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Helene

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Everything posted by Helene

  1. http://www.mariinsky.ru/en/afisha/20060225 La Bayadère ballet in three acts Music: Ludwig Minkus Choreography: Marius Petipa (1877) Revised choreography: Vladimir Ponomarev and Vakhtang Chabukiani (1941) Diana Vishneva Yekaterina Osmolkina Andrian Fadeyev Conducted by Mikhail Sinkevich Libretto: Marius Petipa, Sergei Khudekov Set design: Mikhail Shishliannikov (after set designs by Adolf Kvapp, Konstantin Ivanov, Pyotr Lambin and Orest Allegri (for the Mariinsky Theatre 1900 production)) Costumes: Yevgeny Ponomarev (for the production of 1900 in the Mariinsky Theatre) Premiere: 1877, Bolshoi Theatre, St Petersburg Running time: 2 hours 55 minutes (As of 28 Jan 06)
  2. Dances at a Gathering (Chopin/Robbins) Ballet Imperial (Tchaikovsky/Balanchine) Online: https://tickets.miamicityballet.org/scripts/max/2000/maxweb.exe?ACTION=ORDER&MAXWEB_127.0.0.1_2213= Mail/Fax Form: http://www.miamicityballet.org/mcbdev/bt_order_form.html Miami City Ballet Box Office 2200 Liberty Avenue Miami Beach, Florida 33139 FAX: 305-929-7012 Phone Call the box office at: (305) 929-7010 or Toll Free at: (877) 929-7010 Monday – Friday 10am – 5pm Broward Center for the Performing Arts: http://www.miamicityballet.org/mcbdev/bt_venue_broward.shtml
  3. World Premiere (TBA/van Manen) Vier letzte Lieder (R. Strauss/van Dantzig) Four Sections (Reich/Brandsen) Tickets available 15 Nov 05, 3 months before the premiere Online: http://www.het-nationale-ballet.nl/index.php?ssm=show Click the program from the left menu, and then the performance date, and the order request pop-up box will appear. Maximum: 6 tickets per order. Telephone bookings: Tickets for performances at Het Muziektheater Amsterdam can be booked by telephone and collected from Het Muziektheater Box Office: Amstel 3, Amsterdam, telephone 00-31-(0)20-6255 455. The Box Office is open Monday to Saturday from 10.00 to curtain-up, on Sundays and Bank Holidays from 11.30 to curtain-up. On non-performance days and matinees the Box Office closes at 18.00. Tickets bought by creditcard will be sent to you as quickly as possible. There is an additional mailing and handling charge of € 1.75 per ticket, maximum € 17.50 per order. If you are calling from abroad, your tickets will be kept at the Box Office for collection. Het Muziektheater
  4. Swan Lake (Tchaikovsky/Welch) Online Purchases: http://www.houstonballet.org/tesstkt/index.aspx Brown Theater at Wortham Theater Center
  5. Romeo and Juliet (Prokofiev/Cranko) By Phone: Ticketmaster 312.902.1500 In Person: Auditorium Theatre of Roosevelt University M–F 12–6pm Box Office: 50 E Congress Pkwy All Carson Pirie Scott, Tower Records, Hot Tix, select Coconuts, FYE, and Record Town On the web: Ticketmaster www.ticketmaster.com Auditorium Theatre
  6. La Fille mal gardee (Hertel/Nault) Sentinel (Brahms/Berkey) Beat (Davis/Whitener) Box Office: Call 816-931-2232 x375. Lyric Theatre
  7. Manon (Massanet/MacMillan) Seating and Prices: http://www.kgl-teater.dk/dkt2002uk/Kontakt_os/frame.htm Click "The Box Office," the under "The Stages," click "seating and prices" For theatre-goers living outside Denmark, it is possible to book tickets either by phoning, faxing or e-mailing your reservation form to the Box Office, charging your credit card account. You will receive the tickets as soon as possible after giving your application. Booking by telephone, Monday to Saturday 12.00-18.00: +45 33 69 69 69 Booking by fax: +45 33 69 69 02 Online Reservation Form through Box Office (secure): https://betaling.kgl-teater.dk/billetinfo_uk/frame.htm Please note that refunds are only given in case of cancellation or change of repertoire. Online sales http://www.kgl-teater.dk/dkt2002uk/ballet/frame.htm (click on month) If you get a list of performances and links to them when you click on the little billet.net "ticket" icon next to the performance and the site is in Danish, you can go directly to: http://www.billetnet.dk/ (click the little UK flag in the right-hand corner for English on the billet.net site after selecting a performance) Det Kongelige Teater/Old Stage Kongens Nytorv/Gamla Scene
  8. Quarternary (New) (Pärt/Wheeldon) Magrittomania (Beethoven/Possokhov) Additional Work, TBA All Internet and phone orders incur a handling fee of $8 per order. The phone number to call is (415) 865-2000 and the hours are Monday – Friday, 10am – 4pm from January 2006. The Box Office in the Opera House is open on performance dates only from Noon until the first intermission. Single tickets are available only online on November 21, 2005. War Memorial Opera House
