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Helene

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Everything posted by Helene

  1. Dancers, including former dancers, have their own communication styles and varying abilities to teach. People have their likes and dislikes, including how and how much they like to rehearse, how much they can and want to learn from different types of people, how tolerant they are of idiosyncracy, and how willing they are to expose themselves to strong influences. All of this is fluid and can change over time. It's not unreasonable that dancers would be open to coaching by some and not others, given a choice. The question is whether the interpretation that has been influenced by the coach will be accepted in the Company. For every thought that rejection is based on insecurity or arbitrariness, there is the possibility that the style doesn't mesh. For example, Francia Russell staged the ballets that were contemporary when she was at NYCB in the style, steps, emphasis, and direction she was given by Balanchine. When Noelani Pantastico and Olivier Wevers performed the second movement of Brahms Schoenberg Quartet with NYCB during the Balanchine Centennial, there was criticism here that the performance was "provincial." Part of the issue (at least) seemed to be in temperament: the sunny interpretation fit into Russell's staging in Seattle, but did not seem to fit into NYCB's performances of the "same" work. Would a dancer coached by Marie Jeanne in Concerto Barocco fit into NYCB's current-day production?
  2. In the documentary Dancing for Mr. B, there's a scene in which Kent is coaching Darci Kistler (with Ib Andersen) on the final scene of La Sonnambula, which I believe postdates Heather Watts' debut in Bugaku. From the quote, it sounds as if the Ballet Mistress disapproved and Watts chose that side. Other dancers have made different choices over the years. I don't, for example, find Farrell's interpretations of roles made for Adams and Tallchief diluted. I don't think the intermediate or current generations should have said, "I'm not Toumanova, I think I'll go home now." I guess I just disagree with Mr. Taras.
  3. Madame Butterfly (Puccini/Nixon) http://www.sheffieldtheatres.co.uk/index.cfm?fuseaction=whatson.production&ProductionID=176 Ticket Information: Online: http://www.shopcreator.com/mall/departmentpage.cfm?store=SheffieldTheatresTickets&productpage=1&sdpage=1&did=66982 Phone: Ticket Office: 0114 249 6000 Lyceum Theatre
  4. Nosotros (Rachmaninoff/Welch) Rooster (Rolling Stones/Bruce) Divergence (Bizet/Welch) Harriman Arts Music Hall Kansas City, MO Ticket Information http://www.harrimanarts.org/ 888 528 5521
  5. New Work(TBA/Stowell) In The Night (Chopin/Robbins) Angelo (Vivaldi/Adam) Ticket info: 9am-5pm: 503/2-BALLET 5pm-9pm: 503/227.0977 x240 http://www.obt.org/tickets.html Newmark Theatre
  6. I second that hope, and to get a dose of opera as well: Nikitin was outstanding in The Demon, which the Mariinsky brought to the Met on the last tour.
  7. There are two other precedents: both Monica Mason and Karen Kain worked under reigning Artistic Directors.
  8. I don't see why Farrell must do anything. She's got a company of her own, control over her repertoire, and other companies are thrilled to have her staging ballets and coaching their dancers.
  9. Apollo (Stravinsky/Balanchine) The Concert (Chopin/Robbins) Solo (Bach/van Manen) Do not go gentle… (Stravinsky/Pastor) Online: http://www.het-nationale-ballet.nl/index.php?ssm=show Click the date and the order request pop-up box will appear. Maximum: 6 tickets per order. Telephone bookings: Tickets for performances at Het Muziektheater Amsterdam can be booked by telephone and collected from Het Muziektheater Box Office: Amstel 3, Amsterdam, telephone 00-31-(0)20-6255 455. The Box Office is open Monday to Saturday from 10.00 to curtain-up, on Sundays and Bank Holidays from 11.30 to curtain-up. On non-performance days and matinees the Box Office closes at 18.00. Tickets bought by creditcard will be sent to you as quickly as possible. There is an additional mailing and handling charge of € 1.75 per ticket, maximum € 17.50 per order. If you are calling from abroad, your tickets will be kept at the Box Office for collection. Het Muziektheater
