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Monday, October 31


dirac

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A review of Jennifer Homans' new biography of George Balanchine by Dwight Garner in The New York Times.

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In “Mr. B,” a sensitive, stately and often thrilling new biography of the Russian-born choreographer George Balanchine, Jennifer Homans finds a bittersweet tone to capture Balanchine’s many leave-takings — the way he was chased, as if he were Chaplin’s Tramp, across the first half of the 20th century.

 

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A review of the United Ukrainian Ballet by Sarah Navin for Bachtrack.

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Ekaterina Chebykina, cast as Odette and Odile, was a vision, with the most beautiful arms I have ever seen on a ballerina. They were mesmerising to watch, graceful yet winglike, at one point gently rippling like water as she left the stage. Her characterisation as Odile was excellent, seductive and playful, with a sly grin. Her daring backbends and 28 fouettés showcased her technical brilliance. 

 

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Ivan Putrov brings "Men in Motion" back to London.

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The program will include 20 pieces of ballet works, featuring the classics and revised versions, as well as new contemporary creations.

The works range from “Le Train Bleu,” a one-act ballet choreographed by Bronislava Nijinska in 1924 that Coco Chanel provided the costumes for, to a new piece by award-winning choreographer Arthur Pita, performed by his longtime collaborator Edward Watson, now a répétiteur at The Royal Ballet.

 

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