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AmandaNYC

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Posts posted by AmandaNYC

  1. How long has Sarah Mearns been in the company? I confess I don't even recognise her name.

    Sara Mearns performed in the SAB workshop in 2003 and served as an apprentice during the 2003-2004 season. She joined the company, i think, around spring of 2004. She was a Wien aware winner with Scheller at SAB in 2003.

    -amanda

  2. ...appears at the NYCB website.

    Three new Swan Queens: Bouder (with Millepied)

                                          Sarah Mearns (with Nilas Martins)

                                          Sylve (with Charles Askegard)

    WOW! Quite the first major role for Mearns! Isn't Spanish this week her first solo with the company?

  3. Not to begrudge those mentioned... their mentions... but I was hoping they'd be singling out more people who are not already soloists and principals, like Ramasar. I'm certainly happy to read about Bouder (no surprise there) and others, but when i first saw this article, I thought they'd be singling out those who others might not know about / who have not gotten lots of attention already.

    That said, I'm grateful for any non-review attention to NYCB in the press!

    Have a happy new year!

    -amanda

  4. I'm with you, Oberon, on this one.  I've seen three of Ashley's Dewdrops so far this season, and I have been delighted and thrilled by her musicality and rubato, and am looking forward to her Sugar Plums.  Quite frankly, I am absolutely amazed that this is something that anyone would complain about!! 

    For all my love of Bouder, when she first did Dewdrop a few years ago, I felt she was pushing the timing too much. I felt she was concentrating too much on showing that she could hold positions than on being true to the music (as I felt Nichols did too much, as well). That, however, was a few years ago. Now, I think she has one of the most beautiful Dewdrops. In the coda on Friday, everytime she lifted her leg back out in arabesque it sang with the flute (or whatever instrument does that little flurry).

    -amanda

  5. Hyltin is small really? I am surprised as she was cast in the second girl role in Rubies which is usually cast tall. & she did look taller than Weese who is sort of medium.

    She was cast as the second girl? I find that extremely strange. She and Stephanie Zungre are probably the most petite girls (not shortest) girls in the company. Hyltin stood smaller than Ulbricht last night, when iI saw them after the performance.

  6. Casting for comic effect? Isn't there about a foot difference between short Ulbricht & long Hyltin?

    Hyltin is actually not that tall. She's one of the "small" girls. But, I do agree she does look long-- she is so narrowly built that she's a petite girl who looks tall.

    I love her as a dancer, but don't quite see her fitting Tarantella. She's more of a dancer with a quiet passion than showy exuberance. I haven't seen her do Stars yet. But, I am glad she had the opportunity.

  7. Thanks, oberon!

    6+ months to go, and I can't wait-- we get Barocco and Sym in C back. They're like my basic ballet nourishment. I need them!

    And, we also get some revivals of Robbins (Mother Goose) and Martins (Songs of the Auvergne).

    Lots more I could comment on, but, for now, I'm relishing having two of my favorite Balanchine's ballets back.

    -amanda

  8. I'll start...

    Worst:

    Retirements of Boal and Soto, Korbes leaving

    Liang injury-- he just came back! it's not fair!

    Best:

    Return of Somogyi (if even for one ballet) and van Kipnis

    Soto and Whelan in After the Rain

    More solo roles for Ramasar, Hyltin, Bar and Carmena

    Worst: That i can't come up with many "best" aspects.

    It was a pretty ho-hum season for me. I saw some splendid performances (always, of course, from Bouder... and others...), but, for the most part, I quietly enjoyed performances at the time and can't remember them now. This does not surprise me, as I was not excited by the programming this season (many of us discussed this before the season even began).

    What do others have to say? Maybe you'll trigger my memory for other great aspects of the season.

    -amanda

  9. Friday night, Philip Neal replaced Stephen Hanna in Brahms-Schoenberg, and according to the cast list in the lobby, Amar Ramasar will replace Hanna in Saturday's Goldberg.

    I didn't notice if Concertino was changed and was unable to check any changes for next week.

    Thanks carbo! Ramasar is finally getting cast in solo/principal roles a LOT! I have admired him since his '99 SAB Workship as a Percussion in Fanfare. While most of the dancers seemed nervous, as would be expected, he just had beautiful fun. I hope they continue to use him well!

    -amanda

  10. Diamonds.  Nilas continues to defy the laws of physics.  How can anyone of his build be so incredibly light in petit allegro???  Wendy had an off night.  She was clearly fatigued by the end and missed some signature moments in the pdd.  Of the demis, Dena Abergel's musicality and warmth made her a standout.

    For once, I think we disagree! I have never seen Whelan give such a beautiful performance of this ballet before. Perhaps, I was just in the mood for it, but she seemed more ethereal than usual and seemed to capture the essence of a Diamond-- exquisite and slightly untouchable/unreachable. She had some back bends that gave me chills.

    -amanda

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