  9. Emeralds (Fauré/Balanchine) Rubies (Stravinsky/Balanchine) Diamonds (Tchaikovsky/Balanchine) Tickets on sale beginning Oct 17, 2005 The National Ballet of Canada Call Centre Monday: 10-4 Tuesday: 10-4 Wednesday: 10-4 Thursday: 10-4 Friday: 10-4 Saturday: closed Sunday: closed For further information please call (416) 345-9595 or out of town 1-866-345-9595 (outside 416). The National Ballet of Canada Box Office - Hummingbird Centre - 1 Front Street East NBoC website: www.national.ballet.ca/tickets Phone and online orders are subject to an additional $6.00 service charge per ticket. Hummingbird Centre
  10. New Work (TBA/McEntyre) Quick Time (Saints-Saens/Stowell) Who Cares? (Gershwin/Balanchine) Ticket info: 9am-5pm: 503/2-BALLET 5pm-9pm: 503/227.0977 x240 http://www.obt.org/tickets.html Keller Auditorium
  11. Or perhaps to paraphrase the review in today's Links of NBoC's Jewels:
  12. I think figure skating differs from most other sports. It does have the World Championships every year, but while the US press makes a very big deal out of the Olympics for things like "the Worlds fastest human," 100-meter race, they really aren't as important to followers of many other sports. For skiing, ski-jumping, cross-country skiing, and biathlon, for example, the World Cup, the athletes' cumulative results over a season, is more important than the Olympics, and the biannual World Championships are equally important. No one thinks that Marit Bjoergen is any less of a legend in cross-country skiing for not winning gold medals in any one Olympics. The season that Simon Ammann won both individual Olympic ski-jumping medals, Sven Hannevald was just as lauded for being the first man to sweep the Four Hills tournament, and Adam Malysz was reigning World Cup champion and went on to win both hills at the World Championships the following year. In Europe, where track and field stars are the equivalent of rock stars and have great endorsement deals, the Olympic gold medal is important, but not overwhelmingly important as the year-in/year-out circuit and the World Championships. The same is true in swimming and diving, and the World Cup in soccer is way more important worldwide than the Olympics. Just as the rest of the world doesn't pay much attention to the World Series, which is required viewing for US sports fans, or to the Tournament of Hearts and the Brier, which are required viewing for Canadian sports fans, the reason Olympic gold medals are so important in North America is that we don't pay much attention to many of these sports except during the Olympics. Sadly, that includes figure skating, where a true Grand Prix circuit is unaffordable, not only given the facilities needed, which is as expensive for ski-jumpers, but the nature of individual vs. group/team training.
  13. The links to the Ladies Free Skate videos are posted to the NBC site for the following skaters: Arakawa, Cohen, Slutskaya, Suguri, Rochette, Meissner, and Hughes.
  14. Given the number of articles in the general sports press about how Cohen should have been off the podium altogether, I'm afraid Cohen's silver, Slutskaya's bronze, and Suguri's 4th place finish wasn't an obvious outcome to everyone, particularly those with the most exposure.
  15. I credit Cohen's work with David Wilson for giving Cohen a structure to work with between jumps, and for Cohen with sticking with the "score" of the program, even when her early jumps failed her. The little arm movements and arm positions that stilled her upper body, the short baby Ina, and the tiny transitions added to her program, collectively made programs by Suguri, for example, to appear empty. (Which is usually the criticism of Cohen's non-Tarasova programs.) After the hands down on the 3Flip, I thought Cohen skated exquisitely, and for the only time in her career, ended the free skate stronger than she started. (She was uniformly stellar in her 2004 Worlds qualification skate, the best I've ever seen her.) The difference in component scores (PCS) was marginal between Arakawa, Cohen, and Slutskaya. I never thought I'd be typing this, but Cohen beat Slutskaya on the basis of her technical score. Cohen planned and rotated seven triples. Slutskaya, Suguri, and Rochette planned six triples, and rotated five. Suguri and Rochette landed their triples. Slutskaya fell on one of them, thus landing one fewer than Cohen. Tracy Wilson did an analysis for NBC, comparing the performance scores for Cohen vs. Slutskaya. Even with the errors both Slutskaya and Cohen had on jumps -- Cohen lost 7 points to Slutskaya's 3.29 -- and Cohen's additional landed triple, Slutskaya was still ahead on jumps. It was a virtual draw on spins, and Cohen made her winning margin on spirals and footwork. Ultimately, having a harder program to start gave Cohen second in the free skate: Cohen: planned ~ 57 points, skated a 57-point program, and received ~55 points for her effort. Slutskaya, Suguri, Rochette: planned ~ 57 points, skated ~53-point programs, and received 53-54 points for their efforts. Arakawa: planned ~60 points, skated a 57-point program, and received ~62 points for her effort. I think that Arakawa was more Caballe than Sutherland, but that's my preference.
