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About sandik

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    Diamonds Circle

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  • Connection to/interest in ballet** (Please describe. Examples: fan, teacher, dancer, writer, avid balletgoer)
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  1. Agree wholeheartedly -- this pandemical time has taken so many opportunities away from performers and audience alike, but archival screenings like this are a chance to see folks who have left the company one last time.
  2. Ross moved into a new position with the company this year, as Director of Company Operations, and they've posted a tribute to his career online
  3. Ironically, the latest issue of Dance Index is all about Soul Train, and includes several photos of the Lockers.
  4. A local television station ran an interview with Ashton Edwards, who is in his first year as a PD student at PNB -- he expressed an interest in training on pointe, and has added that to his curriculum in the school.
  5. I agree -- she really helped to bring out his performance qualities, and he had the height to really support her, so she could dance freely. It was a pleasure to see that develop.
  6. On a cheerful note -- you can watch the company in excerpts from the 2018 Pillow performance as part of the Pillow's virtual festival for free.
  7. I just heard this morning -- I am so sorry. The magazine is in the process of publishing its last issue, and he did not live to see it come out. Sometimes the universe is pretty mean. Like many of us here, I've been a subscriber for as long as I knew it existed. Way back before the internet made it easy to talk with people who were elsewhere about dance, I would read something in BR and nod my head vigorously (or scratch it as I tried to understand something a bit beyond my experience) -- it was an intellectual companion on many trips to the theater. Many thanks to Marvin H, and to th
  8. Pacific Northwest Ballet has embarked on a series of discussions focusing on Black, Brown and LGBTQ members of the dance community -- here's their opening session.
  9. I hope you are still celebrating -- have a wonderful day, and then just keep having them!
  10. We are going to see significant cuts all over the country, and likely the world. Between the continuing ambiguity about what is "safe" and the miserable state of the economy, we are looking at austerity in all aspects of public life.
  11. Welcome to the neighborhood -- I remember your mother as well, and I imagine she'd be tickled that you're here. I used to teach dance history, and so if you've got questions about where to find information, this community will be happy to help. But for right now, starting with Fonteyn will introduce you to all kinds of works and all sorts of artists. She had a long career, knew so many people, and was "there" for an amazing amount of 20th c ballet. Follow whatever strikes your fancy right now.
  12. You've put your finger on a major element -- for NYCB, and honestly, for most productions in the US, a functional school is a requirement for Nutcracker.
  13. This is making me so sad -- I have loved watching her develop during her time here. She's shown me different aspects of roles I thought I knew pretty well, and inhabited so many parts with aplomb. I'm grateful for the whole package, but if I had to pick something, it would be her appearance as Amour in Ratmansky's Don Quixote. She was gracious in the way that we see in photographs from the late 19th century -- it was like she opened a little door to the originators of that ballet.
  14. Honestly, with the exception of the original Spanish dance, don't you think all Boleros should be credited to Bejart?
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