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La La La Human Steps is no more

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I prefered the earlier horizontal choreography to the work Lock did after he put his dancers on pointe. The latter was fetishistically vertical and stationary, and dancers only ever seemed to move from point A to point B by stopping what they were doing, walking heel first to another place on the stage, and then resuming their windmills.

I last saw Lecavalier on stage 2-3 years ago, and even in her mid-fifties she was still doing some jaw-droppingly crazy things. It's somehow comforting that she endures.


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