  16. http://www.mariinsky.ru/en/afisha/20060224-1 The Fountain of Bakhchisarai choreographic poem in four scenes with prologue and epilogue Music: Boris Asafiev Choreography: Rostislav Zakharov (1934) Foto by © Natasha Razina Libretto: Nikolai Volkov based on the poem: Alexander Pushkin Stage director: Sergei Radlov Set and costume design: Valentina Khodasevich World premiere: 28 September 1934, Kirov Theatre, Leningrad Running time: 2 hours 50 minutes (As of 28 Jan 06)
  17. Dances at a Gathering (Chopin/Robbins) Ballet Imperial (Tchaikovsky/Balanchine) Online: https://tickets.miamicityballet.org/scripts/max/2000/maxweb.exe?ACTION=ORDER&MAXWEB_127.0.0.1_2213= Mail/Fax Form: http://www.miamicityballet.org/mcbdev/bt_order_form.html Miami City Ballet Box Office 2200 Liberty Avenue Miami Beach, Florida 33139 FAX: 305-929-7012 Phone Call the box office at: (305) 929-7010 or Toll Free at: (877) 929-7010 Monday – Friday 10am – 5pm Broward Center for the Performing Arts: http://www.miamicityballet.org/mcbdev/bt_venue_broward.shtml
  18. World Premiere (Willems/Dawson) Speigels bevriezend (Hamel/van Schayk) In light and shadow (Bach/Pastor) Tickets available 14 Nov 05, 3 months before the premiere Online: http://www.het-nationale-ballet.nl/index.php?ssm=show Click the program from the left menu, and then the performance date, and the order request pop-up box will appear. Maximum: 6 tickets per order. Telephone bookings: Tickets for performances at Het Muziektheater Amsterdam can be booked by telephone and collected from Het Muziektheater Box Office: Amstel 3, Amsterdam, telephone 00-31-(0)20-6255 455. The Box Office is open Monday to Saturday from 10.00 to curtain-up, on Sundays and Bank Holidays from 11.30 to curtain-up. On non-performance days and matinees the Box Office closes at 18.00. Tickets bought by creditcard will be sent to you as quickly as possible. There is an additional mailing and handling charge of € 1.75 per ticket, maximum € 17.50 per order. If you are calling from abroad, your tickets will be kept at the Box Office for collection. Het Muziektheater
  19. Romeo and Juliet (Prokofiev/Cranko) By Phone: Ticketmaster 312.902.1500 In Person: Auditorium Theatre of Roosevelt University M–F 12–6pm Box Office: 50 E Congress Pkwy All Carson Pirie Scott, Tower Records, Hot Tix, select Coconuts, FYE, and Record Town On the web: Ticketmaster www.ticketmaster.com Auditorium Theatre
  20. La Fille mal gardee (Hertel/Nault) Sentinel (Brahms/Berkey) Beat (Davis/Whitener) Box Office: Call 816-931-2232 x375. Lyric Theatre
  21. Spring Rounds (New) (R. Strauss/Taylor) Apollo (Stravinksky/Balanchine) Rodeo (Copland/de Mille) All Internet and phone orders incur a handling fee of $8 per order. The phone number to call is (415) 865-2000 and the hours are Monday – Friday, 10am – 4pm from January 2006. The Box Office in the Opera House is open on performance dates only from Noon until the first intermission. Single tickets are available only online on November 21, 2005. www.sfballet.org War Memorial Opera House
  22. Emeralds (Fauré/Balanchine) Rubies (Stravinsky/Balanchine) Diamonds (Tchaikovsky/Balanchine) Tickets on sale beginning Oct 17, 2005 The National Ballet of Canada Call Centre Monday: 10-4 Tuesday: 10-4 Wednesday: 10-4 Thursday: 10-4 Friday: 10-4 Saturday: closed Sunday: closed For further information please call (416) 345-9595 or out of town 1-866-345-9595 (outside 416). The National Ballet of Canada Box Office - Hummingbird Centre - 1 Front Street East NBoC website: www.national.ballet.ca/tickets Phone and online orders are subject to an additional $6.00 service charge per ticket. Hummingbird Centre
  23. New Work (TBA/McEntyre) Quick Time (Saints-Saens/Stowell) Who Cares? (Gershwin/Balanchine) Ticket info: 9am-5pm: 503/2-BALLET 5pm-9pm: 503/227.0977 x240 http://www.obt.org/tickets.html Keller Auditorium
  24. I'm going to turn into a complete gushing fan here, but I am in Kvell Land for Arakawa and am floating on air: my alltime favorite Ladies skater from the triples era is Olympic Champion!!!!!
  25. VAI released a VHS version of Gaite Parisienne with Massine and Danilova. Unfortunately, it's not available (currently) on amazon.com, and it's no longer on VAI's website. Does anyone know of a source for this tape?
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