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Friday, October 28


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A review of American Ballet Theatre by Gia Kourlas in The New York Times.


It’s hard to tell from where the ominous sensations of “Lifted” emanate: From the outside, from within or a bit of both? Rudd’s seems to want to show how Black people see themselves and how the world sees them. But the dancers are pretty much left on their own; it can hardly be their fault that they sometimes seem to be adrift.


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