Jump to content


  • Content Count

  • Joined

  • Last visited

About Inge

  • Rank

Registration Profile Information

  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
  • City**
    new york
  • State (US only)**, Country (Outside US only)**
    new york

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Inge

    ABT 2019 Met Season

    I agree. Are we forgetting that Rochester was moody and intense? Odd looking yet strangely handsome? I think Whiteside is the obvious choice. Not to mention he's also the sturdiest partner in (what seems like?) a very partnering-heavy role. If we're going by the book, Stearns and Forster are the weirder casting choices (though I'm looking forward to seeing Forster as well). Honestly in looking through the ABT male roster, I'm having trouble visualizing many of the dancers as this character. Hallberg has a good look for it, but he's been rather mild in his characterizations lately.
  2. Inge

    ABT 2019 Met Season

    I bet that was Copeland's choice. She dances much more beautifully when not in the 'high pressure' roles (she was great in everything I saw last Spring except Swan Lake, in which she seemed unsteady). I think Manon and Jane Eyre are promising roles for her...she brings a lot of freshness to the more youthful dramatic roles for me. Really hoping Jonathan Klein gets one of those Whipped Cream slots. Bell is wonderful but If find him to be a better partner than an engaging dancer, if that makes sense. Forster had some minor problems partnering Shevchenko in Firebird last Spring (then again, who can keep up with Shevchenko anymore?)...maybe that's why he isn't landing a lot of major partnering leads? So happy that Gorak got a SB. Prince Desiree is a perfect role for him.
  3. Inge

    ABT 2018 promotions

    Fang has been with the company since 2003! Another Ballet Alert member pointed out to me that she was injured a while back (for two whole years) so it stalled her progress. She will be like Luciana Paris, not on the principal route but an invaluable soloist. For me, Fang absolutely glows. She was the only harlot this year to really dig into the role, performed well as the first shade, and performs even the smallest roles with a freshness and charisma that's impossible to fake. She is also incredibly stylish and carries a sparkling old world glamour, which is always good for fashion shoots and such (shouldn't matter, but it really is important to keep ballet on the public radar, even if it's just a magazine spread). Love her. Williams hasn't been high on my radar, but everyone who saw her Myrtha this year said it was the best of the new batch of Myrthas, and that's really saying something.
  4. Inge

    ABT 2018 Swan Lake

    I too was a little disappointed in his performance on Monday, but by Wednesday he seemed to have shaken off whatever was holding him back. He really, really tore into the role that night.
  5. Inge

    ABT 2018 Swan Lake

    Are you me? I thought no one else felt the same way. What Bell lacks is intensity. Some naturally have it (Jonathan Klein does), and some develop it. I hope Bell can. Also he's 19, which cannot be covered by any amount of makeup or even strong characterization. I think the fault here is in weird casting.
  6. Inge

    ABT 2018 Swan Lake

    That makes sense. I have seen her in soloist roles but she's been with the company since 2003! That seems like a long time to remain a corps member considering what a great presence she has. An injury would definitely explain it (unfortunately).
  7. Inge

    ABT 2018 Swan Lake

    Whiteside may not be the greatest actor in moments of high drama, but he was the only Siegfried I saw this week who brought life to Act I. He brings such a sly, dissatisfied air to his spoiled Prince, a man who is looking for excitement and destined for trouble. It added some much-appreciated foreshadowing that is very present in Tchaikovsky’s music, but not McKenzie’s terrible choreography. He also was an excellent partner for Murphy. *shrug* I really like his Siegfried. And of all the Odettes I saw this week (note: I couldn't make Shevchenko's performance) Gillian Murphy was the only one who made me cry. She brings the most suffering and depth to the role, as if she has been a captive for over a century. Her interactions with Whiteside were more tender than the other Odettes, and her protection of him much stronger. Love her frozen stare at the sky the moment when Rothbart possesses her at the end of Act II. Her Odile was not the speeding bullet of five years ago, but she seemed the most relaxed in the role. Overall, this has been a good year for O/Os. I didn't love Aran Bell as Rothbart. He's technically superior to Royal, but very flat in characterization. I didn’t expect a 19-year-old to convincingly play Odile’s seductive sorcerer father, and I'm sure he will improve with time. I suppose it was to be expected that he would look like a teenager wearing a silly costume. Has anyone seen enough of Zhong-Jing Fang to know why she's being held back from more soloist work? She's been a breath of fresh this whole season, and has such movie star glamour. She never treats small roles like small roles. She and Duncan Lyle have both been dancing everything with such gratitude and joy. Corps members like them are a blessing. I also couldn't take my eyes off Kaho Ogawa's swan. There is something so beyond-her-years in the way she tilts her head to catch the light, as well as her clean lines and accomplished swan arms.
  8. Inge

    ABT 2018 Swan Lake

    I have a feeling they are keeping Shevchenko in the wings (metaphorically speaking) tomorrow just in case. But I think it's fine. If social media is any indication, Murphy seems excited to dance Swan Lake. For Don Q, they would definitely give Shevchenko one of Murphy's shows if doesn't feel up to the role. The second slot would probably go to Seo, but I also wouldn't be surprised if Brandt has been learning Kitri as well. Then again it is ABT. They're pretty bad at being prepared (see: the infamous three Sylvias incident in 2016).
  9. Inge

