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Monday, December 27


dirac

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An interview with Xander Parish.

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Parish, originally from Hull, started dancing at the age of eight and was accepted into the Royal Ballet school three years later. It was, he says, a sheltered life.

"We were locked away in a beautiful, royal hunting lodge in Richmond Park for five years which was amazing but I never really ventured out. My vision was focused on one thing. So it's certainly broadened my perspectives a lot by coming here!"

 

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Sarah Crompton's best of 2021 in dance list for The Observer.

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Birmingham Royal Ballet’s dancers look wonderfully honed and ready too, but director Carlos Acosta (who took over the company just as Covid struck) has yet to find a repertory that both redefines them and lets them shine. English National Ballet came back with a dazzling performance at Sadler’s Wells of works it had already showcased on film, including Russell Maliphant’s fine Echoes and Arielle Smith’s exhilarating Jolly Folly. Akram Khan’s long-awaited Creature was a muddled disappointment but Jeffrey Cirio’s agonised definition of the tormented soul at its centre was the performance of the year.

 

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