real surprises there, although I noticed some subtle changes between this and the original ABT version; for example, the lead couple no longer points up at the ceilin
  7. Lauren Lovette's retirement from NYCB at age 29 (!) saddens me. She offered a special sort of perfume in the most beautiful and romantic roles, such as Opus 19: The Dreamer, which is a wise choice for her farewell from NYCB. I also admired her greatly in Peck's Belles-Lettres, Wheeldon's Soiree Musicale, the Tuilleries solo in Ratmansky's Pictures at an Exhibition and, especially, in Mr. B's Liebeslieder. I hope that, in addition to choreographing, she's planning to dance a bit more as a freelancer, as she did at the Vail Festival, when she essayed the Bournonville William Tell pdd, with
  8. To me, the changes are most notable in portions of the corps work during the finale, such as the way that the corps girls fan-out, when falling into their partners' arms. I've also noticed that, after the pdd, just before the finale's trumpets, the main girl falls into her partners arms at a different angle & more dramatically. Certain details are more dramatic at ABT, perhaps reflecting the flair of the originals stars, Alonso and Youskevich. I also agree with John Clifford about the differing tempi at NYCB.
  9. I agree. The overall cheapness and tackiness of the designs ruined it for me. Maybe I've been spoiled by the NYCB's gorgeous Marc Chagall designs? I know that Miami's designer is of Russian heritage but since when does Tsar Ivan wear a YELLOW coat? And a latex-looking unitard, with strategic feathers, on the Firebird? When the scrim rose to reveal the final tableau with the cheapened version of NYCB's flags I just in disbelief. I also didn't care for Miami's over-reliance in projections, at the expense of traditional sets. These wonderful dancers deserved to be seen in better light. At least
  10. And yet...and yet, even as a fundraiser, it didn't do a good job. The online auction was barely ever mentioned, except for the 30 seconds of Zimmy Coker in her kitchen, mentioning her cooking class as an auction item. Or did I miss any other extensive mention of the auction? Speaking of … a cruise???
  11. This virtual ABT "gala" was basically a big one-hour infomercial. All I remember was an off-key Tony Bennett attempting to sing and some socialite fat cats raising their champagne glasses. There was no bit of sustained performance. Perhaps this was planned a few weeks ago, before the rest of the ballet world opened up their archival coffers with films of complete ballets. After this gala, I immediately switched YouTube channels on my TV, to thoroughly enjoy 50 minutes of substantial Balanchine and Robbins treasures at NYCB. Early Warning: Another of these sorts of infomercials is planned
  12. Among the details about the upcoming ABT virtual gala, from their FB page: As part of the evening’s offerings, Bennett will sing “Fly Me to the Moon,” while soloists Catherine Hurlin and Aran Bell (who are currently sheltering together) dance an adaptation of Jessica Lang’s “Let Me Sing Forevermore” at Central Park. Cynthia Erivo will perform “America the Beautiful” in accompaniment to a montage of Ballet Theatre artists and others. A tribute to the 20th anniversary of Artistic Director Kevin McKenzie’s “Swan Lake” and a new work by Lang, titled “Our Common Fate,” will also be includ
  13. That's a lot to present in one hour. No time for sustained ballet excerpts or a complete short ballet. I'm glad that ABT is doing something but this seems a bit too "pop" oriented. I guess that the big bucks are outside the tight circle of dedicated balletomanes. Whatever it takes to keep ABT afloat.
  14. So is it two different casts in the SFB R&J? Sorry, not so clear.
  15. As a result of searching for recent RDB telecasts that have been released as webstreAms due to the COVID-19 period, I discovered that the !981 Danish CoppeliA is now on YouTube:
  16. For those particularly interested in seeing brand-new content -- complete-ballet performances never before released on DVD or cinemas or streaming -- we have at least three offerings coming today. All three companies have YouTube channels, which should be easily accessible on big-screen televisions...at least they are via my Comcast TV system...speak "YouTube" into the remote control, then search by each company's name. I just checked my YouTube-TV and all three ballets are in the system but won't commence until the indicated starting times. Enjoy. Coming today, in this order: (all times
  17. Cross-posting from the COVID-19 thread...TWB announced that the entire 20/21 season's offerings are being rethought. For starters, their Swan Lake will now happen in May 2021. They'll announce the re-worked season at a later date.
  18. Due to COVID-19, the rest of The Washington Ballet's season, including next month's Swan Lake at the Kennedy Center, is now cancelled. Already postponed once, the Swan Lake is now rescheduled to end the 2020/2021 season, in mid-May 2021. Source: TWB's Facebook page. edit - I see that California beat me to it. Sorry!
  19. Is it something about the English stiff upper lip - Keep Calm and Carry On? Related somehow to this, the Sarasota Ballet has not cancelled its upcoming revival of Ashton's Romeo & Juliet, set for next weekend (25 March). Sarasota definitely has a senior population. They should reconsider keep the theatre open.
  20. So there goes this year's Mariinsky Ballet Festival unless they are somehow exempt from this rule, which would make no sense.
  21. You're welcome, ksk04. I can't get that tune out of my mind. It's followed me back home from Costa Mesa. It's way too early to speculate on when the NYC theatres - all US theatres? - will reopen but, gosh, I hope that the ABT and NYCB spring/early summer seasons take place. Surely we'll all be back to normal then? At least the US hasn't had it as bad as my country (Italy) or China.
  22. Different strokes for different folks, as I found Hurlin to be a more compelling actress, more fluid in delivery (Russian "plastique") and just-plain-beautiful (lines, face, that fire-red hair!). Of course, Shevchenko has perhaps the more steely academic technique - I love her great leaping Myrtha! - but, to me, the role of Callirhoe is all about "plastique." Needless to say, Aran Bell was her perfect hero - great soloist and steady partner. They make such a lovely pair in every sense! Which is not to say that Shevchenko/Forster were not very fine in cast 2. Now that I've seen Of Love and
  23. Not all music utilized is from the ballet Gayane. One of the loveliest pieces of music heard is the 2nd movement of Khachaturian's Piano Concerto, during the first pdd adagio danced by Callirhoe and Dionysius (particularly poignant when danced by Hurlin and Whiteside). The Pacific Symphony Orchestra did it great justice at all Costa Mesa performances, particularly because audiences had the rare opportunity to hear it as Khachaturian had intended, with the musical saw (or "flexatone") instrument during the repetition of the main theme. One of the few recordings of this movement, with this
  24. It appears that this was postponed/canceled, due to coronavirus precautions (other thread with the announcement from Dale - https://balletalert.invisionzone.com/topic/45440-abt-postpones-abu-dhabi-festival-perf/).
  25. Yes. Act I lasts exactly 60 minutes, while Act II is 44 mins. The lone intermission was about 30 minutes. The ballet began about 5-6 minutes after the 7:30pm official starting time. No complaints. It went by very quickly. Such a great ballet, especially the Hurlin/Bell/Whiteside-led cast, although I also enjoyed Shevchenko/Forster/Hoven. The corps de ballet was spectacular in all shows, dancing difficult, substantive choreography in every scene. I missed 3rd-cast Seo/Bell/Ahn on Sunday. Bell subbed for an indisposed Calvin Royal, who was originally announced to partner Seo on Sat ni
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