  10. La Sylphide Ticket Information: English site not ready as of 14 Sep, but ticket ordering in English is. Tickets may be purchased online at: http://boxoffice.bolshoi.ru/eng/sales.html Site instructions: If you don't have an account, register for one. If you have one, login. Scroll through the calendar until you see the month of the performance you want to attend. For the performance, select either "in picture," which will show you the theater with the available seats represented by colored dots, or "in table," which will allow you to choose tickets by price and section. Select the dot(s) for the seats you wish to purchase or check the seats from the list, and click "Add to Basket." Review the summary and confirm the order. Once confirmed, you'll get a confirmation number. Choose the payment method. If "cash" is an option, you must pick up the tickets within the time it says on the site, or they will be released. (Usually within 3 days.) If you choose credit card, you will pay through the ASSIST site (which the Mariinsky also uses). If your card has gone through, the confirmation page will show this in red type at the top of the page. Print the "confirmation certificate" from the confirmation page, and bring it with you when you pick up tickets at the box office. If you are not also bringing the credit card you used to make the purchase, jot down the last four digits of the credit card on the certificate. New Hall
  11. Giselle (Adam/Coralli, Perrot, and Petipa http://www.mariinsky.ru/en/afisha/20051009 (Includes announced Principal casting) Ticket information: http://www.tickets.mariinsky.ru/index.php Requires registration to purchase tickets online or reserve and then purchase at the box-office within 72 hours of registration in cash. If paying by credit card online, you must print out the "certificate" and bring it and the credit card to the box office to pick up tickets, during regular box office hours. The Theatre requests that all tickets are picked up at least 30 minutes before curtain. Credit card orders are processed through the ASSIST site. Box Offices: Box-offices 1 and 2 are located in the foyer of the main entrance of Mariinsky Theatre at 1 Teatralnaya Pl., St Petersburg. The box-offices are open from 11 a.m. to 7 p.m. daily. Box-office 3 is located inside Bolshoi Gostiny Dvor, 35 Nevsky Pr., St Petersburg. The box-office is on the mezzanine level at the corner of Nevsky Prospekt and Perinnaya Liniya. The box-offices are open from 11 a.m. to 9 p.m. daily (closed from 2:30 p.m. to 4 p.m.). http://www.tickets.mariinsky.ru/index.php?s=boxoffice (small maps) Mariinsky Theatre
  12. b]Sleeping Beauty[/b] (Tchaikovsky/Sergeyev, after Petipa) http://www.musiccenter.org/dance_0506_kirov.html Ticket Information: Online (Ticketmaster) www.ticketmaster.com Phone (Ticketmaster): 213.365.3500 In Person Dorothy Chandler Pavilion 135 N. Grand Avenue Los Angeles, CA - 90012 Monday - Saturday 10 a.m. - 6 p.m. With box office validation patrons may park free for 30 minutes in the Music Center Garage. Dorothy Chandler Pavilion
  13. The Sleeping Beauty (Tchaikovsky/Petipa) http://www.coloradoballet.org/season/sleeping_beauty.shtml Ticket Information: Online (Ticketmaster): http://www.ticketmaster.com/artist/806429 Colorado Ballet Ticketing Services 1278 Lincoln Street, Denver (303) 837-8888 Hours: Monday - Friday 10 a.m. - 4 p.m. Saturday and Sunday Closed Ellie Caulkins Opera House
  14. La Fille Mal Gardee (Herold/Dunster) http://www.orlandoballet.org/2005-6season.htm Ticket Information: Online (Ticketmaster): http://www.ticketmaster.com/venue/106535 Box Office: Phone: 407-426-1739 Fax: 407-426-1734 Box Office Hours: Monday - Friday 9am-12 Noon 1pm-5pm Bob Carr Performing Arts Centre
  15. Carmen (Bizet, arr. Cali/Amodio) http://www.pbt.org/season/Carmen.html Ticket Information: Online: http://www.culturaldistrict.org/tickets/tickets/production.aspx?performanceNumber=1024 Phone or in Person: Advanced Sales The Box Office at Theatre Square 412-456-6666 Monday - Saturday: 9 a.m. - 9 p.m. Sunday: noon - 6 p.m. Day of Performance: Benedum Center Box Office 412-456-6666 The Benedum Center Box Office is open on performance days only, starting two hours prior to a performance and closing after intermission. Benedum Center for the Performing Arts
  16. Stravinsky Violin Concerto (Stravinsky/Balanchine ) Toccata e due canzoni (Martinu/Weber) ZuZu Lounge (Esquivel/Sappington) Box Office: Call 816-931-2232 x375. Lyric Theatre
