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Friday, May 3


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A review of New York City Ballet by Brian Seibert in The New York Times.

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In their connections to the company, the choreographers presented a contrast. Justin Peck, City Ballet’s resident choreographer and artistic adviser, was contributing his 24th work for the troupe. Amy Hall Garner, a midcareer, newly in-demand choreographer, was offering her first. But these dancemakers were similar in what they delivered: the usual, with a twist.

 

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Kansas City Ballet presents "Jewels" this month.

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And, indeed, Carney did mount “Diamonds” in 2018 for the Kansas City Ballet’s 60th anniversary season, its diamond anniversary.

“That was the indication for me that we now had the chops to be able to do all of them in the same program,” [Devon] Carney said.

 

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A preview of Tulsa Ballet's new program by James D. Watts Jr. for Tulsa World.

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The piece was a series of vignettes inspired by the 1953 film “Roman Holiday,” which starred Audrey Hepburn as a runaway princess and Gregory Peck as an American journalist who ends up escorting her around the “Eternal City.”

And choreographer Luciano Cannito, who created the work for the event, thought that one performance was the end of that particular ballet.

“Then I get a call from Marcello (Angelini, Tulsa Ballet’s artistic director), saying that he thought I should turn what I had made for the gala into a full work,” Cannito said.

 

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Chris Pine enthuses about his ballet classes.

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The classes are even more intense because "they're speaking in French and telling you to do things, and if you haven't done it before, it's like geometry," he adds. "It massages your brain."

 

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