    ABT 2018 Swan Lake

    People were definitely whispering around me. I think a lot of people noticed. I wonder what she'll do for Don Q. It's one thing to sub them in Swan Lake, but virtuoso dancing and tricks are really the only things Don Quixote has going for it. Why else even bother seeing Don Quixote?
  10. Inge

    ABT: Roster in Review - 2018

    Cirio is an extraordinary artist (also, is there a more likable principal in the ranks?), but he couldn't carry Harlequinade, which I thought would be a shoe-in for him. Even though his solo was the cleanest of all the leading men that week, he didn't seem 100% immersed. I just don't think ABT is a good fit. He excels in more cutting edge pieces. I love Royal in everything I see him in, but his technique hasn't been looking the strongest these past few weeks (his port de bras is still to die for though, and he does have that 'it' factor). I think the big leading man solos would get the best of him unless he has a technical epiphany.
  11. Inge

    ABT 2018 Swan Lake

    This whole conversation is depressing me. I couldn't make Shevchenko's debut so I went to tonight's show, hoping that some high audience energy would pick up my spirits. It was fine. Copeland is a better Odile than Odette. It might not be world class dancing, but she got the job done without any major fumbles. The only real annoyance for me was that she splays her fingers really wide, especially when she dances Odette. It cuts off her line and looks extremely weird. I've never seen her do this before. And yes, she did piqué and chaîné turns. They weren't especially crisp, but I admire her for realizing her limits and scaling back. Afterwards people around me were whispering, so I assume many are aware of this year's YouTube Foutté-Gate. Oddly enough, there were no solo curtain calls, just two en masse. Jonathan Klein was fantastic in the Neopolitan. Sometimes I get more excited about him than Bell. Act I is really tough to sit through multiple times per week. That choreography is so muddy and uninspired. In some places it looks like it was choreographed to completely different music. Or no music at all. If there were an intermission after Act I I would just wait until it's over and then take my seat. Bleh. Looking forward to Murphy's turn on Friday (but not having to sit through Act I and the dreaded swan interlude). Having two great Swan Queens in the pipeline (Shevchenko, Teuscher) is a pretty exciting prospect. I feel like Trenary would also be fantastic one day.
  12. Inge

    ABT 2018 Swan Lake

    If this were someone's first ballet, I'm sure they were confused by the crossbow because Stearns looked at it like it was something from an alien planet. I can't even think about Act I. I've always said that ABT's current Swan Lake (Act I + the prologue) reinforces a lot of bad stereotypes people carry around about ballet. It's a rare dancer that can make that scene (& its duller than dull choreography) exciting. Even Gomes could barely lift it. Kudos to Roman Zhurbin for keeping a straight face while stroking the swan puppet 🙄
  13. Inge

    ABT 2018 Swan Lake

    Stearns' frantic grasping at her at the end of Act IV was so moving. It's a shame that it took so long for him to get there. He really let her shine though, which is a fine quality in a Siegfried. Honestly the hottest moment of the whole ballet was that brief interlude between Royal's Purple Rothbart and Giangeruso's Polish princess. Also, shout out to Duncan Lyle's bit in the Spanish Dance. It was the very best of all the manufactured 'Spanish flair' I've seen on the ABT stage in a while.
  14. Inge

    ABT 2018 Swan Lake

    Tesucher was glorious tonight. She's been a little low energy this season and it seems like she was saving it up for this. Once Gillian retires, Teuscher will be the runaway crown jewel of ABT Odettes. Her port de bras was so lush, and her pantomime was lovely. She clearly knows this is her signature role. The jury (well, my jury) is still out on Odile, especially since Shevchenko hasn't had her turn yet. Teuscher's Odile was less polished but still a joy to watch. In a year or two I'm sure she'll completely conquer it. The only downsides were that her arabesques were a little leaden and she had a habit of looking down a lot during the pas de deux. I wish someone would just tell her to do single fouttés. She almost spun out of those weirdly-timed doubles, which weren't even necessary. People were already completely on board with her solid technique and star power. Why don't people like single fouttés anymore? I love them. Nina Ananiashvili's lighting fast ones. Yuriko Kajiya's slow ones that look like a little bird on its perch. I miss solid singles. But overall she was a pro from start to finish. The kind one doesn't expect to see at ABT anymore.
  15. Inge

    2018 Romeo & Juliet

    From what I've seen and gathered, the Mercutios and Tybalts have done a lot of heavy lifting this week (notably during sluggish town scenes). I keep forgetting that Cirio is only 27, which makes me excited for his character development in the coming years. Wish I could have seen Forster in this role. Would have loved to see him hurl himself at Hallberg. This season I've only seen him as very charming, slightly simple good guys. He's not in any of my Swan Lakes next week so I'll miss his Purple Rothbart as well.