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Saturday, July 16


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A review of New York City Ballet by Jay Rogoff for WAMC.


Unity Phelan, as Titania, dances the most sublime comic sequence in the ballet when, bewitched by Puck, she conceives a passion for Gilbert Bolden III as Bottom, a mortal enchanted with an ass’s head. Bottom partners her, trotting, stopping to scratch, and distracted by her bribe of sweet hay, but he gets the job done, and we recognize in him a funhouse mirror of our own sometimes asinine romantic selves.


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