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Saturday, October 23


dirac

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An interview with Edward Watson.

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Asked how the profession has changed since he first joined the company 27 years ago, he told the Telegraph that there is a greater expressive freedom today: “I think that’s really important for younger dancers now, knowing that no-one’s going to turn round to them and say you need to ‘man-up'. That’s not a language that’s used any more. 

 

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A review of American Ballet Theatre by Leigh Witchel for dancelog.nyc.

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One of ABT’s strengths in their best full-length stagings is the ensemble casting. It had touch and go moments as the company ramps back up. Isadora Loyola made a clear impression as Bathilde. She played her as vain and not that bright: she knows she’s pretty and shows off her clothing. When Giselle tried to thank her after the gift of the medallion, her smiling “Don’t touch me” reaction was very Regina George.

 

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