  17. Four New Ballets (Nordic Composers TBA/Louise Midjord (DK), Jorma Uotinen (FIN), Jo Strømgren (N) and Helena Franzén (S)) Seating and Prices: http://www.kgl-teater.dk/dkt2002uk/Kontakt_os/frame.htm Click "The Box Office," the under "The Stages," click "seating and prices" For theatre-goers living outside Denmark, it is possible to book tickets either by phoning, faxing or e-mailing your reservation form to the Box Office, charging your credit card account. You will receive the tickets as soon as possible after giving your application. Booking by telephone, Monday to Saturday 12.00-18.00: +45 33 69 69 69 Booking by fax: +45 33 69 69 02 Online Reservation Form through Box Office (secure): https://betaling.kgl-teater.dk/billetinfo_uk/frame.htm Please note that refunds are only given in case of cancellation or change of repertoire. Online sales http://www.kgl-teater.dk/dkt2002uk/ballet/frame.htm (click on month) If you get a list of performances and links to them when you click on the little billet.net "ticket" icon next to the performance and the site is in Danish, you can go directly to: http://www.billetnet.dk/ (click the little UK flag in the right-hand corner for English on the billet.net site after selecting a performance) Det Kongelige Teater/Old Stage
  18. New Work(TBA/Stowell) In The Night (Chopin/Robbins) Angelo (Vivaldi/Adam) Ticket info: 9am-5pm: 503/2-BALLET 5pm-9pm: 503/227.0977 x240 http://www.obt.org/tickets.html Newmark Theatre
  19. b]Sleeping Beauty[/b] (Tchaikovsky/Sergeyev, after Petipa) http://www.musiccenter.org/dance_0506_kirov.html Ticket Information: Online (Ticketmaster) www.ticketmaster.com Phone (Ticketmaster): 213.365.3500 In Person Dorothy Chandler Pavilion 135 N. Grand Avenue Los Angeles, CA - 90012 Monday - Saturday 10 a.m. - 6 p.m. With box office validation patrons may park free for 30 minutes in the Music Center Garage. Dorothy Chandler Pavilion
  20. Sleeping Beauty (Tchaikovsky/Welch, after Petipa) http://www.australianballet.com.au/season_theaustralianballet.htm (Click on "Sleeping Beauty" for the appropriate city) Ticket Information: In Person At all BASS Outlets or the Adelaide Festival Centre Box Office Phone and Charge 131 246 Internet http://www.bass.net.au/events/beauty1.php (all major credit cards accepted) Festival Theatre - Adelaide Festival Centre
  21. The Sleeping Beauty (Tchaikovsky/Petipa) http://www.coloradoballet.org/season/sleeping_beauty.shtml Ticket Information: Online (Ticketmaster): http://www.ticketmaster.com/artist/806429 Colorado Ballet Ticketing Services 1278 Lincoln Street, Denver (303) 837-8888 Hours: Monday - Friday 10 a.m. - 4 p.m. Saturday and Sunday Closed Ellie Caulkins Opera House
  22. La Fille Mal Gardee (Herold/Dunster) http://www.orlandoballet.org/2005-6season.htm Ticket Information: Online (Ticketmaster): http://www.ticketmaster.com/venue/106535 Box Office: Phone: 407-426-1739 Fax: 407-426-1734 Box Office Hours: Monday - Friday 9am-12 Noon 1pm-5pm Bob Carr Performing Arts Centre
  23. Carmen (Bizet, arr. Cali/Amodio) http://www.pbt.org/season/Carmen.html Ticket Information: Online: http://www.culturaldistrict.org/tickets/tickets/production.aspx?performanceNumber=1024 Phone or in Person: Advanced Sales The Box Office at Theatre Square 412-456-6666 Monday - Saturday: 9 a.m. - 9 p.m. Sunday: noon - 6 p.m. Day of Performance: Benedum Center Box Office 412-456-6666 The Benedum Center Box Office is open on performance days only, starting two hours prior to a performance and closing after intermission. Benedum Center for the Performing Arts
  24. Houston Ballet Nosotros (Rachmaninoff/Welch) Rooster (Rolling Stones/Bruce) Divergence (Bizet/Welch) Northrop Auditorium University of Minnesota Minneapolis, MN Ticket Information: http://www1.umn.edu/umato/ 612 624 2345
  25. Four New Ballets (Nordic Composers TBA/Louise Midjord (DK), Jorma Uotinen (FIN), Jo Strømgren (N) and Helena Franzén (S)) Seating and Prices: http://www.kgl-teater.dk/dkt2002uk/Kontakt_os/frame.htm Click "The Box Office," the under "The Stages," click "seating and prices" For theatre-goers living outside Denmark, it is possible to book tickets either by phoning, faxing or e-mailing your reservation form to the Box Office, charging your credit card account. You will receive the tickets as soon as possible after giving your application. Booking by telephone, Monday to Saturday 12.00-18.00: +45 33 69 69 69 Booking by fax: +45 33 69 69 02 Online Reservation Form through Box Office (secure): https://betaling.kgl-teater.dk/billetinfo_uk/frame.htm Please note that refunds are only given in case of cancellation or change of repertoire. Online sales http://www.kgl-teater.dk/dkt2002uk/ballet/frame.htm (click on month) If you get a list of performances and links to them when you click on the little billet.net "ticket" icon next to the performance and the site is in Danish, you can go directly to: http://www.billetnet.dk/ (click the little UK flag in the right-hand corner for English on the billet.net site after selecting a performance) Det Kongelige Teater/Old Stage
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