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Saturday, March 21


dirac

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Tiler Peck makes a home video of ballet class for Playbill.

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New York City Ballet principal dancer and former Broadway star Tiler Peck (On the Town) has been teaching live classes every weekday at 1PM ET/10AM PT on her Instagram. But for those who want to continue to work out on the weekend (or who won't be able to tune in to a future live stream), Peck has curated this exclusive video of her at-home ballet session for Playbill.

 

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A review of the National Ballet of Canada in "Romeo and Juliet" by Denise Sum for danceviewtimes.

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n contrast to the heaviness the pervades much of the ballet, the choreography for Romeo and Juliet is full of breath, expansiveness and joy. When they first meet at the ball, they are literally lifted in the air, as if floating. Their movement phrases come in sudden, ecstatic bursts, pausing just long enough to catch their breaths. Lobsanova's staccato footwork mimics a fluttering heartbeat, while her silent landings are an impressive technical feat. She throws herself into every lift, caution be damned. Côté never took his eyes off her. He was believably smitten and the urgency with which he ran to Friar Laurence to wed Juliet was especially poignant. Together, they made the tomb scene gut-wrenching. 

 

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Tamara Rojo livestreams ballet classes.

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There are some wonderful initiatives springing up online for those are itching to keep dancing during the shutdown. Tamara Rojo, Artistic Director of English National Ballet, is now leading livestream ballet classes via the company's Facebook - head over to their page to join in!

 

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Tulsa Ballet's costume department makes masks for medical workers out of cloth scraps.

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The idea came from a Thursday Facebook post from the Stillwater Medical Center asking for seamstresses to sew cloth medical masks. These masks will not be worn by medical professionals in direct contact with COVID-19 patients, stating that, "This will allow us to save our N95 masks & other PPE for Healthcare Workers."

 

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A review of American Ballet Theatre in "Of Love and Rage" by Victoria Looseleaf for the Fjord Review.

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Indeed, this is ballet at its most sumptuous. Set to the music of Aram Khachaturian (known for his “Spartacus” score, which includes the exquisite love theme) and performed live by the Pacific Symphony under the exacting baton of ABT music director Ormsby Wilkins, the two-plus hour work is a feast on all levels, not least for a huge and dazzling cast.

 

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A brief note on the death of Sir John Tooley by Norman Lebrecht.

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John was not an easy man to know, maintaining  the reserve of a former Guards officer behind an impassive facade. What I saw of him was a man without guile, or malice. He answered every question I put to him without evasion and never once told me a lie. In that respect, at least, he was a moral example to all opera administrators.

 

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