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Sunday, November 15


dirac

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A review of Smuin Contemporary Ballet by Rita Felciano for danceviewtimes.

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But making and performing are two different disciplines. The compulsory quarantining, perhaps for reasons of practicality, solos and duets predominated, most of what I saw was forgettable. So it was encouraging to see that even with the given restrictions, Smuin Contemporary Ballet's Virtual Fall Season, presented well-thought out programs of new and less-so dance. The company divided its dancers into three groups, commissioned premieres from its dancers and complemented the lineup with selections from the "Smuin Songbook." Set in a garden, enhanced by a charming central percola, with four dancers in each of the two programs, I saw, the format offered nicely shaped choreography, in addition to the more intimate looks of the dancers than the much-missed live performances might offer.The women danced on point, in slippers and heels.

 

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