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Monday, November 6


dirac

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A review of Pacific Northwest Ballet by Moira Macdonald in The Seattle Times.

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Sometimes, a ballet can create a mood so powerful that you feel like you’ve entered a different world, one where all that matters is music and movement and gesture that seems to be somehow touching your soul. To different degrees, this happened with all three works in Pacific Northwest Ballet’s wistful repertory evening “Love & Loss,” with each creating its own delicate mood.

 

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An interview with Reece Clarke.

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So, there was a lot to unpick when we met in an office at the back of the Royal Opera House. Clarke had just come from a Don Quixote rehearsal and was still buzzing, his face lit up by a contagious smile.

'It’s been one of the most enjoyable rehearsal processes I’ve had in a long time,' he said. 'I haven’t laughed so much in a rehearsal process as with Zenaida [Yanowsky], my coach, and Natalia! It’s been such a warm, happy process – I can’t wait to get out there and see what happens.

 

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